The Unseen

1981 "The Ultimate Hidden Terror"
5.2| 1h34m| R| en| More Info
Released: 23 October 1981 Released
Producted By: Triune Films
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A trio of female reporters find themselves staying overnight in a house occupied by a hostile being lurking in the basement

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Reviews

BroadcastChic Excellent, a Must See
ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.
Asad Almond A clunky actioner with a handful of cool moments.
Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Mr_Ectoplasma "The Unseen" has Barbara Bach as one of three female Los Angeles news reporters who are in Northern California to cover a local festival. They end up boarding at an old farmhouse after finding all the hotels in town to be booked, and each individually come face-to-face with a sinister presence lurking in the basement of the home.Given the credentials of its makers, one would think that "The Unseen" would excel as a genre picture— an early directing credit of cult filmmaker Danny Steinmann, director of "Savage Streets" and "Friday the 13th: A New Beginning," it was also co-written by Kim "Texas Chain Saw Massacre" Henkel, and even featured crew members fresh off of John Carpenter's "Halloween." What could possibly go wrong, right? Well, sort of. "The Unseen" is a visually appealing film; the cinematography is slick and there is a fair amount of atmosphere here (never mind the overuse of slow-motion shots at peak suspense sequences); it does have a fair share of problems though. Not only is is it staggeringly predictable, but it's also incredibly dull for the first hour. Mind, this is not a body count film by any means, but what it lacks in visual carnage, it fails to make up for in adequate suspense.There are two key scenes that occur in the film's first hour that kept me drawn in, and they are admittedly well-executed. That's really all to be had here though. Family hysterics abound as the loopy couple who own the farmhouse exhibit their own neuroses, and the familial drama reaches its peak point in the film's goofy climax where the "unseen"'s true identity is revealed (not to much surprise). The film is in many ways similar to Denny Harris' "The Silent Scream," which was made the same year— they share very similar tonal elements, and also complement each other in terms of architectural dwellings of the villains; "The Unseen" lurks in the basement, while the villain in "The Silent Scream" resides in a secret attic. They actually would make a fantastic double feature, though "Silent Scream" is a bit more engaging of a film.The performances here are actually decent, though Barbara Bach is lacking in the emotive department; she does make up for this though with a great performance during the finale sequences, letting some impressive screams loose. Stephen Furst deserves attention for a disturbing turn as the "unseen," and Sydney Lassick and Lelia Goldoni are madcap mad and wildly hysterical, respectively. Overall, "The Unseen" is a decent offering from the genre, but doesn't seem to know whether it wants to be a suspense film or a slasher film. Its victim list is far too short to qualify it as a slasher picture, but it lacks the cohesive tension of a suspense film. What we end up with is a dull and ultimately predictable horror flick that is just enough to be slightly memorable, but not enough to truly stand out. There are some well-played sequences and a decent climax, but the majority of the picture is too plodding to truly engage with. 5/10.
acidburn-10 The plot = Three women reporters travel to a small town for the local parade, but when they're hotel reservations get mixed up and there's nowhere to stay nearby, they come across a seemingly kind man who offers them a room at his house with his wife and a retarded son whose locked in the basement and wants to kill the girls.This is quite an odd movie, the first couple of minutes is shot in the usual standard fare but better and more atmospheric, but then as the movie goes on it does keep you interested but when it comes down to the scare scenes, it quickly becomes disappointing, like for a start none of the female leads are fleshed out enough apart from Barbara Bach, and one of them becomes sick and just stays in bed and that's where basically her scene ends. And plus what's frustrating is that when don't get enough background story on the odd couple who owns the house and Much of the running time it feels like you are watching a fairly flat made for TV movie and then suddenly the director throws in a particularly sleazy peeping tom scene. I also heard that there were several scenes that were cut out of this movie, which fleshes out the characters more, and why were they cut out this would have been a much better movie if those scenes were kept in.Some of the performances in this movie were pretty strong, former bond girl Barbara Bach who plays the lead heroine gives a pretty standard performance, her beauty is simply breath taking and I really rooted for her in the end and Sydney Lassick who plays the creepy owner gives an interesting performance mixing up his psychotic and perverted performance with his sick twisted humour made him a real standout in this movie although he does border on the hammy side at times.All in all not a terrible movie, the credible performances save this other wise flat movie and lack of imagination death scenes.
Coventry It's true that Danny Steinmann's "The Unseen" is a simplistic horror thriller with a very predictable plot, no particular attempts for twists or surprises whatsoever and featuring literally every single cliché the genre has brought forward over the decades, but that doesn't necessarily make it a bad film. On the contrary, my friends and I were pleasantly surprised by this obscure but nevertheless intense little 80's shock- feature that mainly benefices from a handful of brutal images and a downright brilliant casting. The beautiful and ambitious reporter Jennifer Fast and two of her equally attractive friends travel to a little Californian town to shoot a documentary on the anniversary festival, but their hotel forgot to register their booking. In their search for a place to stay, the trio runs into the exaggeratedly friendly but suspicious museum curator Ernest Keller who invites the girls to stay at his remote countryside mansion. One by one the girls experience that Keller and his extremely introvert and submissive sister Victoria hide a dark and murderous secret inside their house. "The Unseen" can easily be described as a cheap and ultimately perverse amalgamation of the horror classics "Psycho" and "The Texas Chainsaw Massacre". The plot is a series of familiar themes that became notorious and endlessly imitated due to these two films, like twisted family secrets in the cellar, voyeurism, crazed inbred killers and a very unappetizing treatment of chickens. Still, I don't consider these to be negative remarks, as "The Unseen" is a completely unpretentious and modestly unsettling thriller that clearly never intended to be the greatest horror classic of the decade. Although the denouement of the plot is pretty clear quite fast, director Steinmann attempts to maintain the mystery by keeping the evil present in the house "unseen" like the title promised. The casting choices and acting performances are truly what lift this sleeper above the level of mediocre. Sydney Lassick, immortalized since his role as the overly anxious psychiatric patient Charley Cheswick in "One Flew Over The Cuckoo's Nest" is truly the ideal choice for the role of Ernest Keller. His persistent friendliness and almost naturally perverted appearance are exactly what the character needed. Also Stephen Furst, who eventually turns from the unseen into the seen, gives away a tremendous performance as "Junior". He looks and acts like an authentic handicapped man and his attempts to get close to Jennifer in the basement are genuinely unnerving. "The Unseen" is a slow and predictable but nevertheless potent early 80's film that will certainly appeal to fans of 70's exploitation and generally weird stuff.
preppy-3 Dreck about three beautiful women in California who go to cover some festival (or something). All the hotels are booked so they have to spend the night in a creepy old house. What they don't know is that there is a creepy inhabitant there who likes to kill...Yawn. Boring, pointless, utterly stupid "horror" film. Bach and her two buddies are certainly beautiful but the movie itself is dull dull DULL! Bach and her friends are no actresses--their faces are blank all the way through. The final "revelation" is laughably predictable and there's no blood or gore to keep you interested along the way. There is some expected gratuitous female nudity but that's not enough to save this. Boring, pointless and unknown (for good reason). A 1 all the way.