Zoom

2015
6| 1h33m| en| More Info
Released: 11 September 2015 Released
Producted By: Rhombus Media
Country: Canada
Budget: 0
Revenue: 0
Official Website:
Synopsis

A multi-dimensional interface between a comic book artist, a novelist, and a film director. Each lives in a separate reality but authors a story about one of the others.

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Reviews

Maidgethma Wonderfully offbeat film!
Actuakers One of my all time favorites.
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
HomeyTao For having a relatively low budget, the film's style and overall art direction are immensely impressive.
VinnieRattolle Spoiler-light. An artist draws a comic book about a film director; the director makes a movie about a novelist; the novelist writes a book about the artist. The movie shifts back and forth between the three stories, with none of the characters aware that they're directly affecting someone else's life. The artist (Alison Pill) works in a factory assembling sex dolls, which only strengthens her desire to have larger breasts. The director (Gael García Bernal) finds himself at odds with producers... and his own body. The novelist (Mariana Ximenes) dumps her boyfriend and gives up her modeling career to pursue her dream of writing.If you can wrap your brain around the strange narrative (and don't mind the sight of bare breasts, which the actual director seemed rather preoccupied with), this movie's thoroughly entertaining. Without question, the standout segment is the artist's, which kicks off the film and forms the backbone. The movie hangs firmly on Allison Pill's shoulders, and she exudes a lovable charm which engages you as her situation goes from kind of odd to downright bizarre. The director's segment ranks a distant second, but the entire thing is rotoscoped (filmed and then animated) which gives it a surreal beauty. The weakest link is the novelist's portion, though it certainly isn't the fault of any of the actors - the problem is that this third vignette is entirely devoid of the overt humor which pervades the other two stories.It's sort of a shame that there IS a weak link here, because this film is completely unique and has so much going for it. It's not perfect but it's one of those movies where it feels like everyone involved was pouring their heart into it, so the result is kinda magical. The performances are excellent across the board, the animation has a wonderful hand-drawn feel to it, the cinematography is exquisite, the music perfectly accompanies the visuals, it's well-paced and feels like a much bigger-budget film than it actually is. And then there's that ending. I literally had a big, dumb grin on my face all throughout the climax... though I recognize that what so greatly amused me could easily be off-putting to others.The bottom line is that if you're the type who prefers offbeat indies to cookie-cutter Hollywood crapfests, there's a good chance that you'll love Zoom.
thesar-2 Loop-de-doop, that was one fantastic movie. I'm actually going to watch this again tomorrow night and maybe I'll change it to 5/5 stars. If it's even my choice…What hooked me from the start was the always gorgeous, mostly hilarious Tyler Labine. (Stopping. For. A moment. "Mostly" means he is sometimes not required to be either funny or the comic relief, but that doesn't discount that he makes me laugh when he's allowed to be himself.) And that this was billed as a "comic-book," sometimes animated film. Sorta like a Roger Rabbit of today's time. Well. That's how it was told to me and even with that hook including Labine, I still thought: I will see it for those two aspects and probably hate it, nonetheless. Labine, as much as he makes me laugh and I lust over him, isn't known for starring in quality pictures.I was wrong. I LOVED this movie. I loved the creative genius. I love the twists, the art direction (literally,) the acting, the pacing, the humor, the drive and the overlapping. I haven't seen an original, independent movie in a while that really pushed the boundaries. Especially the adult-themed ones. No holding back, this is 100% an adult and unapologetic film. Thank you.Abstract as my review so far is, that's how I feel after watching this classy, carefully constructed and clever cinema experience. Lots of seas there. Let me try and explain the essence of what you'll see…hopefully spoiler-free…The movie surrounds the watcher with three separate stories of good/bad folk in seemingly different universes and global locations. But, of course, there's a link or more so that you know that you're watching one movie. Story 1: Sex shop lovers battle over breasts. Story 2: A Scanner Darkly sequel. Story 3: Writer's block the bad. Each one is fun within itself and the links and cuts make you want more of each.I love a no holds barred, no studio interference vision. I see this as an imaginative force that no one stopped. For good reason. The above synopsis and all I said is probably only three percent of the great experience this is. You should know this: send the kids away, open your mind and experience real cinema that can't be bought by the major studios.This is for film lovers. Watch it now.***Final thoughts: These were just my collected thoughts tonight. Again, I will be watching this all over again tomorrow night. This kind of pleasure of cinema only comes around every couple of years, if that and cannot be contained to just one viewing.
subxerogravity Even though only a section of the film is animated using rotoscope, the whole movie has an indi comic feel, like Love and Rockets of Ghost World (which was made into a film) The animation looks like it's the same as A Scanner Darkly, possible done by the same animation team, but in A Scanner Darkly it seems like the animation was a bigger arch.It's an interesting circle about three people. Emma who works at a Factory that makes sex dolls, draws pictures of herself being a beautiful busty femme fatale, an image that the guy she's sleeping with finds absurd. In retaliation, she draws her dream guy, Eddie, a hot Spanish action film director who's doing a film he plans to use to take himself serious, but comes across a little problem when Emma, unhappy with her new boobs decides to get rid of the "package" that made him a hot commodity in Hollywood, and effects the making of his film about Michelle, a Brazilian model tired of being judge on her looks, who goes home to write a novel that just so happens to be about Emma.It's a nicely layered story and becomes very surrealistic, as all three story tellers take us through their creative process, and if anyone knows anything about the creative process, the story goes through constant changes which switches the tone in order to make the story work. It's a very unformulated movie that goes from the tame to the outrageous, and keeps me captivated with some very interesting personas moving on the screen. cinemagardens.com
clarkj-565-161336 Just saw this at TIFF several nights ago. It was a welcome change as the movies I had seen up to that point were excellent, but very heavy. In math there is this concept of a complex number consisting of a real part and an imaginary part. Many things in nature cannot be modelled by a real number alone, but need complex numbers. So the analogy in life is that we have our imaginary life and visions and these in turn influence are real lives which in turn generate more visions etc. They both exist together and not separately. The movie is a mixture of film and animation and it works very well. Emma draws a character who directs a movie who's actor is writing a novel. They all interact and involve each other. Very amusing, nice mixture of Canadian and Brazilian humour.