Nonureva Really Surprised!

Platicsco Good story, Not enough for a whole film

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

TheLittleSongbird There are better Looney Tunes cartoons than the Sylvester and Tweety series but the series is still entertaining and nice to watch. Sylvester and Tweety are not among Looney Tunes' greatest duos, but at least their duo makes sense and doesn't feel odd(unlike Daffy and Speedy). Tweetie Pie signals their debut together- having been seen before solo- and it is a great one and one of their better cartoons. The cruelty of Sylvester/Thomas' owner is a turn-off point, the one character here who you dislike from the get go, but that's a personal nit-pick above all else. The animation is vibrant and detailed and with plenty of bounce, both Tweety and Thomas/Sylvester well and recognisably drawn and Thomas/Sylvester's facial expressions are expressively done. Carl Stalling's music not only is orchestrated beautifully but rhythmically it bursts with character and it gives great energy to the action. It's not just it sounding nice and that it's action-enhancing but also how well it accompanies the gestures and expressions of the characters and even the sound effects too. The dialogue is sharp and the gags while not surprising are made funny, in some instances hilarious(especially the one with Thomas/Sylvester trying to fly up to the cage via an electric fan), by the interactions between the duo and Thomas/Sylvester's facial expressions. Which like with Wile E. Coyote induces some of the laughs on their own, I don't think the fireplace gag would have worked quite so well without his reaction to that he was burning. Tweetie Pie is violent but actually not in a sadistic or bizarre way that it churns the stomach like the Gene Deitch Tom and Jerry cartoons did. Tweety has the cute- but not too sickly sweet- persona that he is now famous for but he also has shades of the anarchic personality that was given to him in the Bob Clampett outings. But Thomas/Sylvester makes the biggest impression, not just because he has the funniest moments but you also root for him, and this is in general not just here. He may have a different name and be fatter but the voice and the catchphrase are unmistakable. The two work great together and as aforementioned at the beginning of the review their chemistry makes sense, plus as usual Mel Blanc voices superbly. All in all, a great debut for this bird and mouse duo, one of their best if not their very best. 9/10 Bethany Cox

MartinHafer Before I review TWEETIE PIE, I am going to rant a bit. So, hold on tight and I'll get this over with as quickly as I can. In the history of animated shorts, few would argue that there were any better than those of Warner Brothers in the 1940s and 50s. While some of the MGM and Disney cartoons may have looked better (though all three had wonderful animation), none were as consistently funny and entertaining as the Looney Tunes shorts from Warner. However, oddly, this group of amazing artists won very few Oscars. Tom and Jerry (which I love), although highly repetitive, did great at the Oscars. And, amazingly, crap like the UPA shorts (with characters like Gerald McBoing-Boing and Mr. Magoo) cleaned up at the Oscars in the 1950s even though the animation quality was light-years behind Warners. Somehow, the Oscar folks did Looney Tunes dirty again and again...and I have no idea why. Perhaps they just thought that their cartoons weren't artsy enough or hated that they were intended for the common person out there.Now, despite my rant, on occasion the Academy got it right--such as in the case of TWEETIE PIE. This is exactly the type of short that usually didn't win, as it was funny and extremely sadistic--two things necessary for a great short!! While some even better shorts by Looney Tunes have been ignored (such as the amazing FEED THE KITTY and CANNED FEUD), at least here they got it right.This is the first pairing of Sylvester and Tweetie, though the cat is called 'Thomas' in this short. Still, it worked well and the combination seemed like a natural--with this first pairing actually being one of their best, if not the best. Great animation, great humor and a generous sprinkling of violence--this is one wonderful Oscar-winning cartoon.

slymusic "Tweetie Pie" is an excellent Tweety/Sylvester cartoon with interesting origins. Prior to the making of this film, director Friz Freleng paired Sylvester with a woodpecker in a couple of cartoons and decided that he was ultimately going to replace the woodpecker with Tweety. Eddie Selzer, who somehow became the head of the Warner Bros. cartoon department at this time, insisted that Freleng use the woodpecker, but Freleng held his ground and insisted on using Tweety. As Freleng later recalled, the argument persisted to the point where he gave Selzer his pencil and walked out, telling him to do the cartoon himself! Selzer later coaxed Freleng to return to the studio and make the cartoon the way Freleng intended, using Tweety. Freleng did, and the irony of it all is that the resulting cartoon, "Tweetie Pie," won an Academy Award!(In this particular cartoon, the big, ugly cat who ultimately became known as Sylvester is named Thomas, and Tweety's name is actually spelled T-W-E-E-T-I-E. Since I always like to be true to character names, I shall refer to these two characters as Thomas and Tweetie.) Highlights from "Tweetie Pie" include the following. While Thomas comes down the chimney, Tweetie grabs a hugs pile of logs and lights a fire; although it's predictable, Thomas' reaction to his rear end ablaze is funny! Thomas saws a hole in the roof over Tweetie's birdcage, but the cage remains still and Thomas comes tumbling down with the roof! (It may actually be funnier to freeze-frame this scene on your DVD player so as to witness Thomas' horrified reaction while falling from the roof.) Thomas covers Tweetie in a drinking glass, so that Tweetie's yelling, cymbals, bass drum, and trumpet cannot be heard; he gets out of his predicament soon enough, though. Thomas attaches an electric fan to his waist, thereby flying him in the air so as to reach Tweetie's birdcage, but his plan backfires when he looks below and sees Tweetie about to pull the plug; Carl Stalling's accompanying music brilliantly accentuates Thomas shaking his head and Tweetie nodding his head."Tweetie Pie" is such a great cartoon! In this film, Tweetie actually has larger jowls and is much more of an active tomboy (as introduced in a few earlier cartoons by director Bob Clampett) than he is in his later cartoons directed by Friz Freleng. You can find "Tweetie Pie" on the Looney Tunes Golden Collection Volume 2 Disc 3, with an additional commentary by filmmaker Greg Ford and a brief audio clip of Friz Freleng.

Robert Reynolds Move over, Gallagher and Sheen, Laurel and Hardy, Abbott ans Costello, Lunt and Fontaine: it's Sylvester and Tweety! In a pairing so obvious as to be almost automatic, Tweety and Sylvester meet up for the first time and take the prize-Oscar, of course. One of the better ones, this pairing is perfect. Highly Recommended.