Solidrariol Am I Missing Something?

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Cody One of the best movies of the year! Incredible from the beginning to the end.

SnoopyStyle Thierry Richard and his roommate Henri Dieudonné pick up a couple of hookers at a bar. Thierry hears a disturbance from Henri's room and finds him fighting with the girl. She has cut Henri's neck with a knife and jumps out of the window naked into the streets. Thierry falls in love with redhead Claire Lefrançois despite his genetic prejudice. He becomes obsessed which disturbs Henri. It's revealed that she has cancer, her sister Marquise is the one who attacked Henri, and her family consumes the life from their victims.It's a French-Canadian indie. The anti-redhead rant is interesting. It's a fascinating start with the action in the hotel room. Then it turns into a long tease. It's a bit slow in the middle. This is all slightly different from the normal Hollywood horror genre. It's very much appreciated but it isn't all compelling.

Woodyanders Nice guy college student Thierry Richard (a solid and engaging performance by Marc Paquet) meets and immediately falls in love with mysterious, yet bewitching redhead Claire (superbly played by the lovely Marianne Farley). Despite his aversion to redheads, Thierry just can't resist Claire. However, Thierry finds himself in considerable jeopardy when he encounters Claire's oddball mother and sisters, who share a very dark and disturbing family secret. Thierry's loyal, happy-go-lucky best friend and apartment roommate Henri Dieudonne (a marvelously hearty and likable portrayal by Frederic Pierre) tries to save Thiery before it's too late. Director Daniel Roby, who also co-wrote the smart and inspired script with Joel Champetier, grounds the compelling story in a thoroughly believable everyday world which in turn makes the more horrific elements of the plot that much more chilling and upsetting. Moreover, Roby brings an intriguing air of mystery to the picture and nicely maintains a spooky tone throughout (the bleak wintry Canadian locations go a long way to enhance the overall eerie and unsettling mood). Kudos are also in order for the uniformly fine acting by the capable cast: Richard, Farley and Pierre all do sterling work in their roles while Jessica Malka likewise excels as Claire's crazed and vicious bitchy whore sister Marquise. Eric Cayla's bright, crisp cinematography and the funky, rattling score by Rene Dupere and Martin Lord are both up to speed. Best of all, there's even a potent and poignant central message about how far one is willing to go for love and a refreshing absence of any dumb obtrusive humor to diminish the severity of the horror. This movie offers proof positive that you don't need a lot of fancy special effects, excessive gore, or flashy film-making to create a strong and effective fright feature. Well worth checking out.

Elswet This was somewhat of a surprise. I read the synopsis, so I had an idea, but I didn't expect any quality whatsoever. That was a huge element of the surprise; the performance and story quality. The execution was a bit choppy, and the racial theme was a bit off putting, but all in all, this was very well done.A grad student discovers his distant, overly-white girlfriend has a few secrets. Secrets her mother will do anything to destroy.This features some decent performances, a relatively unique story line, and a half-decent score. The dubbing is horrid, but I suppose it's difficult to sync French with English. This is a drama rather than an actioner, and is more suspense with horror elements than outright horror, so remember that if you decide to give this one a viewing.All in all? This was very well done, considering lack of budget, and carries an innovative story I found entertaining. Perhaps you will, too.It rates a 6.7/10 from...the Fiend :.

DICK STEEL The title of this film doesn't give you a clue as to what it wants to tell. "White Skin" opens with a conversation between two friends, Thierry and Henri (yeah, those of you who know me will know that I am grinning at this - Arsenal's star player is called Thierry Henry, but no, it doesn't make any inference here), they're talking about being coloured (Henri is black, Theirry is white), and touch on racism.This film doesn't pretend that it's not preaching about this topic, but at times when they talk about it, you can't seem to help but think the filmmakers are trying, though without success, to deliver some kind of message across. Peppered throughout the show are conversations that touch upon skin colour, race, "The Original Man", etc.But looking at the theatrical poster, one might be fooled into thinking it's an out and out horror film about new vampires. It isn't.For those who dove head-on into this film, it'll be kinda confusing at first, as the narrative at times doesn't seem to lead anywhere. The first 5 minutes shows the chums engaging with hookers, and all hell breaks loose when Henri is stabbed with a knife by one of the prostitutes. It is also within this 5 minutes that we learn of Thierry's dislike for brunettes (again, not that it is a major plot point or adds to the narrative). However, he finds himself being drawn towards a brunette called Claire in his University, whom he fist laid eyes on when she was busking at the underground metro.They become bed buddies, and although Thierry wants more than sex in a relationship, Claire seemed to be satisfied with the state of things - kind of a role reversal here. She's hiding something from him, and it's not until the last third of the film that we realize what it is, and it's not cancer as originally thought. Sticking to my concept of reviewing, I shall not dwell into the plot from this point on, as it'll lead to major spoilers.This show positions itself more as a thriller and not your outright horror show with ugly monsters, musical crescendos, loud bangs at right moments and blood splattering all over. We are left with wondering what the big secret is, but the slow pace of the film makes it quite a stretch in a theatre seat. Many subplots go undeveloped, or gets lagged as a red herring. Things go full circle when the chums get figuratively haunted by the prostitute who stabbed Henri.This is recommended for one of those lazy weekends when you really got nothing else better to do. So set your expectations right, and don't expect too many memorable scenes from this movie, though it is compensated by a relatively good looking cast.