Maidgethma Wonderfully offbeat film!

Incannerax What a waste of my time!!!

Exoticalot People are voting emotionally.

BroadcastChic Excellent, a Must See

JohnHowardReid Director: JOHN FARROW. Screenplay: Lee Katz, Albert De Mond. Based on the 1935 novel by Francis Walton. Photography: Sid Hickox. Film editor: Thomas Pratt. Music director: Leo F. Forbstein. Art director: Carl Jules Weyl. Costumes: Orry-Kelly. Assistant director: Marshall Hageman. Associate producer: Bryan Foy. Producer: Mark Hellinger.Copyright 15 April 1939 by Warner Bros Pictures, Inc. New York opening at the Palace: 12 April 1939. U.S. release: 15 April 1939. Australian release: 20 April 1939 (sic). 65 minutes.SYNOPSIS: Kay Francis enters a women's air race, desperately hoping to win enough prize money for her brother's operation. COMMENT: You can see the beginnings of director John Farrow's sustained takes technique in this one but it is obvious that the cast of second-rate players continually let him down, forcing him to do a scene in two or three takes instead of one. However there are two short one-take scenes with Eve Arden and Kay Francis (with Eve of course doing most of the talking).One must admit that Gargan (pronounced "Garrigan") is so charmless a lead the first half is pretty boring, but once the film gets off the ground with the entrance of Sheila Bromley and the transcontinental race, things perk up considerably. Some of the aerial stunt-work is mighty impressive even today.Despite the slow script, direction (as we might expect from John Farrow) is always polished and assured. He has made the best use possible of the film's "B" budget. In fact, production values aren't at all bad by "B" standards. Nonetheless, Kay Francis (often billed in her heyday as a Warner Bros "clothes horse") is forced to wear some really ghastly costumes in this one. But her fans will still love her even though she is reduced to romancing a leading man of the potboiler caliber of William Gargan (who was yet so debonairly attractive opposite Cicely Courtneidge in Things Are Looking Up).

mark.waltz This is one of those films that will make your eyes pop back into your head as you shake it out of shear utter disbelief of what you're seeing on screen. The story of a group of women who enter a plane race has a few redeeming qualities, but ultimately it suffers from a major lack of realism. Kay Francis, far from the trappings of society in her heyday as the top diva of Warner Brothers, dresses down for a change as a pilot who falls for a married pilot (William Gargan) whose estranged wife (Sheila Bromley) demands the plane that Gargan has promised Francis as part of their settlement. The nasty Bromley even has Francis's plane tampered with after another pilot, Francis's pal Eve Arden, has cracked up. This leads to Francis's plane loosing all of its gas, an emergency landing, and finally flying to the finish with only one of the two landing gear wheels attached. There is not just one nail-biting potential crash scene, but two. First of all, Arden's plane begins leaking oil, and she nosedives to a crash which leaves her still living and able to move her arms to hand Francis a note. Then, Francis makes her landing with only one wheel. Both are majorly flabbergasting with the way they are handled. The one element of Arden's crash is the genuine look of horror she has, which is a testimony to one of the great comics of stage and screen in a strictly dramatic role. Her realization of her possible fate is genuinely spooky. Francis, obviously forced to do this lower grade "B" film to end her contract at Warners, does so with dignity, but still deserved better.

tashman After an evening of Kay Francis floating through a series of flat "A" levels (ANOTHER DAWN; FIRST LADY; CONFESSION), where often even the scenery steals scenes from her, and especially after enjoying her Pre-Code hey-day (DR. MONICA; MARY STEVENS, MD; TROUBLE IN PARADISE; ONE WAY PASSAGE), it was gratifying to see the old fire spitting and sputtering through the John Farrow-directed WOMEN IN THE WIND. Francis, despite her name appearing below the title, a reliable if second-tier cast, and an oddly frumpy, figure-obscuring wardrobe, carries the picture along with cheery confidence and yes, a little more fire than you'd come to expect. Ravishing Kay holds her own, even against scene-thief Eve Arden, here playing an oft-married bon-aviatrix named "Kit" Campbell, the great sport, heroic long-distance pilot, complete with silk scarf and confident swagger. They may have tried everything to discourage her at Warners, but Kay Francis is unequivocally running this game. There is even a third strong actress given a generous amount of screen time, Sheila Bromley, a tough cookie whom you probably saw in some 1950s sit-coms playing tough cookies (JOAN DAVIS SHOW; I LOVE LUCY). Here Bromley gets to sink her chops into the stock "First Wife-Other Woman" road hazard, providing personally supervised obstacles for ex-hub (William Gargan), Francis, and all the WOMEN IN THE WIND put together. Lots of Warners' actresses - Ann Sheridan, Jane Wyman, Carole Hughes, Gloria Dickson, Lola Lane, Marcia Ralston - could have easily played this role, but it's a treat to watch Bromley - an actress who reminded me of the young, cocky Bette Davis of the "I'd love to kiss ya..."days. The lead is handled by William Gargan, an actor who had great Pat O'Brien-style charm, which here he uses sparingly, spending a large portion of the tale glowering. Too bad he's sort of dull and annoying while he glowers, because he's playing a guy named Ace Boreman. As comic relief, Maxie Rosenbloom has a nice, easy-going, laid-back style -- untrained with good instincts, and quite welcome in this film. And Eddie Foy, Jr., Frankie Burke, Frank Faylen, Vera Lewis, and Spencer Charters are all on hand to do good work in a highly entertaining tale that holds the interest. Footage of circa aircraft is actually as entertaining as any aspect of the picture, there's not one dull shot.

Randy_D Women in the Wind is an enjoyable movie that is briskly paced and features some interesting airplane sequences. Don't expect a strong story or deep characterization, though, just a good time at the movies. Besides, with Kay Francis in it how can you go wrong?