SunnyHello
Nice effects though.
Forumrxes
Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
Raymond Sierra
The film may be flawed, but its message is not.
Brooklynn
There's a more than satisfactory amount of boom-boom in the movie's trim running time.
seymourblack-1
Based on the play "Uncle Harry" by Thomas Job, this movie is a gripping psychological drama in which romance, obsession and murder all feature prominently. Its story charts how the mundane, well- ordered lives of three siblings who live together are suddenly disrupted by the arrival of someone who provokes strong emotions in two of them, and in so doing, brings the presence of some very dark desires to the surface.Middle-aged bachelor Harry Melville Quincey (George Sanders) leads a desperately dull existence in the small town of Corinth, New Hampshire where he spends his working days as a fabric designer in the local mill until he returns to his home where he lives with his two squabbling sisters, Lettie (Geraldine Fitzgerald) and Hester (Moyna MacGill). Lettie is a spoilt and selfish young woman who spends her days in bed complaining about a series of imaginary illnesses and bickering with her older, widowed sister, who she criticises for gossiping with some of the townsfolk. Harry's life suddenly brightens up when Deborah Brown (Ella Raines), a designer from the company's New York City office, arrives on the scene and is obviously instantly attracted to the man who the younger employees at the mill affectionately call "Uncle Harry".Harry and Deborah soon get to know each other better, fall in love and decide to get married. Hester is genuinely happy for her brother but Lettie, who's very attached to Harry and likes to monopolise his attention, easily becomes jealous of anyone (even his dog) who takes his attention away from her. As a cultivated person, she doesn't overtly show her displeasure at the presence of Deborah but instead, in her own refined and affected way, tries to discourage or undermine the relationship. When her scheming fails and it becomes clear that the two sisters should vacate the house for the future newlyweds to move in, Lettie uses the opportunity to frustrate the couple's plans by saying that every house that's offered to her is unsuitable. This goes on for so long that Harry and Deborah decide, in desperation, to elope together. On the day when they're ready to leave town and get married, Lettie fakes a collapse, gets rushed into hospital and Harry's conscience compels him to abandon his plans and instead, rush to her side.Harry's actions result in Deborah returning to New York City alone and he later hears that she has new marriage plans in place. In his sadness, he reflects on Deborah's words when she said that "Lettie has no intention of setting you free, not as long as she lives" and this inspires him to take revenge on his evil sister by using the poison that she'd bought to administer to his sick old dog called "Weary". The ramifications of his actions, however, go far beyond anything he could ever have imagined.As a rather passive man who'd felt a great responsibility to support his two sisters, Harry had tolerated their arguments and eccentricities and dutifully did what he considered to be the right thing until he realised how destructive Lettie's feelings for him had become and this provoked a profound change in him (which is contradicted by the movie's absurd censor-imposed ending). George Sanders, in an excellent performance, makes his character's descent to the dark side understandable and Ella Raines, whose expressions are priceless, is a pleasure to watch as her character never, even for a second, gets taken in by Lettie's antics. Sanders and Raines are also good in their scenes together and generate a few laughs when they launch into a rather risqué conversation about stargazer Harry's 9" telescope.Geraldine Fitzgerald is also perfectly cast as the manipulative Lettie who asserts that she has always known what's best for Harry and says that her devotion to him was the main reason why she never married."The Strange Affair of Uncle Harry" is a fine, well-acted movie which features a tagged-on ending which was necessary to placate the demands of the censor who, it seems, must have been totally unconcerned about the story's various allusions to Lettie's incestuous feelings for her brother.
sol-
Living with his two unmarried sisters in the family mansion, a cloth designer struggles to maintain a romance against the objections of his younger sister who is a little too worried in this unusual noir entry from Robert Siodmak. The narrative has several interesting dynamics with ambiguity as to whether the sister is more concerned about possibly losing the family home or simply jealous of their intimate relationship. Unanswered questions also abound in terms of how and why the brother has come to be so subservient, letting his sisters dominate his life. With so much left up in the air, the first hour of the film is an uneven ride, but the final twenty minutes are utterly gripping with a series of thought-provoking twists thrown into the mix. The very last twist admittedly does not quite work (apparently it was forced on by the censors), but the character dynamics are otherwise excellent in this final stretch of the movie. With good performances all round, this is an easy film to recommend for the bits and pieces that do work. The script may not be airtight, but this is still a solid portrait of guilt, rivalry and tension between grown siblings who are still as petty as children at times.
mark.waltz
George Sanders always played it cool, whether it be the obvious lover of Maxim DeWinter's late wife in "Rebecca", the nobleman adviser of the title character in "The Picture of Dorian Gray" or even the acerbic columnist of "All About Eve". Even his ultra villains (pirates, nefarious military leaders) had a twinkle in the eye of their villainy. So when Sanders played a "good guy", audiences were very wary. From the very start of this movie, it is quite stunning to see him playing such a calm, mild-mannered character, a beloved member of his community who has never married and is seemingly devoted to his two spinster sisters, the seemingly much older Moyna Macgill (who complains that nobody pays any attention to her) and the plant-obsessed beauty Geraldine Fitzgerald who on the surface appears to be quite normal but is really more grasping than how MacGill seems to be. When their cozy little world is interrupted by a visitor from New York (Ella Raines) who falls in love with Sanders, the sisters act pleased, but are they really, and how will Sanders respond when he finds out the efforts made to keep him and Raines from marrying? A medium sized town in Massachussatts is the setting for this drama of the destruction of family and the inner-workings of one's mind when one is pushed to the limits and to the point of no return. The twists and turns in the plot become quite aggravating with the way the story unfolds, but in watching Sanders suddenly very slowly snap after Raines leaves him for another man (realizing that Fitzgerald is always going to be a thorn in their side), you can understand why the writers choose to play it out the way they do. The performances are all excellent with small town U.S.A. atmosphere perfectly designed. Harry Von Zell adds bombastic humor as the drug store clerk who drunkenly drops a bombshell on Sanders.Then, there's Sara Allgood, the veteran Irish actress, giving her all to the lovable but crotchety cook who constantly argues with Macgill over everything and anything, from gooseberry pie to too much sugar in the coffee. Their arguments aren't just light-hearted banter for humor sake: they really seem like they are serious about what they are fighting for. The argument erupts even further when Macgill reveals the truth about what sister Fitzgerald has been up to, and it is the performance through Sanders' eyes which reveals the inner turmoil he's been undergoing, living with three women and basically under a rock as he discovers the life he's given up to cater to their needs. Not many movies really give a hint into the future of psychology with realistic portrayals of passive/aggressive neurotics like Fitzgerald, and the thundering volcano that can erupt at any time when somebody seemingly cool, calm and collected realizes what a sap they've been.
jotix100
Try to imagine Harry, an aging bachelor who lives in Corinth, New Hampshire, with his two sisters. It's enough to send anyone to commit a crime just so he can get away from these two vultures that totally dominate his life. Harry Quincy, and his siblings, are local aristocracy who are confined to share the big family mansion. The two sisters, Letty and Hester are constantly quarreling about the most menial things.When sophisticated Deborah Brown appears in the picture, Harry sees a way out to escape his poor existence in the provincial town. Little does he realize that Lettie, his domineering sister, wants for him. This turns Harry into a hatred for the sister that evidently feels another kind of love for his brother. After a bitter quarrel between Lettie and Hester, he decides he must take corrective action to get rid of his problems. In turn, he will destroy the cozy family life he, and his siblings, enjoyed."The Strange Affair of Uncle Harry" is a film that was ahead of its times in the subtle way it dealt with sibling incest, which is behind the action. Based on a stage play, this feature, directed by Robert Siodmak, was greatly distorted by the Hays Commission in an ending that frankly, doesn't make much sense and doesn't add anything to our enjoyment of it. As a matter of fact, the warning at the end, doesn't quite make sense. We have all been led to believe one thing, yet the arrival of Deborah, out of nowhere, and the dream sequence, doesn't add up. Yet, in spite of the flaws, out attention is held because of the story and what has come before this let down of a finale.George Sanders does wonders with his Harry Quincy, the man who might be involved with his own sister. This was one of his best movies and he contributes to the enjoyment of this melodrama. Lovely Geraldine Fitzgerald plays the strident sister Letty. She is also quite effective in the way she plays the part of the sister who might be involved in more ways than one with her own brother. Moyna Macgill, (Angela Lansbury's mother) has also great fun as Hester, the other sister. Sara Allwood appears as the family cook. Ella Raines makes a sophisticated Deborah Brown.Who knows what the film would have turned out like if Robert Siodmak, the director, would have been able to do the story as he probably conceived it.