Toys in the Attic

1963 "Toys in the Attic Plays With Fire!"
6.7| 1h30m| NR| en| More Info
Released: 31 July 1963 Released
Producted By: The Mirisch Company
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Julian Berniers returns from Illinois with his young bride Lily Prine to the family in New Orleans. His spinster sisters Carrie and Anna welcome the couple, who arrive with expensive gifts. The sisters hope Julian will help with their expenses, and he tells them that while his profitable factory went out of business, he did manage to save money. It turns out that Julian pulled off a real estate scam and took off with the money. Carrie is obsessed with her brother. Her jealousy of Lily pushes her to discover the shady land deal for herself and she does everything she can to wreck their marriage.

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Reviews

SpuffyWeb Sadly Over-hyped
Contentar Best movie of this year hands down!
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
jjnxn-1 Heavy dramatics and a suffocating atmosphere make this a challenge at times. What it has to balance out all the weighty goings on is acting of the highest order. Dean Martin, Yvette Mimieux and Gene Tierney all contribute excellent work but the real fireworks is between Geraldine Page and Wendy Hiller as Dean's sisters. While Gerry Page has the showier role it's Wendy Hiller who gives the film's best performance. With subdued delivery and subtle looks she conveys a wealth of background into both who she is and the history of the entire family's dynamic. It's a wise choice, if she had fluttered and extrapolated as Page's Carrie does the viewer would never be able to make it past the first five minutes of the film.One step removed from a Tennessee Williams chamber piece this will be enjoyed most by fans of his work as well as fans of great acting.
Kaplan Every performance in this haunting film is stellar, including Dean Martin's. Much has been said about him being miscast but I disagree. Despite his being a perennial loser, the character of Julian must be so attractive, charming and fun as a person that he can capture the hearts of fresh young things like Lily and older, more experienced women like his connected and moneyed benefactor alike. Part of Julian's problem is that his personal attractiveness has allowed him to skate through one catastrophic life choice after another while women, most often his older sisters, who also get all giggly at the very thought that he might come swinging through the door any minute, have always been there to bail him out and nurse him back to health.His child-like and overly animated conversation with Lily's mother is a key indicator here. He is still very much a little boy at this point in the story, yet you can see his irresistible personal charm and attractiveness is also working on his own mother-in-law. These are qualities that were intrinsic to Dean Martin's real life and his professional persona. And the film camera being as unforgiving as it is in revealing a certain "biology is destiny" truth about a person's look, manner and aura, I don't believe Jason Robards Jr., who created the role on stage and was a fine actor on both stage and screen, would have been able to pull it off in the movie. Yes, Paul Newman could have pulled it off. But so could Dean Martin. His performance is one of the things I enjoy most about watching this as I do every few years on my old TCM DVD-R copy of it (we really need an official DVD/Blu-ray release of this soon). His final scenes with Page and Hiller are standouts. It is thrilling to see Julian's growth into manhood for the first time in his life under these brutal circumstances as Dean Martin portrays him.This is a dramatic performance that, IMO, surpasses his previous impressive dramatic performances in The Young Lions, Career, Some Came Running and Rio Bravo.And on the issue of questions about the family resemblance (or lack there of) among the three siblings, I'm not sure that is such a critical oversight of the filmmakers considering the musical chairs heritage elements found elsewhere in the story. Questionable lineage/parentage is an openly discussed factor for at least two other characters. It wouldn't be a stretch to consider the possibility that the three siblings in this old New Orleans family might have been the product of two or more fathers. The two "old maid" sisters are overly conservative and averse to outsiders to an almost neurotic level. Was this the result of a mother who instilled this fear in her daughters in order to atone for her own wild youth? Possible. I just think the question of whether Dean Martin, Wendy Hiller and Geraldine Page look enough alike to be taken for siblings is not much of a distraction and, in its own way under the circumstances of this story, might even add something of value to consider.
bkoganbing As is pointed out in the acclaimed biography of Dean Martin by Nick Tosches, Toys In The Attic was the last serious role that Dino attempted on the big screen. His less than stellar reviews in comparison to Jason Robards, Jr. who did it on the stage probably convinced Martin to stick with what he knew best.I don't think Dean was all that bad in the part, the problem was he did not have that much to work with. When you think about it the roles he played in Some Came Running and Ada could have been dress rehearsals for Julian Berniers in Toys In The Attic. I just don't think the play itself is up to the standards Lillian Hellman set for herself in The Little Foxes.In fact the subject matter seems to be more Tennessee Williams than Lillian Hellman. Martin is the younger ne'er do well brother of spinsters Geraldine Page and Wendy Hiller. Page is kind of Blanche Dubois flighty type on the surface, but she really rules the Berniers roost. And she's got a nice incestuous thing for her brother.Who is now married to Yvette Mimieux, a young, but even mentally younger child like bride. Dino's got a deal cooking with the wife of a big tycoon played by Larry Gates. Years ago he had a fling with his wife Nan Martin, but now they're just seeking to take the big guy for a big score.On stage the Gates and Martin parts are not played, but talked about. When Lillian Hellman's play was on stage the sisters were played by Maureen Stapleton and Anne Revere. Revere in the part Hiller does won a Tony Award for Best Supporting Actress. The play ran 463 performances in the 1960-1961 season.I think if the part Dino had was played by Paul Newman or Montgomery Clift, the film might have been marginally better. But even more so Lillian Hellman was poaching on Tennessee Williams subject matter and she should have kept off the grass.
whpratt1 Dean Martin, (Julian Berniers) gave an outstanding performance in this role with a very dramatic role as a brother who had two sisters who both loved him very much. However, Julian was a shady character who was always a constant failure in whatever he did and got himself involved with all kinds of women who could provide him with money. Every time he got in trouble Julian ran home to his two sisters who always managed to lend him money. Finally, Julian comes home and manages to have plenty of money, like $150,000 dollars and buys everyone lots of clothes and even trips to Europe and a new refrigerator for their home. Dean Martin and Geralldin Page, (Carrie Berniers) both gave an outstanding performance which made this a great film to watch and enjoy.