The Treasure

2016
6.7| 1h29m| NR| en| More Info
Released: 08 January 2016 Released
Producted By: ARTE France Cinéma
Country: Romania
Budget: 0
Revenue: 0
Official Website:
Synopsis

Costi is a family man whose cash-strapped neighbor makes him an intriguing proposition: help him find the fortune reportedly buried somewhere on the grounds of his family’s country home in Romania and split the profits.

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Reviews

MamaGravity good back-story, and good acting
SpecialsTarget Disturbing yet enthralling
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
Ron Mueller I could write a long review but suffice it to say, don't watch this movie, it's not worth your time. The most exciting scene is when they are driving at night and the Garmin is updating their position...at least the map was moving as the movie stalled a long time ago.
Rendanlovell 'The Treasure' is a bit of an odd duck. The film is about a man that is approached by his neighbor to help him dig up some theoretical treasure in his town yard. But things aren't so simple. Both of these men are rather poor and can barely afford to pay for a metal detector. This is one of those films that is a very unique experience. While it's certainly something that I haven't seen before, it's unfortunately one that I don't think I will ever revisit. The main reason for this is because the films plot is extraordinarily thin. The brief plot summary I mentioned at the beginning is really the only thing that this is about. They want to find treasure than they go digging.Oddly enough this lack of substance seemed almost intentional. The whole point of the movie was to be as natural as possible. I will say that the characters and performances do dish out some very dry humor this way though. In fact the humor is so dry it can be easily missed. Especially when there isn't all that much of it.Although my main gripe with this film is in it's story, it can still be oddly enchanting. I think this has a direct correlation with humans love of money. Or, I mean, treasure. I think anyone can relate to the desire to find loot. So when we see a guy rooming around with a metal detector for over fifteen minutes of screen time it's not as bland as it could have been. ​ But, it's still pretty bland. I mean there's only so much of this nothing that one can reasonably take. I enjoy watching movies that replicate life itself but this one isn't that kind of movie. It's so paper thin, in fact, that watching it felt more like reading an essay. Character 1 goes into house while character 2 sits with character 3. Character 2 and 3 get into argument. Character 1 intervenes. And so on.While I obviously understand the dryness that the movie is going for, it's just oh so dry. Again, there is literally fifteen minutes of this film that involves these three characters pacing around a yard. Doing nothing but metal detecting. After that we get about twenty more minutes of nothing but digging. A few of the people argue between this but other than that, there is nothing to this. The characters are half decent and can provide some stimulation yet, they aren't good enough to make you really think about anything. The only really great part of this movie is in the visuals. It may not have many dynamic shots but they are all well composed and utilize long takes to highlight the simple feel of the film.I certainly appreciate the purpose behind many of the decisions made, I just can't get past this movies lack of substance. It's so bland and dry that even when it's trying to simulate life itself, it's hard to relate too. I found myself more interested in the palms of hands than what I was seeing on screen. Great visuals and decent direction can only go so far, so by the thirty minute mark I was totally checked out.
Andres Salama This Romanian movie has a plot that might sounds ridiculous at first sight, but with time becomes more and more engaging. The movie starts with one of the two protagonists, Costi (Toma Cuzin) telling his young child the story of Robin Hood. Suddenly, there is a knock in the door. It's his neighbor, Adrian (the other protagonist of the movie, played by Adrian Purcarescu). He tells Costi he is risking losing his apartment as he is late on his mortgage payments, so could he please lend him 800 Euros. Costi tells Adrian he sympathizes with him, but can't lend him anything as he is under heavy money problems himself. Eventually, after a long talk, Adrian tells Costi what he needs the 800 Euros for: he wants to hire a metal detector operator so as to see if in the garden of an old property of his family there might be a treasure buried by his grandfather when the communists took over Romania. At least that is what the family legend says, but no one is really sure there is really a treasure buried in his property. After some hesitation, Costi agrees to help Adrian on that search in exchange of a half of the prize.So the rest of the movie is basically Costi and Adrian pursuing this treasure, with the help at times of an old, slightly corrupt metal detector operator (played by a real professional in that job). This being a Romanian movie, the film is slow, deadpan, and deals quite a lot in bureaucratic detail (Romanian law states that any treasure holding historical value should go to the state, and the discoverers should only get a 30% of it, and Costi and Adrian try during the movie several times to see how to get around that law). Considering Romanian movies have some reputation for dourness, I thought this was going to end in tears, but it happily has (without obviously revealing too much about it) a very satisfying ending.
kas-03708 Excellent film and a great script, relevant and fresh. The simplicity of it someone had called-out is its very strength, and if it carries some scenes in real time a la Béla Tarr, it is part suspense mechanism for the audience fantasies to play out, as well as to open up space for the viewer to contemplate their own values being addressed. In it's sparing dialogue (suited to the social air density being portrayed), and not unlike a Roy Anderson film, each point of conversation is another clue or symbol threaded into the moral tableau performed over the course of the film. It deals with profound issues with understated situational comedy, leaving all conclusions up to the viewer. The acting deserves another notable mention, naturalistic and effortlessly comedic.We've seen it as a group German, Swiss, American and were all delighted with the ending neither one of us guessed! Keen for the next film from this director.