Wings of Desire

1988 "There are angels on the streets of Berlin."
7.9| 2h8m| PG-13| en| More Info
Released: 29 April 1988 Released
Producted By: Road Movies
Country: Germany
Budget: 0
Revenue: 0
Official Website: http://www.wim-wenders.com/movies/movies_spec/wingsofdesire/wingsofdesire.htm
Synopsis

Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds -- with some words of wisdom from actor Peter Falk -- that it might be possible for him to take human form.

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Reviews

SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
thinbeach Unseen by the human population, other than those who were once like them, angels wander around bleak Berlin, wondering what its like to be human - to see, to feel, to taste, etc... One falls in love with a beautiful trapeze artist and decides he must become human so as to be with her. How he does this we aren't told, but he does. Once he meets her, he doesn't even need to say a word, she immediately loves him, apparently because he visited her dreams, or some mystical connection. It is an ode to the human experience, with a wonderful transition from observance to experience. The ever flowing camera movement mimics the flight-like nature of angels, and gives the film a dreamy, poetic feel. However all the existentialism becomes quite monotonous, and one can't help but feel it should have been told in half the time. Without a plot it feels aimless, and although the themes are slowly revealed, it is far slower than necessary. It does sink us into the mundane, un-feeling nature of the angels, but it doesn't make for compelling viewing!I can't help but feel there are some cryptic messages behind all this, but like the angels, they are seen only by some, and I shall continue my human existence, invigorating the senses, and wondering what it's all about.
Ch-Debus The cinematography is absolutely extraordinary. You could fill an entire museum with beautiful pictures of the camera shots in this movie.
ElMaruecan82 Make nothing happen... and viewers will look at your film like in a mirror ... the more boring and insignificant, the more meaningful it will be ... it will show your true independence, your courageous stance toward cinematic conventions. No you won't undergo the tyranny of plot, the dictatorship of having to "tell a story", the screen says its truth and they'll be there to experience it, and to drop some positive labels such as: a true-to-life story, a character study, like-looking-in-a-mirror, slap-in-a-face with a haunting atmosphere carried by monochrome photography.Nothing happens? You didn't get it? Never mind, some stuff is just beyond rational thinking and this is why Art Movies are for, conveying the kind of messages that demand many viewings to be fully gotten, and since you target a niche market, you'll find followers. The point is to explore abstraction and metaphysics , psychological and spiritual subjects, whose introspective content will justify the use of a dream-like atmosphere and a poetic screen writing, there is no answer to life, why should this film have one.I won't go as far as saying that "Wings of Desire" is arty indie for dummies but seriously, I've tried. I really wanted to plug my mind into that profound and stylish contemplation of human existence or the sheer loneliness of the human soul, inspiring at the end all these smart-sounding fancy words that make you sound like you've grasped a parcel of the director's light ... but I couldn't.I won't drop any director's names to tell you that I can handle intellectual movies, allow me just to say one thing about Ingmar Bergman, he's made movies that are as enigmatic and hypnotically bizarre-yet-intellectually-deep as WimWenders but one of his most notable trademarks is that his movies rarely lasted more than eighty or ninety minutes.Roger Ebert said that a good movie is never too long and a bad one never too short, I won't call "Wings of Desire" a bad movie but its languorous pacing and the time it takes to get to the point is so slow that even if you want to stay glued to the screen, you can't. The first act struck me as the kind of sequences you'd watch when embedded in the hospital, in fact, it's the kind of movie you'd watch at an old age or at the verge of death, staring at the screen while being carried away by your own "vague à l'âme" as they say in French.The film has Bruno Ganz, Peter Falk and the same cinematographer who worked in Cocteau's "Beauty and the Beast" but it also has a melancholic and moody take on life and you must probably be in the proper mood to 'enjoy' it, I tried seven years ago and I could barely finish it, I tried twice again, I just gave up. Maybe I'm not as much into this kind of film; maybe I've watched too many films to ever take seriously one that features so much existential voice-over and monochrome photography. The film tries too much to be that intellectual knockout, I tried to have some glimpses on the Bonus Features but even Wenders' interview bored the hell out of me.Then I tried to get some insights from master Yoda himself, the great Roger Ebert and I found this little pearl where he's commenting on the acting of SolveigDommarten, the deceased actress who played the trapeze artist. His comment reminded me of my instant dislike of Aurore Clément's performance in WimWenders' previous success "Paris, Texas", I found her so bad she was almost distracting, now here's a similar observation from Roger Ebert, albeit in more flattering terms: "That may make it a "bad" scene in terms of the movie's narrow purposes, but does it have a life of its own? Yes, for the same reasons it's flawed. Movies are moments of time, and that is a moment I am happy to have."I think that's the worst symptom of "great" movies, genuine flaws are perceived as 'moments of time', of 'genuineness', we're talking of the stuff that potentially ruin careers and I don't see why it should be minimized because it's a great director, when it's a bad one, we find the flaws, when it's a good one, we find the excuses.And we do look for excuses because typically, these movies say less about the directors than the detractors, I'm quite aware that this film has an existential value, but I think I just walked off symbolically from the theater and embraced my own desire to fly over these contemplative issues. I'll try again, in seven years...
gavin6942 An angel tires of overseeing human activity and wishes to become human when he falls in love with a mortal.This film will be notable to Americans for two things. First, that it is the original (and better) version of the wildly successful Nicolas Cage film "City of Angels". And second, that it features Peter Falk as himself, musing over his hats, drawings and other mundane things. Why Falk was chosen is unclear, but he fits in perfectly.But more importantly, this film is beautifully shot, a work of art, and it goes above and beyond whether the narrative is interesting (it is) or if the actors are good (they are). Just a great film and a fine introduction to Wim Wenders if someone needed one.