Comwayon A Disappointing Continuation

Grimossfer Clever and entertaining enough to recommend even to members of the 1%

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Claudio Carvalho While driving on tour late night through a lonely road in the countryside of Spain, the van of the punk band "Killer Barbys" has an accident and breaks down. A creepy old man invites the group to spend the night in the castle of Countess Von Fledermaus (Mariangela Giordano) and presents himself as her secretary Arkan (Aldo Sambrell). Arkan explains that the mechanic is located 62 km far from the location and he tells that the Countess loves youths. Flavia (Silvia Superstar), Rafa (Carlos Subterfuge) and Mario (Charlie S. Chaplin) accept the invitation but Billy (Billy King) and Sharon (Angie Barea) stay shagging in the van. When the musicians meet the Countess, they find that she is the ancient artist Olga Luchan and they question how she could keep so young. But sooner they discover that the Countess needs blood of young people to keep her beauty. "Killer Barbys" is a typical Jess Franco's film with exploitation, low- budget, clichés, bad acting, naked women and lots of gore. I am not familiar with the Spanish punk band Killer Barbies but I laughed in some artless scenes and I liked the soundtrack. My vote is five.Title (Brazil): "O Massacre das Barbys" ("The Barbys Massacre")

lazarillo People who say this is the worst Jess franco movie obviously haven't seen too many Jess Franco movies. This has the same liabilities of many Franco flicks--the story is formulaic, the budget is non-existent, the film-making is borderline incompetent, the acting is terrible and the English dubbing is even worse. This movie is basically an extended promo for "the Killer Barbies", a less-talented, Spanish version of The Cramps with a sexy female lead singer, "Sylvia Superstar", who makes Britney Spears appear conservatively dressed by comparison. Fortunately, their music is a lot better than Britney Spears'. Unfortunately, it seems to consist of only two songs that they play over and over again, first in a live concert, then on the tape deck of their Scooby Doo-style tour van, and then non-diegetically on the soundtrack.After their van breaks down in the remote countryside, the band members take refuge in a creepy old castle (except for one couple who remain in the van to have sex for a ridiculously long time, before getting chased naked through the woods and summarily slaughtered). The surviving Barbies prove pretty tepid heroes actually, but the villains are pretty good--they include long-time character actor Aldo Sambrell, actor/producer Santiago Segura (unknown in America, but a cult figure today in Spain) and two creepy-ass midgets. Most impressive though is the infamous Mariangela Giordano as a Countess Bathory type who needs the blood of. . . well, obviously not virgins, but young people, in order to restore her own youth. Giordano has a very long, blood-soaked, butt-naked nude scene, which is pretty damn impressive considering she was almost 60 at the time! Of course, if you're watching this to "flip one off the wrist" as it were, you might not want to witness an actress a few years shy of collecting a pension in the altogether (no matter how good she still looks), but this kind of polymorphous perversity is what I find most interesting about Franco. Maybe it isn't very sexy, but it's a lot more interesting than watching your usual silicone-enhanced bimbos going through the motions of tediously choreographed softcore sex scenes. Call me crazy."Sylvia Superstar" also has brief nude scenes (which is more than you'll get from a Britney Spear's movie and you'll suffer a lot less for the privilege). Ditto with the ridiculously horny female back-up singer (at least before she is regrettably "decapitated" and replaced with what is obviously a headless department store mannequin). The special effects are laughable as usual. This is hardly "the most violent Jess Franco movie" as is claimed in the intro, but it's far from the worst one either

Infofreak I'd been warned this was bad before I watched it, but nothing could prepare me for just HOW bad! If this was made by some nameless hack I would have watched it and immediately forgotten about it, but as it's directed by Jess Franco, the man responsible for cult favourites like 'Vampyros Lesbos', 'Succubus', 'Eugenie De Sade', 'A Virgin Among The Living Dead', 'Sadisterotica' and 'Faceless', I couldn't help but be a little depressed... 'Killer Barbys' is absolute garbage any way you look at it and a sad low point for Franco. It's very hard to think of one good thing to say about it. Okay, The Barbies lead singer Silvia Superstar is pretty hot and their song 'Love Killer' isn't bad and rocks in a similar way to The Muffs or The Donnas. That's about it for praise. Apart from that, this movie stinks. Franco has done wonders on minimal budgets before in his long career, so that's no excuse for how poor this is. There are some talented people in the cast too - spaghetti western regular Aldo Sambrell, who will be a familiar face to Sergio Leone fans, co-star of the wonderful 'The Day Of The Beast' Santiago Segura, and Mariangela Giordano ('The Sect'). But the script is awful, the special effects lame, and the dubbing on the DVD I watched atrocious. If you hold Jess Franco in high esteem like I do, it's best to avoid this rubbish. You'll just feel cheated and sad. Highly UNrecommended!

KuRt-33 Jess Franco's "Killer Barbys" is to the band The Killer Barbies what Aki Kaurismäki's "Leningrad Cowboys go to America" was to the Leningrad Cowboys. Both are movies starring an existing band and both are typical products of the directors. Kaurismäki is known for his deadpan black humor presented in films totally weirding you out and "Leningrad Cowboys go to America" is a weird and funny tale of the Leningrad Cowboys going to America. Franco is known for erotic horror movies and "Killer Barbys" is a mix of horny rockers and cannibalists.But there's more. Kaurismäki made a sequel, "Leningrad Cowboys Meet Moses", an attempt to make the worst movie ever. To a certain degree he succeeds in doing so. Franco's "Killer Barbys" doesn't try to do so, but it's difficult not to see how many horror cliches you can see in this film: at night you hear the sound of wearwolves, it's often twelve o'clock, there's cannibalism, there are some dwarves, most of the rockers constantly want sex, a semi-naked girl is being chased in the woods, there's lot of blood and someone even ends up being crushed. How much gore can you get into one movie?But movies like "Killer Barbys" and "Leningrad Cowboys" never meant to be original. They are mainly there to let you know the band exists. And if anything they are much more enjoyable than your average rockumentary. And even though Franco made lots of no-budget movies where anyone can see through the special effects, I suspect him here of making the effects as bad as possible (if you can't see that the dead bodies are dummies, you desperately need to get your eyes checked.)It is true that Franco could have tried harder and that the movie could have been better, but it's common knowledge that Franco's best movies can't be found in the nineties. Most of those movies are even badly acted, so it's very ironic to realise that two rockers act better than Franco's cast of regulars (Lina Romay, Linnea Quigley, ...). "Killer Barbys" is the only decent movie Franco recently made, so if you want to see some of his later work, this is the best choice you can make. As long as you remember it's a Frankenstein experiment of combining gore and rockumentaries.By the way "Love Killer" is a nice song.