Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

zardoz-13 Although "The Texans" beat Howard Hawks' "Red River" to the draw by at least a decade, "Arizona Raiders" director James P. Hogan's 92-minute, black & white saga about the first cattle drive to Abilene lacks both the cinematic polish and the passion of the Hawks' classic. Nevertheless, this above-average but predictable oater boasts a solid cast, sympathetic characters, several surprises, and some factual history. The bristling frontier action unfolds after the American Civil War as Reconstruction becomes the order of the day in Texas, and the carpetbaggers haul their freight into the state to tax the poor citizens into poverty. Randolph Scott makes an appropriately stalwart, fearless hero. A former Confederate private, he has endured his trials and tribulations, while a largely miscast Joan Bennett is every inch the heroine but rather narrow-minded in her attitude. Not only did she support the Confederacy during the war, but she also is prepared to support any hopeless effort to resurrect the Confederacy with the use of foreign troops under the command of the Mexican emperor Maximilian. Bennett has fallen in love with an idealist Confederate captain who epitomizes the South's refusal to grovel in any set of circumstances. Moreover, our heroine wants nothing to do with the scheming carpetbaggers. Indeed, she wants nothing to do with America and prefers to throw all her support to the Austrian monarch.Meanwhile, Texans suffer grievously under Reconstruction. The Scott character is the only individual who isn't reluctant to forget about the war and embark on a new life. At one point, the Scott hero states that he knew some good Yankees during the war and has decided to let bygones be bygones. The theme of change and how these former Confederates struggle to change with the times lies at the heart of action. When they aren't herding cattle, contending with carpetbaggers, and battling Comanche Indians, Scott and Bennett are battling with each other. As a carpetbagger who isn't easily dispensed with until he meets his match, Robert Barrat plays greedy Isaiah Middlebrack. He pursues the Confederates when they smuggles guns into the region and later goes after them with a troop of U.S. Cavalry when they try to take ten-thousand cattle to Mexico. "Ebb Tide" scenarists Bertram Millhauser, "Geronimo" scribe Paul Sloane, and "Black Legion" writer William Wiser Haines adapted author Emerson Hough's novel "North of '36." Mind you, these characters are every bit as desperate as John Wayne and company were in "Red River," but Scott doesn't have somebody like Montgomery Cliff to contend with and a secondary character dispatches the chief villain before Scott can finish him."The Texans" opens at a river landing in Indianola, Texas, in 1865, where paddler wheelers are unloading cargo and supplies. The defeated Confederate soldiers are informed that they are still classified as the enemy until they shed their southern uniforms. In fact, the Union authorities refuse to let the men in gray pass the toll gate until they change clothing. Meanwhile, Ivy Preston (Joan Bennett of "The Woman in the Window") is driving a wagon laden with boxes of farm implements when a Union sergeant halts her so he can inspect her cargo. Kirk Jordan (Randolph Scott of "The Last of the Mohicans") spots the cargo and knows that the boxes contain weapons instead of tools. He helps Ivy get out of town before the Union authorities can poke around in those boxes. While Ivy delivers the weapons to Confederate Captain Alan Sanford (Robert Cummings of "Saboteur"), Kirk has to fork over ten acres of land to buy an ill-fitting suit of clothes. Ivy returns to Indianola to pick up her grandmother, Granna (May Robson of "Bringing Up Baby"), and Granna's ranch foreman Chuckawalla (Walter Brennan of "Red River"), so they can all return to their sprawling ranch Boca Grande on the border.Everybody else seems pretty tame until these two show up, and Robson and Brennan steal the show. Brennan's character is intrigued with locomotives because he has never seen a train and wonders where they put the engines after dark. Granna is a headstrong woman with pioneering blood who refuses to buckle under any adversary. The two characters provide most of the comic relief in "The Texans," but the comedy doesn't overwhelm the drama. Kirk has to save Ivy's bacon again when the Union authorities, principally Middlebrack (Robert Barrat of "Baby Face"), arrests her and questions her not only about the stolen firearms but also a renegade Confederate officer Sanford. Granna has no use for Middlebrack. "There wouldn't be no enemy if there were scum of the earth like you. You with your plundering, murderous reconstruction." A riot enables our hero and heroine to escape from Indianola, and they ride back to Ivy's Boca Grande Ranch. The Preston women own ten-thousand cattle, and Ivy wants to drive the herd to Mexico to feed Southern troops working with Maximilian. Things, however, don't work out for Sanford. He eludes death in Mexico only to find himself back in Texas where the authorities want him for treason.The scheming Middlebrack decides to let bygones be bygones with regard to the stolen rifles. Nevertheless, he saddles up with a detachment of Union cavalry and rides out to Boca Grande. He informs the Prestons about the new tax on cattle. While they are plying Middlebrack with liquor and food, Ivy strums a guitar and sings a coded song to Granna about taking the cattle away. Middlebrack plans to count the steers the following morning, but Granna drinks him under the table and Kirk leads the herd out. Middlebrack wastes no time when he recovers and chases them. Middlebrack dies during an Indian attack when Kirk's cohort, Cal Tuttle (Raymond Hatton of "Undersea Kingdom"), kills him with his tomahawk. Of course, we don't see Middlebrack bit the dust. Not only does this diminish the statue of his villain, but also it undercuts "The Texans." If you've seen "The Undefeated," you'll feel yourself on familiar turf.

funkyfry Randolph Scott is a former Confederate soldier and Joan Bennett plays a woman who refuses to admit when the Civil War is over in James Hogan's cattle rustling epic, which looks and feels in retrospect a lot like a B version of Howard Hawks' "Red River." There's a general lack of ambition here and the movie doesn't add up to much, just a formula picture that pretends to be somewhat more important than a singing cowboy picture.Anytime Randolph Scott is wearing more makeup in the movie than Joan Bennett, that's a sign of trouble right there. Scott annoyed me to no end in this movie, and it's hard to believe he's the same man who became such a convincing western star in the 50s and 60s. The director is partly to blame, because he's always having Scott do these clownish double takes to the camera that really do not suit him. You shouldn't ask actors to do things that they really can't do. Joan Bennett is mis-cast because she feels too contemporary. Walter Brennan basically stole the movie and made a couple good scenes out of it. I wouldn't be surprised if Hawks did see the movie and figure he could do it better. The following year after this film, Brennan made a memorable appearance in Fritz Lang's "Fury," and shortly after that he began his memorable run of character performances for Hawks. So this film might if anything be somewhat important in terms of Brennan's filmography, since he basically proves here that he's even better than Gabby Hayes.May Robson is also very amusing as "Granna", the ancient frontier woman who won't be left behind and who nurses a maternal affection for the aging Brennan character. Robert Cummings plays the rival love interest for Joan Bennett, a smarmy Confederate dead ender who dreams of leading rebel excursions from Mexico to reclaim Texas. B western regular Raymond Hatton also puts in a patented supporting performance as some kind of wilderness man to round up the rather generic but pleasant nature of the cast and film generally.Not much else to say here. Hogan's direction is pedestrian and the story is somewhat interesting but very contrived. For instance, when the uber-annoying regional bureaucrat (Robert Barrat) is murdered rather obviously in the midst of a fray by Scott's trapping buddy (Hatton), the military officer in charge (Harvey Stephens) barely bothers to investigate and suddenly switches plans and agrees to help the ranchers. It's all tied up in such a way as to soothe the frayed nerves between the Southerners and the Northerners, as if this was some piece of propaganda delayed by some 60 odd years. There's a couple shoot-outs against Indians but nothing really invested with any drama or meaning. Violence in this movie is simply action, and not very good action. Basically the movie would suffice for Saturday morning but it seems to want to be at least a bit more than that, and fails.

vitaleralphlouis An exceptionally good epic western starring Randolph Scott --- before he regularly got top billing. In the immediate aftermath of the Civil War, the North (who quite incidentally had failed at that point to free their own slaves -- including those owned by General Grant) have sent the carpetbaggers into Texas to steal the land and cattle from the surviving Texans. But not all Texans will stand for it.......While this film quite rightly sides with the ex-Confederates, not all the Union guys are portrayed as devils. The Union troops are pretty much cast as regular American guys who sometimes have to carry out ill advised orders from evil minded superiors.The turmoil will lead to the first major cattle drive from Texas ranches to the new rail line in Abeline, Kansas. Even though the beef will be destined to feed undeserving people in the North, that's where they head --- fighting tough country, Indians, and a lot more.Recently paired with California on a DVD, you get two good westerns for the rental price of one.

padutchland-1 Some of today's viewers might be a bit put off by what they see as racism in the beginning. Just remember not to judge other times by the current time in which you dwell. Black Union soldiers did make themselves unwelcome in post Civil War South. Carpetbaggers did go to the South to take advantage. The South WAS desperately poor after the war and unfair taxes were levied. These are historical facts which do not take sides. The writer took the facts and the attitudes, of both sides, and wove them into this story. Randolph Scott as a former Confederate who wanted the country reunited instead of taken over by Mexico. He said that all Yankees were not like the ones pushing their way around Texas, as he had met them in the war. The Union officer felt the same about many former Confederates. The movie showed this as the beginning of understanding between former foes. The acting was good. Perhaps one of Scott's better performances. Mae Robson was great and reminded me of Beula Bondi. Robert Cummings (well before his TV successes) was the former Confederate officer who could not accept the loss of the war. Joan Bennett was beautiful as the center of the love triangle between Scott, Cummings and herself. Character actors brought the film along quite well as they often do - Walter Brennan, Raymond Hatton, Frances Ford, Robert Barrat, Harvey Stephens. And there was Richard Denning with a small speaking part before his Mr. North fame. There was a most believable fight scene in the streets between Union troops and former confederates. It was well directed. There was an action scene of wagons, horses and cattle running from brush fire set by Indians that was very well done considering this was before digital special effects. The movie moved along nicely from the very beginning with plenty of Western excitement. Be sure to catch this Western if you get the chance. Although it has some twists and turns, it is still a good old fashioned Western.