Tacticalin
An absolute waste of money
Tayyab Torres
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Billy Ollie
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
bob the moo
Three hours before his wedding and Roland is nowhere to be found. His best friends, Mike and Slim, are both stressed trying to work out where they could be when they both get pages from his ex-girlfriend. They go to her house to find him drunk and experiencing doubts. As they drive around, sober him up and dry clean their suits for the wedding, they take time to uncover why he has doubts and also take a trip down memory lane and where they grew up in Inglewood.Having seen several films on the trot where race is used to `comic' effect in a string of endless racist jokes it was refreshing to sit and watch a film where the cast were almost 100% black but the story was not told in relation to the colour of it's characters. Instead the story is a straight story of childhood memories and it could easily have been any culture telling it. Of course there is a thread of black culture running through the film but it is simply there as opposed to being the focus.The story is slight and not totally together but it is interesting. The reasons for Roland's doubts are not made totally clear by the end of the film and there is a suggestion that it is really just a frame for the memories to occur within. This isn't too bad as the memories are really more of the story than the modern day trigger is. Both strands work quite well as long as you don't expect too much, it has a gentle humour that is pleasant and enjoyable and both strands seem to be able to carry it. The `to-camera' narration was a bit of a risk that I thought it didn't totally carry off but, happily, after the first 10 minutes it is pretty much absent for the rest of the film. Some of the strands don't totally come to a close and the fact that the main plot (Roland going missing on his wedding day) is mostly a side issue is a distraction but not to a detrimental point.The cast are all pretty good. Epps is a good lead and is a likeable character. Diggs is good looking but he doesn't act as well as he can for much of the movie – his `drunk' acting is pretty poor although he gets better as he sobers up. Jones is a bit of a comedy figure but does his job well despite being the least developed of the three. The teenage actors all carry themselves well, although in this modern tabloid world of hysteria it is a little uncomfortable to watch two young teenagers have sex (although I was relieved to find that the sexy one of them, Malinda Williams, was actually 24 when she played a 14 year old). The women are all very good looking but have lesser roles as the males take the meat of the story – Tamala Jones is good and Epps' co-star from Love & Basketball (Sanaa Lathan) joins him for a brief role.Overall it is a very light film that has a plot in a very basic sense but is really more of a nostalgic trip down the teenage years that is told with honesty and humour. It may not resemble any life I ever had but there were themes I could relate to. Slight but fun and, after seeing National Security, Undercover Brother and Bringing Down the House (where race is used for humour, rather than being a side issue) The Wood was also a breath of fresh air.
Shari
The movie sparked some memories of the 80's and all the culture with it. I liked it, but it could be slow sometimes. Everyone did a great job, but Lisa Raye was annoying. As little as her part was, she couldn't even pull that off. The actress who played Tanya tries to hard to be ghetto or a homegirl. She's like that in many of her roles and it seems to be something she can't shake. Omar did a great job narrating and being the "sensible" one. The dynamics of the 3 were great and believable.
Ernasto
After I bought the soundtrack in the summer of 1999, with some superb songs by R. Kelly, Ahmad and JOE I wondered what type of movie this was. Absolutely no average ghettomovie. after seeing the pictures in the booklet supplied with the soundtrack I figured it had to be a black contemporary feelgood movie. I decided to import the DVD last year via Canada, as it was only until a few months ago it was released here in the Netherlands, Europe on Region 2 DVD.Two words: unexpected quality! Wow, this movie is indeed a trip to memory, as each 'classic moment' in that movie starts with an old school jam like "Eric B. Is President", "Juicy Fruit" by Mtume or "Back In Tha Days" by Ahmad, hearing him rapping about the old school days. Very great acting by Sean Nelson makes you realise his method acting is of a high level. Seeing him play in The Wood the younger version of Mike, you wonder if he truly lived in 1985/86?This movie was worth my 20 dollars and I've seen it probably 20-30 times since I own it. It ranks in my list of quality Black Urban movies, among The Best Man, Love Jones and Love & Basketball. I'd love to see more from this director..
ayoung06
i watched this only cos there was nothing else in the shop but it turned out to be one of the best uses of £3 ive ever done. the script is brilliant.both witty,moving and romantic.the performances from all the leads(in particular the outstanding epps)make this a feel-good film while still making it seem authentically set in inglewood i cannot recommend you see this film strongly enough
