GamerTab That was an excellent one.

Inclubabu Plot so thin, it passes unnoticed.

SincereFinest disgusting, overrated, pointless

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

trashgang I picked this up at a second hand convention, only for the reason it was full uncut and it was a giallo. But from the first minute I was already left with a bitter feeling. The girl hanging on a rope was clearly not a real person. So i thought this wasn't to be what I expected from it but I noticed that it was well shot by the director Massimo Dallamano who of course knew his stuff as a cinematographer from Italian classics like a few spaghetti westerns directed by Sergio Leone.This flick did have it's elements straight from a giallo like the black leather gloved killer and we do have young girls being abused and killed but it do involves a lot of talking too which made it somewhere between a thriller and a giallo.The soundtrack on the other hand is sublime. But it's the story itself that gave this flick a bit of perverted look. It's all about 15 year old girls being abused by older men. And we do have to listen on tape what they are doing with the girls. But one scene makes it kinky when we go back to the mother of Sylvia (Sherry Buchanan) discovering that her 15 year is taking anti-conception. When Sylvia comes home she goes bare breasted before her mother and confronted with the pil see easily says, better that then giving birth to a child. The fact that she is already sexual active at 15 back then and is showing her breasts gave this flick something to talk about. Sherry went further as main lead in Zombie Holocaust (1980)Lovers of the genre must see this but for many horror buffs this will be low on blood and horror, as I said in my summary, somewhere between a thriller and a giallo.Gore 0,5/5 Nudity 0,5/5 Effects 1,5/5 Story 2,5/5 Comedy 0/5

BA_Harrison Rather than featuring an 'everyman' protagonist caught up in a bizarre mystery, as is often the case with a standard giallo, the central characters of Massimo Dallamano's 'What Have They Done To Your Daughters?' are Police Inspector Silvestri and Assistant District Attorney Vittoria Stori, who are called to the apparent suicide of a teenage girl which, upon investigation, becomes a murder case. As they delve further into the victim's life, Silvestri and Stori uncover her secret life as a teenage prostitute, a shocking discovery that leads to the discovery of more bodies and which makes them the next targets of the vicious killer.This merging of two extremely popular genres of '70s Italian cinema—the 'giallo' and the 'poliziotteschi'—is very entertaining whenever it's adhering to the giallo formula or delivering the sleaze, with a decent killer (clad in motor cycle gear and brandishing a huge meat cleaver), teenage nudity, bloody violence, an uncomfortable moment featuring a tape recording of an underage hooker with her 'john', and a very gruesome scene where a victim's dismembered body is reassembled like a jigsaw; sadly, the film is nowhere near as much fun during the police procedural content, which, barring a cool car/motorcycle chase scene, is extremely hum-drum stuff. The finale is also disappointingly weak.Overall, this flick offers enough good stuff to make it worth a go, but don't expect it to be anywhere near as good as Dallamano's similarly titled 'What Have You Done to Solange?'.

Schwenkstar From Massimo Dallamano, the director of the iconic giallo "What Have You Done to Solange?", comes a pseudo-sequel of sorts, but essentially only in theme. "What Have They Done To Our Daughters?" was actually the second film in a planned trilogy of three "School Girls in Peril" gialli, but unfortunately Dallamano died before he could complete the last one (and was subsequently completed by another filmmaker).Anyways, returning to the film in question, I actually prefer this installment to the much more praised "Solange". The main reason being that the first felt much more exploitative in nature, and thus was not as effective in my mind."Daughters" seems to take a more realistic approach, not focusing on the shocks found in nudity and gore as the first one seemed to revel in, but rather focusing upon the actual investigation of the crimes and how the events cause traumatic and emotional infliction upon the characters involved. Indeed, this film is much more socially minded, conveying how society often tries to exploit innocence for its own gain, and how the emotional disconnection and distance that is between the parents and their children often is what leads to their children becoming seduced by the society's malice.In addition, the direction is solid with well executed sequences of suspense. The musical score also is terrific, giving it even more emotional dissonance.However, despite the subtext it gives and the visual aura is possesses, the film lacks in having a strong narrative. The story adapts a police procedural formula, thus making it rather clear and focused, but unfortunately it isn't really focused on all that much. It doesn't lead to much of anywhere as we are given all the detail up front, thus causing it to feel rather dragged out. The ending is also anti-climatic.Despite this, it's a solid entry into the giallo canon, thanks mainly to its social commentary, strong direction, and solid musical score, but the story itself is very thin and dragged out... if only it had more plot to it this could have been one of the better gialli.

Arthur-4 A 15 year-old schoolgirl is found hanged in a locked apartment in Rome. Further police investigation reveals the apparent suicide to be a murder.Many more deaths lead police closer to the source of a conspiracy to entice young teenage schoolgirls into a prostitution ring in this sordid but well-done giallo.Similar in theme and style to the same director's 1972 "What have they done to Solange?".