SincereFinest disgusting, overrated, pointless

Hulkeasexo it is the rare 'crazy' movie that actually has something to say.

Stephan Hammond It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Benas Mcloughlin Worth seeing just to witness how winsome it is.

Anurag Yaparla This movie starts off with a bang! it immediately captures your attention with some riveting screenplay and writing. As a movie goer in India this movie caught my attention not because of the plot but because it was quickly banned as it came out. So naturally i was intrigued but this movie is nothing but a ridiculous waste of talent,resources and everyone's time. No offense to Raj Amit Kumar the movie was a glorious concept but there is just too much personal passion for the subjects chosen. Achieving an equilibrium between reality and fiction must be the goal when one makes movies using such excellent concepts but the reality is this movie is nothing but a shabby art project done by a passionate yet confused director.Director Saab don't pay too much heed to this criticism you will do much better as time progresses.

Nikhil Kamra MINOR SPOILERS"The film they don't want you to see"; because it's THAT bad. Okay, jokes apart, but this movie proves once and that knowing your way around camera and a good direction can only take you so far. Okay, I'm not entirely saying that the concept of this movie/the premise is not good. It's worthy enough, but they somehow screwed it up.Let's talk about some aspects of the movie.1. Pace. The pace of the movie is wrong in all the places. The points where you want a slow pace for dramatic effect, are rushed and vice versa. Also the scenes cut to the other stories exactly when they shouldn't. At least, that's how I felt. 2. Dialogue/Script. The dialogue is not utter garbage, but it's not good either. And the constant flawed delivery of it makes it worse. 3. Acting. The acting is ridiculous. Especially by the girl who plays the role of Sakhi. She has a constant bland expression on her face the entire time. Her expressionless face ruins it all for you. And it's not just her. None of the actors are any good. The best actors in the movie are sub-par at best. 4. Nudity. The movie doesn't understand the difference between tasteful and much needed nudity, and nudity that's just for show and is utterly useless. The latter one can be observed right from the beginning and it puts the movie off to a REALLY bad start. The former, however, works really well and you'll even be observing it in the most powerful scene of this movie. Right at the end. The first few scenes really felt forced, if anything. 5. Plot. The trailer makes all plots look really good. You get a feeling all of it would connect in the end, or come full circle, or SOMETHING. But does it? Nope. All plots, no matter how major or minor are separate from each other. There is literally no connection between them, which is disappointing to say the least. I wonder what was the point of all those minor plots then, especially of that girl who loses her child. I mean, did they just wanted to portray tragedy for no specific reason, or something? Would've been better if they focused on only the two main plots. Or better yet, made two separate stand- alone movies, each with one.I MAY BE partial, but the only plot out of them all that works well (enough) according to me, is the one that deals with sexuality issues in India. I mean, even that has its shortcomings, but it's the one that worked the best. It's sort of THE ONLY ONE that made it (almost) worth my time. The other (major) plot, the assassination one, didn't quite interest me. I'll even go as far as saying I didn't care for it AT ALL. Verdict. 5.5/10If you're strongly interested in any of the plots, like I was in the LGBT one, you'll like it. If neither of the (two major) plots interest you, skip it; you're not missing much.

saumikg Here it goes... Those who don't watch it, wont miss anything.The Idea of the movie was good even if nothing fresh, but the movie making was completely lousy. Acting and Direction both lacked polish and it had a typical B-grade movie experience to it. Nude scenes when incorporated were unnecessary / out of context and felt like they were put there just for the sake of it. The screenplay has way too many plot holes and gaffes. People who are gay or lesbian or bi, they do not run around rubbing it in the face of other people to make themselves feel better. Lack of sophistication and finesse to handle sensitive issues often makes the performing characters look stupid. If you want to highlight some of the most prominent issues of our times, at least a sincere effort is expected.

David Ferguson Greetings again from the darkness. Societal mores are always slow to change, but the slow acceptance of new cultural ideals pales in comparison to the evolution of religious beliefs and traditions, which can take multiple millenniums for even the smallest revisions. First time director Raj Amit Kumar co-wrote the script with Damon J Taylor, and they seem anxious to point out the out-of-step status of Muslims in regards to both pacifism and sexual orientation.The structure of the film can be a bit tough to follow as a viewer since there are two seemingly unrelated stories, along with the corresponding flashbacks for character perspective. One story follows an angry idealist has he accepts his assignment for terrorism and travels from Pakistan to New York City. Mohammed Husain's (played by Bhanu Uday) mission is to coerce (a word much too nice for his actions) pacifist Muslim scholar Fareed Rahmani (Victor Banjeree) into admitting on video that he is a fraud and not a true Muslim. The other story has Leela Singh (Preeti Gupta) as a frustrated lesbian woman in New Delhi who has refused ten marriages arranged by her devout father (Adil Hussain), and finally runs away to meet her choice of lover … artist Sakhi (Bhavani Lee), whose current boyfriend finds Leela's passion comical – right up until he doesn't.A running theme for both story lines, as well as the numerous sub-plots, is specifically stated as "It's the choice we make when we are most cornered in life that define us". Solution through violence and torture is consistent through both stories, and as disgusting as the actions of terrorist Husain are, it's the actions of Leela's father that are the most stomach churning and confounding. There are a few shots taken at the power of Wall Street, but the actions of greed don't compare to the more severe and unforgivable actions driven by religious beliefs. The film was originally entitled "Blemished Light", but it's difficult to find illumination in this well-acted film that exposes clouded thought processes.