Redwarmin
This movie is the proof that the world is becoming a sick and dumb place
InformationRap
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Isbel
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
sol1218
***MAJOR MAJOR SPOILERS**** Multi-plotted crime thriller involving L.A narcotic detective John Parker, James Slader, who ends up in far-off Vedalia on stress leave from the LAPD and gets involved in the robbery of the towns bank of over a half million dollars.***SPOILERS FROM HERE ON END**** It takes a while to figure out what and who exactly Parker is in that the movie keeps jumping back and forth in what's going on in it. As we soon find out Parker was involved in a drug bust gone wrong back in L.A where his good friend and partner Det. Mike O'Grady, Alf Humphrerys, and four other cops and drug dealers were killed. Having a religious conversion in experiencing his friend and fellow cop O'Grady's last words before he finally passed away Parker became the target of the members of a number his fellow police on the narcotic team. Those fellow cops feel that the guilt ridden Parker is going to talk to a grand jury about their, as well as his, shaking down drug dealers for their ill gotten cash. Something they've, as well as Parker, been doing for years. With Parker now implicated in the Vedalia bank job members of the L.A narcotics division headed by Parker's boss Lt. Vince Marino, Robert Miano, come to the town's police departments aid in order to get the on the loose Parker to give himself up before he ends up dead! Which is exactly what they in fact intend to do to him!On the run with a bullet stuck in his gut courtesy of Vedalia Deputy Sheriff Ray DeCarlo, David Keith, Parker ends up in the safety of local Veldalia hospital nurse Natalie wright, Leslie Stefanson, home sweet home outside of town. Not only had Parker met Natalie the night before at a local bar, where she bought him a drink, but as It turned out Natalie is the ex-wife of Deputy Sheriff DeCarlo the guy who just happened to have shot Parker during the bank robbery escape!It's later with rookie FBI Agent Rick Kindall, John Livingston, checking out all the fact that it becomes clear that Parker was the right man in the wrong place at the wrong time when he bank robbery happened! The right man that is for both his fellow members of the L.A narcotic division as well as Deputy Sheriff Decarlo and his partner Tommy Meeker, Alex Zahara, in him ending up taking the rap for them!Very well done but overly complicated film that's not really that complicated at all in how it tells its story about police corruption in a number of Rashomon-like time frames and flashbacks. We get to see John Parker a fugitive from the law perused by a number of lawmen who in fact are the one's responsible for the crimes that he's being accused of committing! Somewhat let-down of an ending but at the same time in Parker willing to put his neck on the chopping block with the threat of being murdered by the crooked cops, as well as testifying before a grand jury about them, that's the only ending you can really expect a movie like "The Stickup" to have!
johnnyboyz
I think The Stickup is worth your time, overall, if not by an awful lot. I've seen a lot worse than The Stickup, films that have been so much worse and yet have garnered ten times the attention this little joint USA/Canada 2001 production attracted. The film very lightly tackles ideas to do with identity and whether we, as well as the other characters, believe certain individuals are capable of certain things. The film also adopts a neo-noir tone as the lone lead becomes increasingly involved with low-key crimes in a low-key location as he engages in relationships built on shaky trust with mysterious women and the boundaries around him to do with legal and illegal are blurred.The film isn't without its annoyances, but it's unfolded in such a manner that is both nice to look at and easy to just let oneself loose inside of that you begin to grin as the film unfolds more so than you do groan. The film opens with a car chase, a car chase that unashamedly throws in all the clichés and incidences you'd associate with a typical car chase. You've got your near miss with another oncoming car, you've got your incident in which one of the vehicles spins wildly out of control but gloriously has a patch of dirt or gravel to spin onto rather than a brick wall or fifty foot drop thus allowing the regaining of control and you've even got your little stunt at the very end which involves a car overturning. I was pleased it didn't blow up like usual - maybe they couldn't afford it.The man being pursued is John Parker (Spader) and his pursuers are law enforcement. This immediately draws us to conclusions it's only right for them to get their man because surely anyone running from the law must have done something wrong, right? Parker gets away and next we see him in a church, blood dripping from his hands and a big bag of money he's got with him as we assume he repents any sin he may have just committed. What begins in the audience's mind as a tale of regret and putting things right quickly turns into something a little more. The crime infused male fantasy is stepped up a notch when Parker comes into contact with Natalie Wright, played by Leslie Stefanson, who's a nurse in the local hospital.These two come together, initially, in a bar because of a certain song Parker puts on and she comes over. What that song was slips my mind and to a degree, that is a great shame, because here is a chance to reinvent a certain musical track much in the vein of what Tarantino does but also to use it as a reoccurring melody throughout these two person's journey. Once they get talking, Natalie speaks of her divorce and how unhappy she is, as you do to complete strangers from out of town you meet in dodgy bars, and they spend the night at her place somewhat eerily under the resentful eye of her ex-husband Ray DeCarlo (Keith). This guy doubles up as the local sheriff and is same individual that chased Parker in the first scene.What struck me as a little sloppy and silly was the fact she's suddenly helping Parker when he needs it, primarily through the fact he washed her dishes and cleaned up her apartment the following morning. But when she does find out there is a lot of stolen money in Parker's possession and hears about a bank robbery, she puts two and two together which is when the relationship is strained. It's at this point I assumed Natalie would go down the femme fatale route and attempt to take the money for herself but no, the film remains grounded in the small town in which they inhabit and it doesn't branch out to anything other than that. Rather than think that was a bit silly, I thought it was fine and if that's where you want to go then alright and I bought most of it even if, as a result of this non-double cross on Wright's behalf, the film plays out as more of a buddy routine between love allies than it does anything else.There is a degree of spectacle in the film, something that is quite impressive given the understated and direct of video feel this film has. It is bargain bin at you local store or catch it late night on some cable channel, all the time shaking your head in disbelief the film was made in 2001 and wondering where all the time has gone, material if we're all honest but it's perfectly fine. The film is polished and the sense of the spectacle is hammered home as it all unravels in an entertaining way as twists, turns and double crosses become apparent. The film ends in a daft shootout in the woods, meaning we've come all this way just for a guns blazing routine and the background jazz music for some scenes gets a bit annoying but on the whole, I feel it would take someone really cynical to dismiss this piece of work.
kwoot
Okay, so this is a rather low-budget movie. Probably half of the budget went to mister Spader's fee so there was not much left to go around, but:-I have seen worse movies. -The camera-work is good. -The acting is good. -The plot is not difficult but never tries to be.All in all, I had fun watching it and if you ever get in a place where it rains all day and you are bored out of your skull, this one would at least tie you up for an hour or so.
McGowan_M
Although the idea behind this movie is not particularly original, it still has merit - it's a tried and trusted formula which can work well if done correctly.Unfortunately, it doesn't really succeed this time around. The cast tries hard and they all give creditable performances. The directing is competent enough with the action moving up or down in pace at a reasonable level that doesn't throw the storyline around in an unbelievable fashion. The flashbacks are handled well, bringing everything together in a tidy, coherent fashion.But ultimately, the movie fails to really hold the viewer's interest and it makes the cardinal sin in a movie of this type; it fails to produce characters with whom we, the viewers, can identify. Each of the characters is just a little too perfect.However, it's worth watching the first 15 minutes simply for the joke about the Irish guys ;-)
