GurlyIamBeach Instant Favorite.

Aedonerre I gave this film a 9 out of 10, because it was exactly what I expected it to be.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Scotty Burke It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Jakealope This movie is a spoof of all those Rambo/Norris/Ahnuld commando bloodbath movies from the 80's. It is very unsubtle, full of cartoonish shootouts where the same bad guy terrorists get mowed down by the good guy plane crash survivors, some cheesy sex and boob scenes, with an original hard rock background music score. Basically, a random bunch of people crash on a Caribbean Island: punk rocker, Wall Street yuppie, hysterical woman, priest, etc etc; owned by Cuba. The island is a terrorist training camp for a motley bunch of cartoonish terrorists, loosely based on the 80's Communist types. There is a pig snouted redneck terrorist, a psycho Nazi Jew hating one, Russians, Arabs, a ninja, and even two Siamese twin leaders. They are going to land in the US and undermine us with AIDS and random violence, ala "Invasion USA", I guess. So this motley bunch of survivors, led by an ex Airborne Vietnam vet, start kicking some serious butt instead.There isn't too much of a plot after that, but plenty of gratuitous violence on the level of Monty Python, with more shootout scenes than ten action movies put together. But the same bunch of terrorists keep getting mowed down by our heroes. It is funny yet the overkill grows on you after a while. But it definitely is chock full of special effects and weapons, especially for a low budget flick.To call this a politically incorrect movie is a euphemism for a totally bad taste movie. But it does have it's charm, in a cheap, exploitative but not a stupid way. Definitely not for the weak at heart, while not gory compared to modern horror movies, it has some real bloody hamburger scenes

winner55 Author: plazma_dragon wrote 'The makers of this film tried to combine a comedy movie with an action movie'.no, that's not what they did. what the wonderful folks at troma did in this film is to take all the conventions of all Hollywood action films set in the contemporary era, and push them to their logical extremes.the action film is inherently illogical - that's exactly why we watch them. in the action film you identify with the hero and blow away a criminal as soon as you can, and move on to the next criminal to blow away.in real life, if you shoot someone you think is committing a crime, you may miss and get shot; you may only wound him, in which case you have to listen to his squeals of pain, and later, in most states, he has the right to come back and sue you for aggravated assault with a deadly weapon - no joke. and if you do kill him, then you have to justify it to the police, and sometimes to a judge, and you have to listen to his mom weep in agony, and then she sues you for 'wrongful death' and you have to wonder - was causing so much pain to others and one's self really worth it - a question that may haunt you the rest of your life. finally, there's the possibility that he may shoot you - setting aside your possible demise, there's the problem of getting crippled for the rest of your life. you can sue the criminal, but if he's just the corner thug, you'll never see a penny.this doesn't mean that you don't shoot the criminal - you may need to - if he's threatening a loved one, and i got a good shot, i certainly would. but what all this does mean is that you're stuck with all kinds of consequences that never happen to Stallone or snipes or Jackie Chan.troma takes this basic principle - shoot the guy and move on, hero - to the extremes. any of the airliner survivors who show compassion are deemed wimpy and abandoned. the Rambo-wannabe wades into a whole regiment of enemy soldiers and doesn't get shot. the pacifist priest is sadistically tortured and shot in the goriest fashion, condemned to die by a neo-Nazi for being Jewish - even though he's clearly not - simply because the Nazi thinks everyone he kills must be Jewish, since he's a Nazi and Nazis kill Jews.as for the nudity - it is rumored that steven seagal actually used to have it in his contract that there would be at least one female nude scene in any movie he made. nude scenes are pro-forma to the genre - but since this is troma's war, of course they need to be done as ineptly as possible.one can say that 'this is not my kind of comedy', and leave it alone. however, don't for a minute think these people don't know what they're doing.personally i think this movie is a jaw-dropping, over-the-top satire of the best kind. i hold back one star because there's no doubt the editing could have been a little tighter.

gridoon Typically low-rent action fare, full of repetitive action scenes that are neither exciting nor funny. I guess you have to get in the right state of mind to enjoy a film like this, otherwise the annoying characters, cheesy humor and stupid plot just might exhaust you. (*1/2)

Glenn Andreiev WAR! is another quickie exploitation film churned out by the Troma Team. Like all of Troma, the film is heavy on the bad taste (even comes with AIDS jokes) nudity, action, etc. etc. At the end of the film, all the film's heroes and heroines face the camera and cheer "America!" I guess this is so we don't boo and hiss the film too bad. I saw TROMA WAR's in the best possible enviorment for a Troma film, the old Times Square, in a run down theatre with a wall made up of tarp, along with a local lunatic who decided to sit in his seat in the lotus position and face the audience during the film. Now it's all Disney and Yuppie-Moneytraps on 42nd Street. Too Bad.