The War Zone

1999 "When the worst of men hides in a family with no history."
7.2| 1h38m| R| en| More Info
Released: 10 December 1999 Released
Producted By: Portobello Pictures
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

An alienated teenager, saddened that he has moved away from London, must find a way to deal with a dark family secret.

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Stometer Save your money for something good and enjoyable
Spoonixel Amateur movie with Big budget
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Cassandra Story: It's very simple but honestly that is fine.
SnoopyStyle Tom (Freddie Cunliffe) is bitter at the family being moved from London to rural Devon. His dad (Ray Winstone) crashes the car taking his pregnant mum (Tilda Swinton) to the hospital. She has a baby girl. Tom accuses his older sister Jessie (Lara Belmont) of having sex with their father which she denies. Colin Farrell plays local boy Nick who takes a fancy to Jessie.This is a dark disturbing story of incest and the conflicting blame that occurs. It's Tim Roth's directorial debut. He tries to make this a quiet moody film. The extended desolate landscape scenes are fine but I don't like quietly waiting for the actors to speak. I also don't like the Tom character although I grow to accept him. I'm not impressed with Cunliffe's performance but it could very well be his character. On the other hand, Lara Belmont is compelling. The final act is terrific with Ray Winstone acting up a storm. On a side note, Farrell's role is rather small. This is a disturbing compelling movie despite a slow start.
bruce-129 I wonder who votes for this sick stuff on IMDb ... I think many movies just have either fake votes for them, or the only people who see them are just weird or perverted.In the case of the "War Zone" this is supposed to be a serious dramatic look at incest and how painful it is ... such a sensitive look, with porno camera angles, and magnificently filmed scenes, and music, and of course to make it resolve, the evil abuser father is killed by the righteous son, meanwhile the audience has to watch all manner of sick sex.Face it, this movie is nothing but a surreptitious look at forbidden sex put right up on the silver screen with airs of self-righteousness. Tim Roth is one sick puppy to think he is doing anything but making it easier to show sicko sex, abuse and porn in the movies and purveying smut to the ticket buying public.That this piece of garbage would be a 7+ is a joke.I mean ... I don't know anyone who has been sexually abused, but I sure cannot imagine these people living in such a nice clean home, living such a normal life, with no sign of it to anyone. Read about this stuff and the signs are all over the place.Not to mention the sex scenes and the father raping his daughter and the daughter says nothing, I mean, how did this happen, and then it is all just fine because the son finds out and murders his father.Nothing is shown, nothing is taught, nothing is resolved, no character arc, no real background, nothing to get in the way of one low piece of garbage that someone took on just to get past the censors by pretense that it had something to do with something useful or socially responsible.Ha ... some joke. The people associated with his movie might learn something about abuse if they were put away in prison like they should be and had to endure a bit of it ... then their next movie might not be so seductively filmed.
Aditya Gokhale Prima facie, "The War Zone" comes across as a misnomer for this brutally disturbing drama directed by Tim Roth. This reviewer thought it is set against the backdrop of a war, but when the film unfolded, the underlying meaning of the title became clearer; the only war this film deals with is a personal war; a war within!15-year old Tom (Freddie Cunliffe) is the hero of this sad story. His family, consisting of 18 year old sister Jessie (Lara Belmont), Dad (Ray Winstone), and Mum (A bloated Tilda Swinton) have moved to the Devonshire countryside to live on an isolated property, leaving their London city life behind. Tom is bored and feels lonely, clearly misses London. There hardly are neighbours; the area is mostly desolate. Pregnant mum just delivers a baby amidst difficult circumstances (a car accident!) and yet the baby is born healthy. Everyone is slightly injured, but in the end it's all hunky dory and life goes on. The isolation and modest living conditions have also made these people used to casual nudity around the house. Tom is a curious teen, and he seems to have taken fancy to a neighbouring girl, Lucy (Kate Ashfeld).The seemingly peaceful environment in the family is disrupted one day when Tom comes face to face with a shattering truth about an incestuous relationship between his Dad and sister…But haven't we seen so many other films that deal with incest? Maybe so, but what makes "The War Zone" distinct, is in its non-adherence to rendering simplistic treatment to its characters. These characters are complex, they aren't necessarily pigeon-holed to predictable traits. So then, when we witness the dynamics of these characters we are forced to ask ourselves several questions. The dad seems to be a really nice and loving father. Why then, does he develop the sick desire to sexually abuse his own daughter? Is he even aware of what he is doing? Is he aware of the gravity of his heinous act? Or is it rather casual to him; ....perhaps he himself has a history of abuse dating back to his childhood?And then there's Jessie; she is well aware of the implications of the deeds she is involving herself in. Or is she? Maybe she is going along with it, maybe she is enjoying it. Or perhaps suffering (?) silently, because she is too afraid to bring it out in the open; maybe just too ashamed. And the mother is blissfully unaware of what is happening....will she be able to take it once she realizes?Which brings us to Tom, who is at the epicenter of this explosive situation. It is actually through his eyes that we see the film. You can't help but yield to a hint somewhere in the middle of the film that there's a curious voyeur inside him who wants to videotape the action. And you wish deep within that it is only to expose the sick act. But it can't be ignored that Tom is a 15 year old teen struggling with his own transition into adulthood. And call it a case of bad timing; fate is playing a cruel joke on the boy by invoking the adult inside this vulnerable teen by bringing him face to face with the most aberrant of sexual acts inside his own home! At a point of time the sister almost hits the nail on the head after a confrontation, "This isn't just about me and dad is it?" further insinuating that actually Tom wants to know about sex and himself wants to experience it!Tom is thus, a soul torn apart. Maybe he knows the difference between right and wrong but is finding himself succumbing to a perverse temptation, given his unstable transition phase! Jessie tries to put her assumption about Tom to the test in a bizarre episode at her friend Carol's place in London; then again, perhaps her intentions are different altogether! Her eventual action further clouds any hopes the viewer may have about gaining an insight on Jessie's thought process. It is in this unpredictability of the characters that most of the success of this excellent handling of a fine screenplay by Alexander Stuart lies. Tim Roth, a fine actor of our time, proves that he can handle the director's job with an equal finesse. He clearly understands his characters' complexities and his vision of the characters' personae enables him to deliver their perfect transition to the motion picture.The soul is all there, but what about the body? No complaints there either; Roth captures some of the finest images of the isolated, rain-soaked country side and the rocky seashore. The feeling of desolation is further enhanced by the achingly beautiful score by Simon Boswell. The choice of actors is spot on. Winstone and Swinton are simply great in their respective roles. But special mention must be made of the actors who play the siblings, Lara Belmont and Freddie Cunliffe who had no prior acting experience but emerge winners with their effortless performances.Do not miss Tim Roth's "The War Zone". It is a disturbing look at something as warped as incest but a patient and an open-minded viewing would ensure that instead of turning your head away in shame, you'll end up thanking yourself for subjecting yourself to this mind-numbing yet rewarding film experience.
vitaleralphlouis The very first thing you need to know about "The War Zone" is that the big secret involved Father-Daughter sex. What's the point of hiding this? The movie was a flop, whereas Kathryn Harrison's book on this subject, "The Kiss," was a multi-week best seller --- and twenty times better than this lame and ineffectual movie.First off, almost nothing happens for the first 70 minutes of this 90 minute movie. There's a family living in Devon (a beautiful place by the sea) but pretty dull, and some long for a return to the active life of London. Everyone (I mean everybody) simply mopes about and mumbles. Even at times like a car crash or the birth of a child it's all mope and all mumbles. So when the story finally gets started, it finishes up in 20 minutes flat. "The War Zone" offers absolutely nothing new on incest, the acting is next to zero -- what with the entire cast required to mumble all their lines, the cinematography just wasted.Roget Ebert said this was the best film at the Sundance Festival. But he also said he and Siskel "have an obligation" to give rave reviews to films that advance liberal causes and philosophy. One can only guess what he was thinking on this one. 2 out of 10.