Borgarkeri
A bit overrated, but still an amazing film
Tyreece Hulme
One of the best movies of the year! Incredible from the beginning to the end.
Deanna
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Red-Barracuda
This concert film is probably most famous for capturing a pivotal moment in music history. It is the last show that David Bowie performed under the Ziggy Stardust persona and the last time he was on stage with his backing band The Spiders From Mars. Seemingly his announcement near the end of the show stating that this was the final appearance was not only news to the audience but to the band as well!The film takes the form mostly as straightforward concert footage. There is also some backstage material interspersed throughout which I think it would have been good to have had more of, seeing as it revealed a little bit more of what Bowie was like behind the mask. But as it was, the vast majority of material is taken from the concert. The approach taken is very stripped down and basic. There isn't really a lot of imagination in the approach but I guess the idea was to let the show speak for itself. Perhaps though it might have been better for a live performance by such a flamboyant performer as Bowie to be presented with a little more imagination. Sometimes, it's the audience reactions to the show that are truthfully the most interesting, seeing as some of his fans seem to be almost hyper-ventilating with emotion. Some of the costume changes now provoke a chuckle or two; although, in truth, I have always found the fashions of the 70's glam rock era to be absolutely catastrophic. But at the end of the day it is a time capsule film and in this sense it is interesting. Even if Bowie does feel the need to do a mime artistry routine.The concert itself? One for Bowie devotees especially I would say, of which I am not one I have to admit. But I thought Mick Ronson was very good on guitar and they all do knock out the tunes with some energy. It was also interesting to hear a good version of The Velvet Underground's White Light/White Heat close the show.
Twins65
...just way too much of it on film.I just finished watching a tape of ZIGGY STARDUST AND THE SPIDERS FROM MARS, but it wasn't "easy". This is obviously not Pennebaker's best work, even if it was only supposed to be a documentary of Bowie's "last" show. Well, maybe his last show as Ziggy, anyway.There appears to be several cameras set-up the concert, but we only get massive doses of Dave & Mick Ronson. The other two guys in band (Trevor & Mick Woodmansy) are shown ever so briefly, and where the hell is the sax player featured on "Changes"? Even the set list skimmed a few key cuts from the Ziggy album, and Ronson's guitar "noise" jam used to fill time while Dave changed duds certainly wasn't a decent substitute.So don't run out of your way to catch this, but it's not a total waste.
Dick Chester
but I like it. This is a terrific concert recorded 30 years ago by Bowie. Considering that Bowie is in his 50's now and still recording and touring this is an excellent opportunity to see him in his prime. His voice is in great shape & the songs are first rate. Ziggy is one of the peaks in Rock and Roll history. Also Mick Ronson is one of the greatest rock guitarists ever. Much has been made of the costumes & Bowie's use of mime etc. but it is the music which carries the day.
lefty-11
Bowie is clearly enjoying himself here, although today he claims to find this record of the Spiders final show unwatchable. The costuming IS spectacularly dated and Ziggy's antics do more to camp up a storm than forewarn of an imminent apocalypse. Aside from the music though, there is more going on here than silly, decadent posturing. Backstage musings by Bowie are suggestive of why he is not merely a relic from a past era: there is inherent tension between the public persona and the demand to discover the "real" Bowie. Rock music has since split into 2 positions along these lines: for the most part, the English traditions of camp and irony have served as a distancing device from the demands of an "authentic" self which can impose on others in an intrusive way- Jewel's folk music/"Knight Without Armor" is merely the latest manifestation of the latter tendency (also, despite the hatred of hippies, Nirvana ironically shared their "no hang ups" philosophy in their "Come As You Are" period). Ziggy was, at the time, the most extreme movement away from the "authenticity" of Woodstock Nation in which there was nothing separating the performer and the audience...been an "alien being" also guaranteed a spectacular show for record buyers who may otherwise have had little interest in live music given the high fidelity improvements in recording technology and home sound systems which were starting to become available. It is the irresolvable tension between these two tendencies toward camp/authentic which helps generate the excitement of the audience captured in this film, and which can still inspire interest and enjoyment today.
