BroadcastChic Excellent, a Must See

Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Yash Wade Close shines in drama with strong language, adult themes.

Cissy Évelyne It really made me laugh, but for some moments I was tearing up because I could relate so much.

Leofwine_draca If repeated eye close-ups, a soft-focus lens, and dream sequences moving in slow motion are your thing then this abysmal supernatural thriller from Lucio Fulci may be the film for you. Otherwise, skip it, as this is a Fulci far from the success of ZOMBIE FLESH EATERS or any of his other classic zombie gut-munchers. This is an old, muddled embittered Fulci, a man preoccupied with being over-the-top "arty" and supposedly stylish when instead all he can do is make the film look cheap and tacky, a director who had seriously lost his 'bite' when it came to horror films in 1990. At least he had some of the gore dripping for his next film, his swansong, NIGHTMARE CONCERT.VOICES FROM BEYOND is a film packed with cheap scares and bad dream sequences, with attempts at atmosphere by having sets enshrouded in cheap-looking dry ice whilst monotonous synthesiser music plays loudly over the images on screen and threatens to blow your mind. None of the old acting hands are around to give the film any kudos either or any of those "cool, look, it's him!" type moments. Here, the cast is a bland one, a gang who couldn't act their way out of a paper bag, and even the repeated bared breasts of blonde female lead Karina Huff fails to generate the excitement that Fulci was desperate for.The film's singular gory highlight comes at an autopsy, when a pathologist (played by a gleeful Fulci, up to his old tricks again) pulls out the guts from a corpse in graphic detail, snips them up and chucks them in a jar. Aside from the opening sequence which takes the term "death bed" literally with gallons of blood pumping from the mouth of a dying man (which promises a return to the old days which never occurs) this is a relatively bloodless and shoddy offering. The rest of the horror comes from repeated shots of a corpse decaying in its coffin, as while we watch flies appear and maggots crawl from the body's eye sockets - bizarre, seeing as the coffin is buried six feet below ground level. I guess it's those "burrowing flies" causing trouble again - or maybe it's just a film "of images".Sure, this movie does have a few cool moments - I liked the voice-over narration of the corpse, a good effect used in literature a lot but rarely in films, and Fulci harks back to the old days by throwing in a nightmare sequence involving an attack by a few mouldy-looking zombies. But what a let-down of a non-ending! Our female lead laughs in the graveyard and walks off, what the heck?! Then watch closely for a final message from the director in which Fulci pays tribute to his "real friends" - one is none other than Clive Barker! This film's a poor mess from a disillusioned mind.

Matthew Janovic This is another one that isn't all-that-bad! It's a post-Sachetti scripted story (co-written by Fulci), but it's still a great supernatural-mystery sprinkled-with the horror that Lucio Fulci-fans adore. A brief-synopsis: a young-girl's father has been murdered by-poisoning, and a telepathic-link is formed between the deceased and the child. However, time-is-slipping-away for them, as the communication between the dead-man and his daughter is dependent-on the decay of the corpse--the more he rots (which Fulci shows us in delightful-detail), the weaker-the-link of communication. Will they discover who murdered him? Reminiscent of the opening-prologue of "Sunset Boulevard", Fulci delivered his last good horror-film here, there would be no-others. Having a narrative partly-delivered-by a dead-man was (and is) still uncommon, and an interesting experiment by Fulci which bears-fruit.I found-myself pondering on the many-many issues of mortality watching this film, and it can certainly be read as a parable of the link the living share with the dead--the dead do speak-to-us, but we have to listen-carefully, and usually with detecting and forensics!Understanding the dead--in-part--is understanding the human-condition. Eventually, we have to let-go of the deceased, and move-on. One has to marvel that such an ailing-man (diabetes plagued Fulci his entire life) was capable of such a film, done with an almost non-existent budget. Fulci had a very tender-relationship with his daughter, so it could be inferred that there is some autobiography at-play here.Fulci knew he was dying slowly of diabetes.Fulci was a valued-director--he could deliver under austere-conditions, and with over-50 films, his "hit-ratio" is surprisingly-high. He was cheap, and he usually delivered a solid-film with so little. Always remember that a majority of his films were made for under $1 million, and you begin to understand how truly-great he was as a director, a veritable-magician. People who compare other films by a director aren't worth listening-to, because people and times change. Yes, the films are frozen, but why should we be frozen too? Voices From Beyond is well-worth repeated-viewings, and almost totally-forgotten. Sure, it isn't his best film, but it's pretty good. It teaches us that we can let-go of the deceased, since they are always with us anyway. Long-live Lucio Fulci's legacy!

Buio_Omega ****WARNING!!!!! POSSIBLE SPOILERS***Voices From Beyond is the last Fulci' work. It's about rich businessman Giorgio Mainardi who dies suffering, spewing blood, and his whole family is watching as he suffers. When Giorgio dies, his spirit connects from beyond the grave with his beloved daughter Rosie to find out, who is responsible for his death.This film is a little bit of disappointment, but there are some interesting scenes giving thrills. Not much gore - Fulci's trademark, but includes a zombie attack, rotting head and some eyeballs pretending to be fried eggs. Recommended for Fulci completists and true die-hard fans. I give 5 out of 10.

AS-69 Caution: Some plot and scenes revealed"Voices from beyond" is one of Fulci's most coherent and successful productions, especially among his last films. As usual, the subject are the horrors of death and what comes after it.The story deals with the death of Giorgi Mainardi, a man with a lot of money and enemies. After the prologue and the opening credits we witness the violent death of Mainardi, vomitting loads of blood. During his burial ceremony we are introduced to the main characters and in flash back sequences to why they had good reason to hate him. After his death, Mainardi manages to keep contact to the living: To his only trustee, his daughter Rosy, he talks in dreams, and his enemies he haunts with terrible nightmares. This concept gives Fulci the opportunity to insert many wildly surreal dream sequences (including, believe it or not, a zombie attack), and he makes good use of it. This dreamlike aspect of the movie is contrasted to the clinical analysis of Mainardi's death and decay, starting from his unpleasant demise on the death bed, ranging over the autopsy carried out by the Maestro (i.e., Fulci) himself, and ending in repeated shots of his decaying corpse.Other fine images include a still life with broken light bulbs (the device used to kill Mainardi) which summarizes the evil plot against him.We also watch the claustrophobia of Mainardi's father whose spirit is still alive but who has no means to communicate with the outside world, except his tears. He has to suffer interminable mockings through Mainardi's enemies.Maybe this character expresses Fulci's own incapacity to express himself properly in his latest movies due to extremely limited budgets and equipment. In fact, in an interview Fulci declared that he wanted to make one more movie with sufficient production values (i.e., "The Wax mask"), so that he can die in peace. As everybody knows, fate has declined this favour to him.Nevertheless, with "Voices from beyond", Fulci has demonstrated that he could create something of value even with restricted resources.