The Sore Losers

1997 "They wanted meat so they ate the Flower Children"
4.8| 1h29m| en| More Info
Released: 01 February 1997 Released
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Synopsis

Set in present day Northeastern Mississippi and Memphis, Blackie (Jack Oblivian) returns to Earth 42 years after his first visit to complete a mission: Given a second chance by The Elder of the Lo-Fi Frequency (Sexploitation pioneer of the '50's and '60's DAVID FRIEDMAN), he is to finish his original mission of killing 12 victims. He hooks up with his old friend Mike (Mike Maker) then eventually meets Kerine (Kerine Elkins) and Goliatha (D'Lana Tunnell). Trouble begins.

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Reviews

Matcollis This Movie Can Only Be Described With One Word.
Ploydsge just watch it!
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
Pole-cat when you base characters on prince songs you have a problem. when you throw those characters into a plot that goes nowhere, and you end up with something that is a train-wreck of Uwe Boll proportions. I seriously wanted to find some reason to keep watching, and sadly it starts mucking up the suckiness with boring. the direction, hr mm it feels like the director just REALLY wanted to get to check out a couple of chicks stripping then making out, and somehow even that looks repulsive in this movie I'm sure some high schooler somewhere is having a fit or questioning my sexuality, but REALLY I am serious when I say that this entire movie would have been better as two minutes of music video when the end comes, and I have to note this doesn't happen soon enough by any definition, you're left with absolutely nothing but the fact that you'd just wasted your time and most likely your money hell like the other guy I bought it in a bargain pack, and STILL felt ripped-off.
guyfromjerzee Anyone with a half a brain can tell this was made by a group of amateurs with a budget that couldn't be more than a couple thousand dollars. I liked the film's use of lighting, as well as the costume design, but other than that there's nothing good I can say. The story's an incoherent mess. It's one of those confusing story lines that goes in many different directions and is hard to follow, yet at the same time it's not worth following. Besides the lighting and costume design, the film is a stylistic mess. It's like one of those student films where the director is simply trying to show the professor all the different things he can do with visuals, but totally ignores the concept of making a "good film." The sound is terrible. There's one scene where we're watching two characters get out of a car, from a distance, and it sounds as if the characters are right in front of the camera (an obvious use of ADR). Some of the camera-work is shoddy as well. In one scene, two of the characters are in an amusement park, and it's shot on a cheesy home video camera. And no, it wasn't a stylistic choice. I guess the filmmakers weren't able to sneak a film camera into an amusement park, so instead they used a mini-camcorder. That's the kind of stuff you can only get away with in film school. And like in many bad films, there's a good deal of nudity. Some of the girls have pretty nice bodies, but the use of nudity is simply a ploy to distract us from the fact that this movie really sucks and doesn't make a lick of sense. Some viewers may be able to interpret something from this micro-budget flick, but I was lost. Then again, I'm not a fan of movies that jump back and forth, nonchalantly, from one reality to another, and there's no surefire way of telling what's real and what's fake ("The Matrix" being a big-budget example). I'm sorry, but I actually like to understand a movie. Is that too much to ask? There are some complicated films that are worth uncovering the mystery in subsequent viewings, but this is not one of those cases. Besides, why should I take any film seriously that's made by a director who doesn't even bother to put any effort into hiring good actors or using good cinematography?
cornjob-2 Wow, this was disappointing. The movie starts off all right and the backstory is acceptably goofy. The movie is fun until Kerine-a shows up. Then it just gets annoying. The problem is that Kerine-a is a completely unlikable character and soon becomes the main one. If the movie had been devoid of her, it would have been better.The other characters are interesting, but are eclipsed in dialogue and screen time by Kerine-a. Fortunately, this movie has the ultimate saving grace and the greatest trump card for making something automatically cool--GUITAR WOLF!!! Yes, the Japanese punk rockers made famous by their sound and Wild Zero (the greatest movie ever) appear twice and somehow manage to completely steal the movie with something like seven minutes of screen time total.Sore Losers has some amusing bits and some great ideas. Then Kerine-a shows up and it goes down the drain. Really disappointing, too. It had so much promise...
Jens-28 Being a garagepunk and trashfilm fanatic I've been waiting religiously for the European PAL release of "Sore Losers". I've heard the excellent soundtrack (with Crypt and Estrus bands) two years ago and I wasn't disappointed with the movie. Jack Oblivian (of Memphis' sadly defunct Oblivians) stars as an alien assassin who was sent to earth in '54 to kill beatniks and now he's back to kill hippies and other lowlifes. His sidekick is comicbook junkie Mike Maker (of trashrockers The Makers) and together they encounter various sleazy women who resemble an insane mix of Betty Page and Divine! The role list also includes Japanese lo-fi gods Guitar Wolf and the mighty monarch of exploitation, David Friedman (Bloodfeast, Erotic Adventures Of Zorro etc.) as The Elder. The plot is too weird to describe but if you're tired of MTV/Hollywood products and have a good taste in rock'n'roll, get your kicks with this low-budget (16 mm) wonder.