suzibeanwood
The video account in Unknown White Male was brilliant.I have watched different movies about amnesia, which is always a good story line but this one was very different and very real. It reduced me to tears as I had suffered almost the same thing in the late sixties. This was without doubt the closest account I'd come across. The memory holds many facets, numerical, verbal, pictorial, humour, love, jokes, innuendos, the subtleties within our language, age old phrases, the list goes on.It's as though you're from another planet. This is something impossible to fake as your whole identity is lost, and you come, in time, to accept that no one really understands, not even doctors. It's not a general thing, that others can comprehend within their own life experiences. It has taken me nearly thirty years to come to terms with what happened to me, as at the time, understanding of the psychological long term effects of amnesia was very limited. I found this young man's story an inspiration and could relate with him in so many ways. The need to tape it, to remember, to have some data when there's nothing else. I wrote diaries and even put little pictures of the weather in the corner to keep remembering.
superfudge73
The idea itself seems repellent to most people. In addition, Doug's apparent lack of enthusiasm for regaining his memory seems disturbing to human beings who's entire existence is defined by our memory of experiences. The reality of the situation is the impossibility to be longing and nostalgic for memories that don't exist in your psyche. In conjunction with the obvious commercial motive for faking this film, would the filmmakers and Doug himself be willing to ruin their credibility over a low budget Indi film? As far as I know, no one has ever been able to find any of the newspaper reports alleged in the film. What can't be denied is the fact that any film that makes you ponder the context and characters, be it real or fake, is worth the watch.
roland-104
Rupert Murray makes his film directing debut here, in a documentary movie that tells the story of a friend of his, a young man, Doug Bruce, an intense and successful stock broker in New York City who one evening experienced a dissociative fugue state that lasted perhaps up to several days. Once he had come to his senses again, lying in a hospital bed, he realized that he had no memory whatsoever for his past: his identity, name, or personal history. He retained excellent language skills and other instrumental abilities, could learn new material and remember it, and even was able to write his first name accurately - his only link to his past - when registering for medical tests.Dr. Daniel L. Schacter, a Harvard Memory Psychologist, appears early in the film as a useful talking head, offering us a concise review of the various classes of memory: episodic (personal identity and life events), semantic (general fund of information about the world), and procedural (language skills, how to ride a bike) memory. It is only episodic memory that is compromised in psychogenic amnesia. Bruce's retained language skills and other procedural abilities, and his intact fund of general knowledge, demonstrated that Bruce was suffering from a psychogenic amnesia, not an organic amnesia, i.e., one based on obvious brain damage.In organic cases, e.g., in Korsakoff's or Alzheimer's diseases, or after severe head trauma, amnesia also is not limited to the past (retrograde amnesia) but also affects the capacity to form new memories and retain newly learned material (anterograde amnesia). An MRI study did show that Bruce had an enlargement, perhaps a tumor, in the area of the pituitary gland, but this could not explain his fugue or memory loss.Bruce had a broad enough social network – stretching from New York City to London to Spain, where his family live - that it did not take long before he was identified and then looked after by people who know him. The film traces his initial medical evaluations, his reunion with friends and family, and his efforts to reconstruct his life. He does gradually fill in some missing pieces, though even 15 months later he has only patchy recall of his past.We never do learn of any obvious trigger for his fugue state. Apparently he had never before suffered from such an event. Reference is made to the fact that his mother had died, but that was several years earlier. No other major stressors were disclosed. There was no evidence of trauma or foul play surrounding the onset of the fugue. No so-called "secondary gain" factors emerged, i.e., there was no apparent reward to be gained, or scrape to be avoided, by a convenient (malingered) amnesia episode.Though in various newspaper accounts since the film's release, we learn that Bruce has indulged in a great deal of self promotion around the matter of his amnesia, never tiring of being the center of attention at Manhattan parties, even starting up a website about his situation. Maybe his initial amnesia was real enough, but these subsequent developments do suggest that sustaining his condition has had its rewards.This was a very frustrating film for me. I kept waiting for psychiatric treatment to commence, since Doug's amnesia was indisputably psychogenic in origin, or at least for more information on a plausible set of stressors to explain the timing and extent of his problem. Initial evaluation by a psychiatrist is mentioned early on, but treatment apparently never came; it certainly wasn't mentioned. So Bruce's case was very much like a 19th Century case, where everyone agrees on the diagnosis and then just sits around waiting. Cost was certainly no object: Bruce and his family were well off people.The only interesting aspect of the situation was that everybody agreed on Bruce's largely favorable personality changes after the fugue. He showed a fresh sort of innocence, thoughtfulness, emotional openness and sensitivity, where before the event his friends saw him as brash, cynical, and a more flip wit. But these personality changes weren't dwelt upon as much as I would have wanted. At film's end, we see Bruce building a new, more relaxed life, with a new lover and a new career in the arts.This film held my attention keenly because of my clinical interest, as I waited in suspense for the other shoe to drop: i.e., for resolution of the problem, or at least elucidation of the causes, as a consequence of psychotherapy, hypnotherapy, or the use of amnesia-busting drugs, e.g., sodium amytal or pentobarbital interviews. Why weren't any of these things tried? Did Bruce duck treatment because he knew he didn't need any? Take away clinical pique, and actually found this film is pretty boring: neither the protagonist nor his friends or family are especially interesting people. Bruce's reunion with drinking buddies in London showed them to be especially dull. My Grade: B- 6/10
jambotembo
Thoroughly compelling documentation of the re-emergence of a person. Images and sequences well-photographed and chosen to convey emotional impact; the viewer "feels" this story acutely. A rare medical mystery with no scientific explanation, but perhaps more clear from a spiritual perspective; a blessing in disguise, whereby a person gets to live two lives for the price of one, with potential character improvement. The new Doug appears to have deeper emotional sincerity than the former. What begins as a terrifying disability may in time yield many some enviable advantages. I hope the soundtrack will be made available (a beautifully eerie series of pieces.) P.S., The pretty brunette with the scarf (Nadine ?) has, for lack of a better description, a "scintillating countenance."
