Palaest recommended

Lumsdal Good , But It Is Overrated By Some

Ceticultsot Beautiful, moving film.

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

tanya-mcmillan I happened to see this film in Paris with few friends. The film was subtitled in French and I do not speak or read French. But to my surprise the film grabbed my attention, than slowly my mind mysteriously... as it turned poetic and touching -I was in the VALLEY OF FLOWERS, not wanting to go out and face the French arrogance...It is almost meaningless to try to ascertain any scientific or cultural logic beneath the surface of this allegorical story inspired from Alexandra David Neel's work. Such hairsplitting will only make you lose the merit of this work.The film commences in early 19th Century in the Himalayas, a gang of bandits wait for their attack. We are almost in Sergio Leone feel... After the attack the chief of bandit falls for a mysterious victim. Now begins a great love story as they go on pillaging silk route... Soon comes the "Sherrif" and he is going to get the "outlaws"...Lovers after savoring material wealth leap into super-natural thefts, the chase continues... I will not reveal all but finally two centuries later, ends in Tokyo of today.There are many themes which touches all of us, the film remains universal and will surely strike US audience with its magical spell. After all it is very modern and new age. Somewhat BABEL or THE FOUNTAIN like.Already there is great concept, great style and great photography. This story would make a fantastic American remake. Imagine 2 centuries ago the Grand Canryon, a group of outlaws attack Navajo or Hopi Indians, One of the Outlaw falls in love with a mysterious Indian girl. Together they rob the wild west. Then comes the bounty hunter or sheriff. The chase begins. But soon the mysterious Indian girl leads our hero to supernatural robberies with voodoo and black magic of Indians thrown in -they robe vital energies, luck and ultimately they want to become Immortal. They find in a far far land a Hualapai holy man and steal from him the elixir of immortality. It works on him but she dies. Tragedy. He will live on with his suffering and longing... cut to modern day NYC where our hero is 197 years of age!!!! Isn't that great? Use your imagination and you will see this will make a superb remake about love, longing and death. I agree it is better plot than The Fountain (2006)Sorry, writer in me took off. But that is the proof, there are rare movies in the world today which can inspire you or fire up your imagination. Do not miss Valley of Flowers, mind you it is not a perfect film, it has it weaknesses. But it is indeed a haunting film. Valley is also a philosophical journey through the ideas of life, love, loss, and hope.Valley of Flowers provokes something very human out of its viewers. I can remember being one of the few in the audience (having had a full house in the beginning) and still watching the credits roll, sharing a strange sensation. It wasn't joy. It wasn't sorrow. It was just feeling a part of something that I can't explain, and I think just for that -this movie is something quite remarkable for being able to do that.

bilal_nuri I might sound biased but first of all I love all kind of love stories in cinema.Valley of Flowers is a great love story -the one where magic plays a role.And I have a passion for exceptional love stories and romances. Valley of Flowers makes you dream. Its a romanticism with layers of fear -fear of life, death, demon, rebirth...It's set in very romantic Himalayas and moves onto very seductive Tokyo. Girls are gorgeous! Guys are cool and Game is dangerous -that of human vs demon.All that unfolds in magnificent vistas -amazing locations. The film has great production value and specially the costume design is exquisite!Extra bonus, it is inspired from Alexandra David Neel's book. Thus it is real treat for the fan of Alexandra's dark world of magic and mysteries of Tibet and Himalayas.In Japanese part of the movie when film slides into modern world from early 19th century, there is also a wonderful scene with BARDO (Tibetan Book of The Dead) based euthanasia.Its great concept: what do you do once you become immortal and you can not die -help others die.It's not so often we see in cinema Asian interpretation of love. Valley of Flowers is to be watched with open mind. It is not an easy film, mind you.Valley of Flowers is slow and I like slow movies -I cant bear Hollywood's fast cutting any longer.The only problem with valley of Flowers is that it is loaded with too many great ideas and concepts -many don't succeed. Maybe it is an over-ambitious adventure from writer director Pan Nalin whose SAMSARA is my all time favorite film. SAMSARA is in my list of "10 movies to watch before you die."Sorry, Valley of Flowers is not in that list but its a brilliant attempt towards unknown. Pan Nalin is a rising sun of the east -in just two feature films he has proved talent worth of five features. I agree, he is a filmmaker to watch out for.For Valley of Flowers; If you live on popular cinema then avoid it. But if you are in mood to let your mind do gymnastic then I would say JUST GO FOR IT! It is a rare kind of movie. It has a magic and mystery -and lots of sensuality.

julie-shi Valley of Flowers got me all excited, as it was the very first public screening in Delhi's packed Siri Fort Audi where audience was spilling all over the floor... Spectators were made of all races, many from abroad to participate in Cinefan. Among them India's who's-who; film stars, ministers, ambassadors, business tycoons, designers, software giants, painters, musicians, writers and loads of young people.Film did get mixed reactions, however I did not allow myself to be influenced by other's opinion. Something strong certainly happened to me when the lights came on –as if I was coming out of hypnosis. I even forgot to give a round of applause.The film surely has something and I haven't figured out what? At 155 minutes, it is long, has certain problems, badly subtitled and weak in parts. But I am astonished at the story, characters and cinematic style. Pan Nalin with his second feature (after Samsara) makes a very bold step in unexplored territories and comes out strong as a scriptwriter with guts, a director with exceptional talent and a filmmaker to watch out for. Just for all those reasons I have generously given 10 out of 10.Film's plot is both, complex and simple. It might not be for everyone but it's truly worth the viewing. Rarely a theme of love, longing and immortality has been so well depicted before. Valley… is a hymn to harmony in nature, balance among demons and humans, good and evil, life and death, black and white. It is a poetic telling of reincarnation and karma. Valley… is a magnificent house, filmmaker invites us inside with warm Asian hospitality but does not give us keys to all the doors. Now for some that will be a negative thing and for others it would be positive. Because Pan Nalin allows audience to interact with this epic love story –in honest manner.There are breathtaking moments in Valley… like appearance of Ushna, levitated lovemaking, valley of silence, time-walk and final climax in Japan. Cinematography is superb and the casting is near perfect. Himalayan landscapes are awesome. Towards the end the entire resolution of the saga happens in modern-day Tokyo and that is destructive and divine –like most Asian myths. Pan Nalin's regard on Tokyo and Japan is very sensitive and subtle.Watching Valley… is truly a cinematic experience of unforgettable kind –I highly recommend to those who love traveling beyond mainstream

sophie-desouza A fantastic film to enjoy and inspire. Valley of Flowers has gorgeous male lead and two lovely leading ladies. On their trail is Yeti, played by famous star Naseeruddin Shah. Pan Nalin has a talent for discovering talent; in Valley of Flowers he gives a break to French-Chinese Mylene Jampanoi (watch out Zhang Zyi and Sophie Marceau!!) and Japanese Eri.Vertigenous landscapes and skyscrapers, superb casting, sublime costumes, subtle lighting and mysterious music makes Valley of Flowers an exceptional cinematic experience.The story, warning -stay awake! Nalin does not give you all answers, he tells you his story in riddles. The film is a great long saga running full 2 hours and 35 minutes, from early 19th century to contemporary Japan. Allow your mind to be open to feel this mind blowing film.It successfully encompasses themes of love and sacrifice, mortality and karma. It starts like an "Eastern" (a Western from the East) and towards the end drifts into poetic Asian images.Given the length and the content of the movie, it is likely to suffer distribution problem. Besides Valley of Flowers invents its own "genre" -thus it is non-classifiable.It is not often that such films are made, slightly ahead of its time -Valley of Flowers will neither be commercial enough for Hollywood nor "arty" enough for auteur driven festivals.But Valley of Flowers, personally speaking, will have an important role to play in evolution of Indian and Asian cinema.Don't miss it!