The Swordsman

1974 "Some called her Dirty Harriet. A Cut Above The Rest"
4.8| 1h30m| en| More Info
Released: 04 January 1974 Released
Producted By: Lindsay Shonteff Film Productions Limited
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Budget: 0
Revenue: 0
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Synopsis

When Harriet Zapper is hired to find the identity of Karel Duval, and the true heir to the Duval family fortune, a bloody trail of murders leads the Big Zapper from London to the South of France and into a hornet's nest of betrayal and death.

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Lindsay Shonteff Film Productions Limited

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Reviews

SmugKitZine Tied for the best movie I have ever seen
GamerTab That was an excellent one.
Konterr Brilliant and touching
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
DanielKing A definite improvement on the first movie, this jettisons most of the zany action and lame attempts at humour in favour of a more straightforward approach. They have also dropped the crude emphasis on titillation , although there is a smattering of dolly birds knocking about. A major plus is the introduction of a decent adversary in the form of Alan Lake, a quite charismatic actor who bears a striking resemblance to the young John Belushi. Because his character works so well and is interesting he can be afforded more screen time than was the case in the first movie. This takes the emphasis off the weak Marlowe, whose one-note performance as Zapper lets the film down. In the first movie she seemed understated compared to Gary Hope but next to Alan Lake in this film she simply appears less talented. Again, though, the supporting cast is very poor. The film opens well with an intriguing scene detailing a modern day duel;, however, the scene also introduces a note of mercy in Lake's character that is not present for the rest of the film. The scene makes good use of the British countryside like other films of this period (say EXPOSE or WITCHFINDER GENERAL) suggesting murky goings on in a tranquil, pastoral setting. While there is evidence, then, of a reasonable intelligence at work here, Shonteff lets himself down with a poor command of technical know-how. The camera work is poor, the editing is dreadful and the special effects are ropey to say the least.