Victim

2010 "It's not always who you think."
5.5| 1h14m| en| More Info
Released: 17 November 2010 Released
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Synopsis

After being mysteriously kidnapped by a Doctor and his violent henchman, a young man is held captive in the converted cellar of an old mansion. For reasons unknown, he's forced to endure heinous physical and psychological torture, but slowly realizes the worst is yet to come when the Doctor's brutal plan for him is finally revealed….

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Reviews

UnowPriceless hyped garbage
Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Cheryl A clunky actioner with a handful of cool moments.
rbrb This is an excellent black comedy horror-thriller movie.The three main male leads give outstanding performances and it is impossible to chose the best.Some creepy stuff here for sure!A young man is kidnapped and held hostage by a couple of weirdo's and he is then subjected to all sorts of horrors and transformations.Best not to say too much as that could spoil the enjoyment of the show. I hope we get a sequel!Well done to the Sundance Channel for showing this film.Highly recommended, but this picture is for adults only!8/10
ApolloBoy109 I had to make myself a drink after watching this film. I'd like to start by admitting that I'm a male. Also that I believe women should have rights over their lives and bodies without question. The film will leave you a little shaky as was intended. The storyline is well thought out with many unexpected twists and turns. Hultquist and Matinez did a damn good job. Direction was fine, given an obvious limited budget the film seemed a tad scaled back. But no complaints. The less Eskandari showed the more freaked out I became. Harrowing to watch. Especially if you see everyones point of view, motive and that of any victim of crime. Actors Weigand and Bancroft turned in above-average performances. Weigand's character arc is particularly well done by the young actor. Think I'll make myself another drink.
barbie800 Wow. When I saw the previews for this on my cable companies on demand I just had to rent it. I love horror films and will watch just about anything. I must say this was a very good movie. There was very little gore in it which is why I also thought it was so good. Basically this mad surgeon captures this man and turns him into his dead daughter. We watch how he is tortured and transformed into a woman. Now, I kept wondering throughout the film as to why he just wouldn't have captured a woman to replace his daughter. This is is the twist of the film which is answered at the end. I thought overall this is one creepy movie that keeps you interested the entire time.
rickleo123 VICTIM Review by Mike Pickle for MoreHorror.com The poster art for Victim might fit the tone of the film and the synopsis may let you know, basically, what goes on so you may think you know what you're in for. Wrong. What you get with Victim is something inexorably different. Something more. Directors Matt Eskandari and Michael A. Pierce have achieved something rare even for the most seasoned of filmmakers. They manage to unflinchingly display stark brutality on screen while the most disturbing aspects creep up behind you and worm their way into your consciousness. These aspects are the ones that stick with you long after the end credits have rolled.The film opens in an instantly discomforting fashion with hand-held camera footage. The man holding the camera is talking to a beautiful woman and unexpectedly begins attacking her, beating her mercilessly and seemingly killing her. After the opening credits; focus is centered on a good looking young man hanging out in a bar. He starts to leave and notices that his tires have been slashed. He is attacked from behind, knocked unconscious and wakes up in a cell in what looks like a dungeon laboratory.Soon he meets his captors, the creepy and enigmatic Dr. Volt and his huge, menacing, mute assistant George. The sadistic duos proceed to subject the poor man to what seems like senseless physical and psychological torture. As the nameless "victim" is being beaten, his fingerprints burned off and made to endure sadistic operations; his only comfort comes in the form of a young girl's diary left in his cell. The voice-over of the innocent, adolescent author and parental guidance being played through speakers in the cell add layers to the experience that take you beyond the "torture porn" corner that some people might paint this film into. This man is being transformed inside and out. Dr. Volt tells him "you are no longer you" and we soon begin to realize that this is not just torture. This cruelty has a purpose and is all part of Dr. Volt's scheme.There are many questions raised through the course of this film. Many questions that, had they not been answered so profoundly satisfying, would have dampened the experience. There's a reason why the mute George is helping the demented doctor without hesitation. There's a reason why the victim is stripped of his dignity so quickly and easily before the real pain begins. There's a reason for every atrocity the victim and viewer are made to endure. There's even a reason for the side story of the female detective who is suspicious of the doctor. Yes, it takes us out of the madness, but let's face it; we need a break from scouring the depths of physical and mental torment. It also gives the viewer hope for the otherwise hopeless victim and serves as a brutal example of what the doctor is willing to do to complete his ambiguous master plan.In an attempt to piece together the puzzle of exactly why this film has such a penetrating and abysmal effect; I have to mention the score. Much like the film itself, the music is both subdued and over the top. Pitch-perfect and maddening. It's a bold soundtrack and it works. Another important piece to the puzzle is the use of special effects which are used both sparingly and abundantly depending on the scene. Some scenes bring you closer and closer to the carnage before cutting away at the precise wincing point leaving the worst to your imagination. Armed with a false sense of security and thinking the worst will be played out in the mind; the viewer is taken past the point of wincing until the gore is staring them in the face and displayed just clear enough to feel real. One scene of a throat being slit is particularly realistic and one of the most convincing effects of its kind that I have seen.Holding all these pieces together are strong performances by the three main stars. Stephen Weigand portrays the nameless victim and had a hefty role on his hands. His performance pulls you into his world of pain and confusion as well as a wide range of consuming emotions that come full circle in the shocking climax. Bob Bancroft portrays Dr. Volt with similar depth and is crucial to the potency of this film. He shows a pain of his own at times, but for the most part, is a figure of both menace and calm, cold indifference. There to provide an even stranger twist to the impact of the film is Brendan Kelly as the disconcertingly silent George. His lack of lines takes nothing away from his contribution to the film or the development of his character. His insistence on glaring at the victim while he is made to perform a particularly humiliating deed is one of the many subtly creepy moments that makes this movie so effective.Victim is tied together by one revelation, but that revelation does not make the film. Matt Eskandari and Michael A. Pierce have crafted a horror thriller that's not just another horror thriller and not just another entry in the torture sub-genre. It's a multi-layered triumph of a film whose whole is greater than the sum of its parts. Something special happens when a film strikes this many chords so effectively. It resonates. Just like any work of art; it's not always clean and pleasant, but it stirs a lot of emotions. It's almost impossible to be so moved by a film with such unrelenting ruthlessness, but I was both moved and disturbed and not for the obvious reasons.Distributed by IFC Films who brought us such films as Human Centipede, Dead Snow and Lars Von Trier's Antichrist; Victim had a limited theatrical and Video on Demand release, and will hopefully be released on DVD soon.