MoPoshy Absolutely brilliant

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Staci Frederick Blistering performances.

Horst in Translation (filmreviews@web.de) "Knallhart" or "Tough Enough" is a German 90-minute (without credits) movie from 10 years ago. Director is Detlev buck, one of Germany's most known filmmakers these days. Lead actor is played by David Kross, before his international breakthrough in the Oscar-winning "The Reader". In this German movie here, he plays a teenager who is forced to move from the richer district of Berlin to the poorer when his mother breaks up with her sugar daddy. At his new school, he quickly gets into trouble with the local "mob" and his classmates force him to pay money on a regular basis. He also makes friends, but still it is a slow descent into crime as he is forced to steal the money. Not much later, he gets into contact with real criminals and he starts delivering drugs for them. As a reward, he does not only get paid properly, but they also help him against his bullies. But the longer the film goes, the more it becomes obvious that they are not his true friends.All in all, this was a pretty decent movie and the final scene with Michael, Erol and the others was truly gripping. Everything before that is fine too and this is certainly one of my favorite Detlev Buck films. Even Jenny Elvers is bearable in here and only has 1 or 2 not-so-good moments. Kross I am not the greatest fan usually, but he is okay too and physically works fine as well for the role with his innocent face. My favorites here are the supporting actors though, who all play their parts realistically. If you get in touch with the wrong people in Berlin-Neukölln, stuff like that can actually happen. Kida Khodr Ramadan gives a good performance as always, but everybody else is convincing too. Very gritty dive into the world of Berlin's organized crime that may be closer to us than we think and hope it isn't. Go check it out. The film also managed a great deal of awards attention and was picked as second-best of the year at the German Film Awards only beaten by "Das Leben der Anderen", which went on to win Germany an Academy Award.

dschmeding Knallhart is in many points a typical German movie to me. The premise of a troubled teenager moving to a new flat in a low class Berlin environment and dealing with violence, drugs and apathy is nothing new. The movie tries to portrait the depressing surrounding in long pictures of the main actor walking through the city in washed out colors. The surrounding and the characters to me seem typically German and unbelievable ... overacted or over-scripted (the mobile phone beating videos were implemented heavy to meet with modern day German news headlines as a very cheap catch). Acting wise the movie was pulled down by the incredibly untalented Jenny Elvers in the role of the lead actors mother. Several other characters are badly acted like the German dealer in the cellar or the Austrian cocaine dealer (this scene is a perfect example for overdoing things by cutting to the baby every 10 seconds.... yeah, its depressing but how come non-German movies like "Ex Drummer" or "London to Brighton" manage to be gripping and getting the message across with far less effort??). Oh and talking about "London to Brighton".... like "KNallhart" its a 2006 movie but I really wonder about the strong similarities. The setting, the telling of the story by beginning at the end and then resolving it, the open ending, the environment and long city shots, the idea of the the main actor being forced to murder a person he hates although its not in his nature... can all this be coincidence??However the movies are classes apart.... the use of music was really bad in Knallhart and made it hard to feel for the main actor or the plot because it hardly ever transported the visual emotion. It rather sounded like the were selling a modern soundtrack or something. I think a 7.5 average rating is definitely too much for a movie with this many flaws. Even the editing was pretty weak at times... so do yourself a favor and watch "London to Brighton" or "Ex Drummer" if you want a movie gritty and getting you emotionally involved with great cinematography in a depressing underclass-environment rather than this pretentious German effort.

trpuk1968 Interesting how one person read this film as having a subtext to do with fear of immigration and other races. I found this quite harrowing to watch, it pressed buttons for me, leaving me quite disturbed and depressed afterwards. I d recommend it to anyone doing work with kids around bullying. The central character is faced with some hard choices. After watching this, I was left wondering what exactly I might do, given the same set of circumstances. There's a frenetic, techno charged turbo driven soundtrack, rapid editing and wonky camera angles, but this is used skilfully. There's two scenes of incredible tension where the filmmaker slows down, the camera becomes still which brings emphasis to bear on the events. All in this is competently executed and while not up there with Los Olvidados or 400 Blows is nonethless well worth a look.

Ilina I caught Knallhart at the 2006 Chicago International Film Festival, where it drew massive applause as the credits rolled.Intense, realistic coming-of-age story set in the poor, predominantly Turkish suburb Neukoeln in Berlin. David Kross is spot-on as precocious, soft-spoken, world-weary 15 year old Michael, struggling to survive in the new world he's been thrust into after his mother's wealthy boyfriend shoves them out on the street. He seems unfazed through his constant violent run-ins with a local gang, as well as increasingly dodgy messenger assignments he gets through a friendship with the local drug lord, holding his stoic gaze until the escalating events eventually break him, and yet show his true strength and character. The movie is extremely gripping, gritty, and real; the camera is intimate with its characters, letting the audience marinate in the heaviness of a situation. The Soundtrack is notably powerful, weighty, and fitting, as is often with quality German films (Head On, Run Lola Run, Princess and the Warrior). Definitely recommended.