Women in Bondage

1943 "BLUEPRINT FOR SHAME... womanhood's most sacred ideals and rights... stripped away in a reign of uncurbed fearfulness!"
5.9| 1h12m| en| More Info
Released: 16 December 1943 Released
Producted By: Monogram Pictures
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Budget: 0
Revenue: 0
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Synopsis

Women in Bondage is a 1943 World War II film about conditions for women under Hitler's regime. The plot involves two women imprisoned for speaking out against the government. It was directed by Steve Sekely and starred Gail Patrick and Nancy Kelly.

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Reviews

Btexxamar I like Black Panther, but I didn't like this movie.
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
JohnHowardReid Director: STEVE SEKELY. Screenplay: Houston Branch. Story: Frank Bentick Wisbar. Photography: Mack Stengler. Film editor: Richard Currier. Art director: Dave Milton. Music director: Edward J. Kay. Dialogue director: Howard Erickson. Assistant director: William Strohbach. Sound recording: Tom Lambert. Associate producer: Jeffrey Bernerd. Producer: Herman Millakowsky. Executive producer: Trem Carr. Copyright by Monogram Pictures Corporation. on 12 November 1943. No recorded New York opening. U.S. release: 10 January 1944. Australian release through British Empire Films: 16 November 1944. 8 reels. 6,576 feet. 72 minutes. Alternative title: HITLER'S WOMEN.SYNOPSIS: A German woman (Gail Patrick) returns to her homeland during WW2. Horrified at the degraded status of women in Germany, she seeks to overthrow the regime. COMMENT: A dated wartime propaganda story by Frank Wisbar is given a new lease of life here by the extraordinarily imaginative direction of Steve Sekely (of all people). True, the players offer no more than token conviction, the sets and costumes are seedy, the photography often drab. But producer Millakowsky has invested this offering with more production values than any two Monogram thrillers combined. Sekely has taken full advantage of this opportunity with a display of involved tracking and crane shots, masked camera set-ups and other highly ingenious effects. And we loved the script's unique device of reprising the story to ask a leading question at the finale.