Hellen I like the storyline of this show,it attract me so much

Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Wyatt There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

christopher-underwood Beautifully directed and beautifully shot film from Francesco Rosi. From the wonderfully framed shot behind the opening credits at the very start I was enchanted and fascinated. A simple enough tale of an old man calling his three sons to his isolated farmhouse following the death of their mother. The three are all at work in the modern world and we gather it is rare that they meet up or visit their childhood home. Contrasts abound between the three and their father and their differing lifestyles. The judgmental judge, the utopian carer for delinquent boys and the militant factory worker (all representing facets of the director's personality, he is said to have claimed) all discuss the way they see the world and more especially their homeland, then being torn apart by assassinations, corruption and union and mafia intervention. Pastoral and yet vigorous with the undercurrents of pessimism and loss of hope and search for love are very well handled and make for absorbing viewing.

Jackson Booth-Millard This Italian film is one I read about in the book 1001 Movies You Must See Before You Die, the title made it obvious what the main subject was, but the story I did not know, I hoped it would be good, directed by Francesco Rosi (Christ Stopped at Eboli). Basically in southern Italy, the matriarch of the Giuranna family dies in the farmhouse, her husband summons their three sons from Rome to prepare for the funeral, each of whom are facing difficult personal problems. The first son, Raffaele (Philippe Noiret), is a courtroom judge presiding over a terrorism case, at risk of assassination he is in constant fear for his life. The second son, Rocco (Vittorio Mezzogiorno), is a religious man who lives in Naples, he works as a counsellor at a correctional institute for boys, hoping to achieve his dream of helping troubled teenagers. The third son, Nicola (Michele Placido), lives in Turin and works as a factory worker, he is involves in a labour dispute and his marriage is failing. Each of the men grieve for the loss of their mother in their own way, while also grappling with the other emotional issues that are pressing on them. The three brothers encounter the past and contemplate things that may come: Raffaele imagines himself dying, Rocco dreams of helping youths of Naples out of violence, drugs and corruption, and Nicola pictures himself and his wife and embracing, meanwhile the old man and his granddaughter take care of the farm and grieve together. Also starring Charles Vanel as Donato Giuranna and Andréa Ferréol as Raffaele's Wife. I understood the main plot of the story with a family of three brothers and the father brought together for the funeral of the mother, but I agree with critics it is perhaps overloaded with other topics about age gaps, marriage trouble, terrorism, politics, and of course death, overall it certainly engages you enough however that makes an interesting enough drama. Worth watching!

Lee Eisenberg Francesco Rosi's "Tre fratelli" looks at three brothers who return to their childhood home after their mother dies. The movie goes into a study of the dissimilar paths that their lives have taken them. Raffaele (Philippe Noiret) is a judge prosecuting individuals charged with terrorism; Nicola (Michele Placido) is a union leader who supports the people targeted by Raffaele; and Rocco (Vittorio Mezzogiorno) works in a correctional institute for boys. But even beyond the different paths that the brothers' lives have taken them, the movie looks at their relationship (or lack thereof) with their father (Charles Vanel). It turns out that only the granddaughter is truly able to bond with the patriarch.The movie is almost mystifying in its focus on this family. Raffaele's dream brings up the issue of what constitutes terrorism. But in the end, all sides are forced to recognize that they are still a family. The granddaughter seems to represent the innocence that the brothers were forced to abandon as they went their separate ways in life. The end result is a very thought-provoking movie, definitely one that I recommend.

orbanei Rossi touches the spectator with a movie that is part the modern Italy, being the way of living of the three brothers, and the old and more rural Italy, the lifestyle of Donato, the father. "Tre fratelli" is a melancolic piece of art, the way Donato remembers his wife and how Marta can remember him of his wife. The relationship between the three brothers is seemed to be tense due to the differences between them until Raffaele asks Rocco about his sexual life...something that always seem to break tension between brothers or friends. It is very interesting how all the adults have a dream or a memory and therefore we are told part of the story that way, such as the real fear of Nicola to be killed or the willingnes of Rocco to help the problematic kids.Another Rossi piece of art in a simple and poetic way.