Thirteen Conversations About One Thing

2002 "Ask yourself if you're really happy."
7| 1h44m| R| en| More Info
Released: 29 March 2002 Released
Producted By: Single Cell Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The lives of a lawyer, an actuary, a housecleaner, a professor, and the people around them intersect as they ponder order and happiness in the face of life's cold unpredictability.

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Reviews

RyothChatty ridiculous rating
ShangLuda Admirable film.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.
SnoopyStyle This is divided into sections each about an aphorism. Lawyer Troy (Matthew McConaughey) is celebrating a win at a bar with his colleagues. Then he hits a pedestrian and decides to drive off. Walker (John Turturro) is a physics professor who is cheating on his wife Patricia (Amy Irving) and she suspects him. Beatrice (Clea DuVall) is a maid but her sweet blissful nature is shaken after getting run over by Troy. Gene (Alan Arkin) is a cynical insurance claims manager with family problems and bitter at his happy co-worker.There are interesting stories and good performances. The cast is amazing. It aspires to be philosophically deep and meaningful. The meandering nature of the story telling leaves me wondering if the movie is actually saying anything. The rotating characters do not allow the tension to build. It needs to rebuild every 15 minutes. I wonder if the movie would be a lot better following one character and dropping the philosophical pretense.
paul2001sw-1 '13 Conversations About One Thing' is, although you might have guessed otherwise, a film whose characters discuss happiness; but it's not exactly a happy film. Rather, it's an annoying one, with inappropriately fey music, silent movie style chapter headings, dull and unrealistic dialogue, and the strange (possibly budget induced) choice of the director, Jill Sprecher, not to show us any of the main events of her story but only the conversations the characters have about them. The plot, such as it is, brings together characters with only loose connections between them; but none of their tales amount to much alone, and the whole is little more than the sum of their meagre parts. Alan Arkin's character seems like a prototype for Larry David's in 'Curb your Enthusiasm'; overall, there's little insight into the human condition here, only scripted pretentiousness.
ctomvelu1 A Robert Altman-style film, but written and directed by women. Several characters ponder what happiness means as they slog through their daily lives. The cast is impeccable, and includes Clea Duvall, Matthew Mc., John Turturro and Alan Arkin, who steals the show amid a very large cast. He plays an embittered, divorced middle manager well past retirement age with a junkie son. On a whim, Arkin commits an irresponsible act that will come back to haunt him. Duvall is an accident victim whose life can never be the same. If you like Altman movies, in all probability you will like this one. All others, beware. No wild car chases, explosions or shoot-outs here.
hubcap18 I just don't quite "get" this film, nor do I see where all the positive reviews came from. I decided to check out this film because I like Clea DuVall's work (The Faculty, Identity, and Girl, Interrupted) and the premise sounded kind of interesting. Alan Arkin gives a good performance, but he can't save this film. The film is comprised of vignettes focus on four basic groups of characters: lawyers, office workers, cleaning ladies, and College professors and students. But almost nothing exciting or remarkable happens in this film, nothing that really made me wonder what would happen next or how this film would turn out. All I wanted was for this film to finally end, but I fell asleep before then and had to use the scene selection. Overall, this was a pretty dull viewing experience.