The Tragedy of Richard III

1983
8.2| 3h50m| en| More Info
Released: 23 January 1983 Released
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Budget: 0
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Synopsis

Richard Duke of Gloucester, youngest brother of King Edward IV, will stop at nothing to get the crown. He first convinces the ailing King that the Duke of Clarence, his elder brother, is a threat to the lives of Edward's two young sons. Edward has him imprisoned in the Tower of London; killers in Richard's pay then drown Clarence in a barrel of wine. When news of Clarence's death reaches the King, the subsequent grief and remorse bring about his death. Richard is made Lord Protector, with power to rule England while his nephew (now King Edward V) is still a minor. Before the young king's coronation he has his two nephews conveyed to the Tower, ostensibly for their safekeeping. Richard's accomplice, the Duke of Buckingham, then declares the two boys illegitimate and offers Richard the crown, which after a show of reticence he accepts. After Richard's coronation, he and Buckingham have a falling-out over whether or not to assassinate the two children.

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Reviews

AniInterview Sorry, this movie sucks
Mjeteconer Just perfect...
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Cristal The movie really just wants to entertain people.
Flash Sheridan Unlike some of the earlier BBC plays in this tetralogy, this version of Richard III is reasonably well done and fairly watchable, though it suffers from some of the usual BBC efforts at trendiness. The last scene, which some of the favorable reviewers seemed to like, has nothing to do with Shakespeare, and is a crude attempt to undo Shakespeare's intended effect with his genuine last scene. But most of the text is present, unlike Olivier's or McKellen's versions, though this version is both less competent and less enjoyable than either. Most of the actors do reasonably well, and Ron Cook has grown in the role. Julia Foster is less dreadful as Queen Margaret here than in the earlier plays, but mercifully doesn't have many scenes, and doesn't manage to ruin most of the ones she does have. Peter Benson finally gets it right, and plays Henry VI considerably better dead than alive. Most of the minor actors are very good, though the role-doubling can be distracting. Until Mark Wing-Davey speaks, for instance, it was not at all clear to me that he was portraying a new character; but his accent eventually made that sufficiently clear.
beeryusa Again, we see another example of a great 'lost' film. This is without a doubt the best Richard III on film (or in this case on videotape). Why, oh why, are so many such great films like this consigned to a film vault somewhere, gathering dust, when they could be making their owners lots of cash??? It's incredible to me that great works of cinematic and TV art are in danger of being permanently lost to us, while lesser works are on videotape and DVD in various versions including letterboxed, full screen, special edition, etc.This teleplay is among the best British TV dramas ever produced. Won't someone please get great British TV dramas like this released on DVD???
nomorehandshakes I love Shakespeare, both classically performed and the recontextualised adaptations of recent years, but this production, made with a large budget (British television-wise) with a talented director and a superb cast somehow manages to fail spectacularly to bring Shakespeare's classic play to life. I would not envy Jane Howell's task of directing Richard III using the (almost) complete text as a shooting script, but I think she could have approached it in a more imaginative fashion, making better use of television conventions. Save for the close-up and the shot-reverse shot technique, Howell prefers to display what is simply "Filmed Theater", with a set that offers little to a medium as visual as television. The performances, though excellent, don't really come across with the power and passion they no doubt would in the theater, and the end result is a four hour long dirge that does no credit to Shakespeare's sharp and vibrant play.
Hardylane In 1982, the BBC, in their undertaking to produce all of Shakespeare's plays, assembled a company of actors which would take us, in one logical arc, from Henry VI part one right through to Richard III. This is notable in that through all four plays, the principal actors keep their roles (although smaller roles are also undertaken). This gives an unparalleled clarity to the events as you see the chaste Margaret descend to Machiavellian plotting to destroy challengers to her grip on power, and then her downfall as Edward and then Richard take power. It is fitting that she, in a horrific scene at the end of this play, is seen atop a mound of dead. This was, after all, her legacy.In a simple, but effective, set, with authentic costumes and asides taken directly to camera, this brings your closer to Shakespeare's work than much of the praised films and productions in the past.If you found Olivier's version just too hammy to bear..... try this one.