StunnaKrypto Self-important, over-dramatic, uninspired.

SpecialsTarget Disturbing yet enthralling

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

kluseba Zatoichi, the Fugitive is the fourth entry in the franchise and the second film to be shot in color. It's the second of three films released within the same year. The movie starts with Zatoichi being attacked by an inexperienced yakuza who wants to earn the bounty on Zatoichi's head. Zatoichi easily kills his opponent and wants to find out who wants to pay the reward for seeing him dead. The blind masseur travels to a nearby town where he confesses to the bounty hunter's mother that he killed her son. While the mother pardons Zatoichi, a group of samurai wants to avenge the bounty hunter's death. As if that weren't enough, Zatoichi also has to deal with the weak inheritor of a local yakuza who seeks Zatoichi's help but who is also pressured to kill Zatoichi by his peers to prove his strength. In addition to this, Zatoichi meets Otane again, a woman he carried passionate feelings for in the first two films. He realizes she is unhappily married to a quick-tempered ronin and decides to challenge him. Soon, Zatoichi has to face a group of vindictive samurai, a mean ronin and an untrustworthy inheritor all at once.The main problem with this film is that the plot is at times tough to follow with its numerous characters. It's not always clear why and when the inheritor changes his mind and is Zatoichi's partner, just to become his opponent and to end up supporting him once again. The numerous yakuza bosses and their motives for wanting Zatoichi dead are also quite confusing. Even the return of Otane is somewhat strange as she seems to be torn between Zatoichi and her husband. In one scene, she almost romantically walks around with Zatoichi and opens up to him about how her life has changed for the worse and the next day she apparently tries to trick him in order to kill him and get the bounty on his head. The movie would have been much more enjoyable with less characters who have clearer objectives. This film's epic proportions made me feel lost at times.On the positive side, the wild Japanese landscapes and colourful towns are still fascinating to watch and especially the abandoned house in the meadows where the final showdown happens is a gorgeous location. The final fight sequences are beautifully and cleverly choreographed. The entertaining last twenty minutes save the movie from being just average or worse.In the end, Zatoichi, the Fugitive is the weakest film of the franchise so far but it's saved by a fast-paced closing twenty minutes and the charming use of traditional rural Japanese locations. Fans and followers of the franchise can give this film a try but occasional fans of Chanbara or samurai films can skip this entry without any regrets.

Zbigniew_Krycsiwiki This fourth Zatoichi film in fourteen months The recurrence of a lost love might have made for an interesting change of pace, and change of tone for this series, but that mostly takes second stage to a contrived, yet shallow, story of redemption, without much resolution.The climactic battles are reasonably good here, but it all feels alternately a bit too choreographed, and poorly choreographed, as the innumerable thugs all seem to politely wait their turn to attack Ichi, who barely gives them a passing glance, before they fall over dead, bloodlessly, and without even so much as a tear to their clothing.I found the sake bottle scene to be too silly of a gimmick, like the slicing of candles with his sword, as well.Still watchable, though, but a drop in quality from the earlier installments.

Michael_Elliott Masseur Ichi, the Fugitive (1963) *** (out of 4) The blind swordsman Ichi (Shintaro Katsu) angers a large yakuza after defeating them in a wrestling match, which will lead to a bigger fight. Directed by Tokuzo Tanaka. This here was my second film in the series and while I enjoyed most of the first one, this one here just doesn't cut it. There's way too much talking going on and none of it is even mildly interesting. Even worse is that the actual swordfights are rather lame as well. The concept of a blind swordsman is really the only thing that keeps this film (and perhaps series?) afloat.

Tom (bighouseaz) that our hero Zatoichi cannot control.The fourth film in the Zatoichi series contains many characters and sub-plots. At times it's hard to know where it is all leading, but the viewer gains a better understanding of Zatoichi's motives. Zatoichi seeks a peaceful resolution of the typical turf war. Zatoichi supports the young, weak yakuza in his desire to wed a former rival's daughter. Zatoichi also encounters an slightly older, and far less pure Tane, his love interest from film #1.There is little action in the first hour of the film, but the final scene is hectic and full of carnage. Zatoichi finally loses restraint and goes on a blood-letting rampage that leads to the final confrontation with the truly black-hearted lover of Tane.It's a solid entry in the series. I enjoyed the sumo tournament at the beginning of the film. Yes, our hero is multi-talented. He played the shamizen in film #3, wrestles in film #4 and has other hidden skills to reveal in later movies.And once again, Zatoichi finishes the film minus his cane sword. Where does he get another cane sword for film #5?