Ensofter Overrated and overhyped

LouHomey From my favorite movies..

Yash Wade Close shines in drama with strong language, adult themes.

Fulke Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

marcus_stokes2000 *You Can't Stop The SPOILERS* Gary (Gary Eck) is a cop in a veery little town in the middle of Australia, where the fact that Premium Mincemeat is actually just normal mincemeat is a serious deal, and has very little to do except patrol without need the town streets with his kind-of-dumb partner Akmal (Akmal Saler) who constantly gets inane idea for movies, and suffer his very religious boss (Richard Carter).But when a mysterious killer begins operating in the little town, first murdering a biker and then a construction worker, Gary finally faces a true challenge, other than the annual line dancing competition which he absolutely wants to win.But the boss decides to bring in a cop from the city to investigate, and to our hero's misfortune, Agent Tony (Anthony Mir) is probably the stupidest and most obnoxious man on Earth, but he's a charmer. So much, in fact, that everybody, including Akmal and town reporter Julie (Kristie Hutton), the girl Gary's in love with, fall under his spell. Until he shows his true colors, that is.But as the bodies begin to pile up, including a French sailor/stripper and a comedic Cowboy/Indian duo, Gary understands that the killer is murdering people that are dressed like one of the members of the '70s disco band Village People, and that he's still got one more person to kill: a cop...He will manage to get out on top, though.'You Can't Stop The Murders' is a nice, funny and sometimes scary movie from Australia, which has been well-written, directed and acted, with the director (Anthony Mir) playing also a part (the Mega-Jerk).It may not be Shakespeare, but it makes for a nice 99 minutes.You Can't Stop The Murders: 7/10.

God-12 This was a most excellent Ozzie film that I watched this evening. A delightful comedy. It wasn't that kind to Ozzies, but it was very funny. It was also quite strange in its way, but it was kind enough to give strong hints as to its plot development methods in one of the sub-plots.I hadn't understood what people saw in line-dancing, but I think that I now have an inkling. It was also interesting to see how the yankish idiom appeals to the incoherent everywhere - the film exploited this point to excellent effect if a trifle cruelly, if you have any empathy with the incoherent.It is so good to see the occasional well-made and clever film that turns up. I suppose that their explanation of how the plot was devised might be seen by some as a post-modernist infestation, but I felt that it was a) in good fun and, at worst, b) a good satire of post-modernist triviality taking itself so seriously as to think it is clever.I'm not quite clear why it was showing at the downstairs cinema. There was a little French in it, with sub-titles, but surely not enough to class it as an 'art' film. Have Ster-Kinekor simply decided that Yankish films go upstairs and intelligent ones downstairs? It seems rather sad for the masses who go only to upstairs films to be missing this friendly and good-humoured comedy.It is, I suppose, a little bit of a black comedy, in places, plenty of dismembered limbs, decapitated corpses and crushed dogs. All these are, however, in the best possible taste.It seems strangely short of stock Oz stereotypes. Very little beer is drunk, the macho fellow doesn't do particularly well and the poofdahs generally have a nice time of it. What was the reference to the Frenchman on the beach with the big knife? I thought of Albert Camus' 'The Outsider' (or 'The Stranger') which starts that way. A comment here suggests that it was a particularly Australian reference.

peterdavis When I first read the name of this film and saw the poster I fully expected this to be utter crap.What a revelation.I don't rate the premise of this film at all highly. It's just a simple device to stage the most well realised, inspired and observed human comedy seen on film in a good while.It also captures small town Australia beautifully. So much comedy in the mundanities of life. Director, Mir, an accomplished stand-up comedian exhibits just the right comedy timing on film too.The Village People are so bad they're..... bad. 15 years ago the slight premise of this film might have seemed funny. I doubt people will rush to see that now... BUT RUSH THEY SHOULD!I urge you to see this film and I'm bewildered by some of the other responses on this site. I'm reminded of how poorly received the first Austen Powers movie was (slowly building an audience on video, after a pretty dismal cinema run, that ensured the success of the sequels).With new styles of film comedy, the bandwagon comes later. Check it out now - I want to see more films from these guys!

pctune To start with, I'm a big fan of the stand-up work that the three co-stars are known for.That is why I rushed out to see the film, on a Thursday afternoon of all things. Take my advice, try and see this movie with a large crowd of 25-30's. Group laughter will certainly enhance your experience.Set in a small NSW town, with a population of 350, the movie follow the investigations of a serial killer who is stalking people who have professions used by the Village People. There are plenty of opportunities with the subject matter to get the audience into tears of laughter, but unfortunately the chances either not taken or are minimised with a laid-back small-town feel.This truly is a wait-for-video film.