Marketic It's no definitive masterpiece but it's damn close.

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

MartinHafer I love dark sci-fi films--particularly those that portray a dystopic future (where society is horrid and NOT the nice Star Trek sort of world). "1984", "Soylent Green" and "Brave New World" are just a few dystopias that I adored--so I really, really was hoping I'd love "ZPG". However, sadly, the great story idea was completely undone by horrid directing...and I mean horrid.The film is set sometime in the future--and apparently in the near future. Disease has been virtually eliminated and the resulting population boom has made the planet unsustainable. Most animal life has been destroyed and the air is semi-toxic. And so, to try to stop the rapid decline of the planet and feed everyone, the governments of the Earth implement a new program--making having children illegal for the next 40 years. And, a young couple (Geraldine Chaplin and Oliver Reed) are determined to somehow have a baby and not face immediate execution. I loved this story idea--and it really was strongly reminiscent of "Soylent Green" (a great film).So why if I loved the plot idea did I give the film only a paltry 5? Well, the director did a particularly lousy job. The film completely lacked life and emotion--and it felt as if almost everyone was half asleep during the film. You'd think there's be LOTS of emotions concerning this birth edict...but Chaplin and the rest muddle through the film in a somnambulistic state. It could have easily been renamed "ZPG--Zero Plot Growth"! And this completely sterile and muted look of the film can only be blamed on the director--especially since the film had some very talented actors (in addition to the leads, Don Gordon was quite capable). I would really love to see this film remade--as the film should have been a clear winner.

Coventry Films with a premise like "Z.P.G." are the most disturbing ones imaginable. This is the sort of science fiction concept that one day could actually become reality! Probably is a much less drastic format and fascist execution, but nevertheless the rudimentary principle of law-obtruded birth control is alarmingly plausible. In the distant future, when people standard have to wear oxygen masks to walk over the streets and visits museums to see what a 20th century domestic family diner looked like, the government suddenly decides that no couple is allowed anymore to produce any children for the next thirty years. This incentive is launched to put a stop to the destroying of the earth by overpopulation. The last legally born children are branded with a laser and all aspiring families are welcome to apply for a fully personalized child dummy. With removal from society as the harsh punishment for illegal pregnancy, the birth rate immediately drops back to Z(ero) P(opulation) G(rowth). However, museum actress Carol McNeil's biggest wish is to bear and raise a child. When she pursuits her will, her husband Russ – the almighty Oliver Reed – is forced to entrench his belly-developing wife in a hideout shelter and think up excuses for her continuous absence on the surface. But a severe crime like this can't be kept secret forever… "Z.P.G." is a tremendously astonishing film. It's often compared with "Logan's Run" and "Soylent Green" but this movie predates the both of them and it's immensely underrated whereas the others are more likely overrated. This is the type of absorbing Sci-Fi that gradually becomes more disturbing if you contemplate about it too much. The surveillance over the population is harrowing (for example: when you show interest in reading articles about parenthood in the library, you're promptly put in isolation for questioning) and the overall depiction of our future society is just downright depressing. People are stiff, emotionless and robot-like beings and unconditional friendship or even interaction between families doesn't seem to exist anymore. The purely fictional elements of the plot vary from pretty damn scary (the mechanical replacement kids) to silly & clichéd (live newscast reporting from a gigantic zeppelin floating over the Metropolis) but they always remain compelling. The most fantastic trump of "Z.P.G." is that the plot never stops evolving. Once the baby is born, other and even more challenging issues arise, like rivalry and all-overpowering sentiments of mother instinct. This movie is an incredibly absorbing Sci-Fi magnum opus that had my mate and I glued to the screen from start to finish. The atmosphere and despair and paranoia is so real you can almost taste it, the decors and set pieces (albeit occasionally cheap looking) are imaginative and the screenplay is so intelligently written that it covers every tiniest potential plot hole or possible default. Oliver Reed once more demonstrates what an incredibly versatile actor he was. His stern and masculine appearance truly adapts to all sorts of roles; even to a melodramatic one. "Z.P.G." was made at the peak of Reed's career, as he starred in numerous classic horror/cult movies around that time, like "The Devils", "Revolver", "The Hunting Party" and "Blue Blood".

hirstwilliam Whenever I go shopping with my baby son, I hear o's and r's quite a lot. I even have people coming up and talking to me because of my baby son. I can see why. Babies are cute, adorable and most importantly, a symbol of hope. In the future world of zpg (Zero Population Growth), they have become objects of fear.The world is overpopulated, polluted and on the verge of a collapse from centuries of environmental abuse. The governments of the world have had to make the painful decision to ban birth for 30 years in an attempt to save the human race from extinction. Food is synthetic, and so are the robotic children. It is one fake, sterile place to live in.The government uses all kinds of methods to quash the yearning for children with the death penalty being the ultimate deterrent. Despite this, many still decide to have children. One such couple are the Mcneils (Geraldine Chaplin and the late and great Oliver Reed). But their friends, the Bordens find out and want the baby for themselves and threaten to grass on the Mcneils if they don't let them have their baby. The Mcniels have to find a way out before time runs out.This film very much reflects the hopes and fears of the era it was made (including the flares on the protective suit the populace have to wear outdoors). The environmental movement was in full swing with the fears that human race was destroying the planet. Zpg showed a disturbing outcome to way that the environment is treated and like in other films like 'Soylent Green' shows the affect on the quality of life. In zpg, technology had made life 'confortable'? But the populace was constantly starving because of eating only synthetic food. This very much reflected the belief that more and more things would become 'fake'. It was during this era that plastic furniture came into the home. There was also nylon clothing and the first 'ready meals' and of course, the 'Pot Noodle'.The technology of this world offered so many distractions including the horrible robot children, but could not hide the yearning that people wanted things to be real. Including children.The government of this world pretty much like in 1984 has a grip on the peoples minds from interfering on almost every part of daily life. Okay, there might not be a camera in every home, but one such example is an official government video that was playing while the McNiels were 'getting it on'. Such is the control that the government have, one such scene shows a baying mob surrounding a couple with their baby. The police turn up to arrest and execute the family. A women brags about spotting the baby and alerting the police. Proud of killing a baby. The awful thing is that this actually happens in China. The Mirror newspaper printed a picture of a dead newborn baby in a gutter in a street in China, with people just walking by like it was just a bit of trash. The one child, 1 family policy has caused many newborn girls to be murdered because a lot of couples want boys. This is a good if sometimes disturbing film that should be viewed on the one chance it is shown on TV.

Midnight Mark It ranks with "The Blob" as to be so bad you have to watch it to make sure someone really made a film this bad. A senseless less plot. with dubious acting from all involved. possible a must see if not to "improve" any future films, as you can always say, "Well at least it wasn't as bad as ZPG".Mark