Dorathen Better Late Then Never

MoPoshy Absolutely brilliant

Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

chochscheid Slow and contrived with bad acting. Season 2 is literal trainwreck.

steve-terranova I am on episode 4 and it's like watching a train wreck. The script is non-sensical, the acting is bad, the characters are mostly loathsome and the series of bizarre coincidences (mother of the crazy dude is the nurse for the guy grandfather in the nursing home, reporter finding the girl, dog walker appears in more than one silly plot line, there is a big running race with the annoying reporter as a participant, the race running right along the scene of the lake right when the kids were trying to get a boat ride - I could really go on...) . I checked online to see if there were bad reviews for this thing for my commiseration, but it seems to be getting decent reviews. I am baffled. I weep for humanity if this is considered a good series.

benjamin-twist This five part BBC drama is a bit like it's other flagship drama The Streets. That is well made, well acted with some interesting story lines but is confined by the Show's premise that all the characters live in the same street which limits what happens to them.Five Days is similar in so far as limiting the action to five days it gives little room for the story to breath. And the title implies that the action takes place over five consecutive days but it doesn't, so why bother? But what a disappointing story it is. Like the last series it starts off well with the discovery of an abandoned baby in a hospital and death of a young girl who jumped in front of a train. Was she pushed? Is there a connection between her and the baby? And we meet various characters who are on the train whose lives are connected in more ways than one.But as the episodes progress it becomes more apparent that they are going to have a hard job successfully tying up all the loose ends. It's it a bit far fetched to believe that the driver of the train is in a relationship with a woman who is seemingly responsible for the death of the person who jumped of the bridge. Also there is a lot of stodgy stuff about the Muslim faith and a couple of young men who have been to Pakistan for terrorist training. All this bogs down the plot rather than enhancing it and it's hard to see what message the writer is trying to convey. We get to the last episode expecting answers to all the questions raised earlier but a lot of these are mentioned almost in passing and you are likely to loose concentration waiting for something interesting to happen.The most unbelievable part of the last episode concerns the baby's Grandmother and her confused motives. She snatches the baby and takes him to the baby's mother who is a hopeless drug addict. Her plan seems to be that seeing the baby will force her to give up drugs and become a proper mother to the child. But the grandmother is also an ex-junkie and would know how difficult it is to come off drugs and anyway the girl dumped the baby in the hospital because she didn't want it. Also considering how manipulative the grandmother is it's hard to see why the baby's father would be so comfortable in her presence when they are both at the shopping centre with the social worker. She is the key to the whole story but her actions are explained in a few mumbled sentences at the end.All-in-all a great pity because the series has a good cast (especially Surrane Jones and David Morrissey) but in its attempt to be too clever it failed leaving this viewer with a slight feeling of being cheated.

paul2001sw-1 'Five Days' is billed as something special, a crime drama that consists of a series of episodes, each set on one particular day of a police enquiry. But in fact, this element of the story turns out to be rather less significant than might at first be thought, as the fact that the action in each episode is confined to 24 hours is hardly noticeable, and very little distinguishes the program from countless other crime stories. In fact one almost can't help drawing comparisons to the last 'Prime Suspect', as one of the sub-plots focuses on a single, cynical female cop approaching retirement: and it's not just the absence of Helen Mirren that makes the comparisons unfavourable. There's a lot of earnest over-emoting, manipulative music and a set of characters seemingly contrived so that each one is in some sense sympathetic, in another suspicious. And it's possible to guess the guilty party well before the end, not because of the internal dynamic of the story, but rather because of the construction of the drama as a whole: certain things must be true, to justify the way that the series focuses on certain characters at certain times. In spite of these failings, the series grew on me: by the end, I was quite gripped. But it's a sad sign that the BBC, which once made the likes of 'The Singing Detective', boasted of this of "possibly the best drama of the year": for there's little true originality on offer here, and the claim reveals a lack of ambition that is dreadfully disappointing. 'Five Days' is in fact not rubbish; but it is formulaic, and one would hope that the very best the BBC had to offer would be something a little more innovative and fresh.