Gormenghast

2000

Seasons & Episodes

  • 1
  • 0
7.2| 0h30m| NR| en| More Info
Released: 17 January 2000 Ended
Producted By: BBC
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.pbs.org/wgbh/gormenghast/home.html
Synopsis

At the Castle of Gormenghast, the Groan family has ruled with dusty ceremony for more than seventy generations. A clever and ambitious new kitchen boy, Steerpike, begins to insinuate himself into the affections of Lady Fuchsia Groan and to murder his way to power.

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Reviews

Matialth Good concept, poorly executed.
Breakinger A Brilliant Conflict
Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Larry ` (hikergimp) I'm an avid reader and found the Gormenghast novels in a friend's book collection and was planning on reading them when I got the chance.He suggested I could also watch the miniseries, which I did not know existed either. So I cannot yet compare the two to each other. I did however like the miniseries. It was well written and very well acted.Christopher Lee was at his usual best. A surprise (probably just to me and maybe not to others) was Rhys Meyers. I was never really impressed by the authenticity he brings to his roles. However in this movie I HATED him, and I mean that in a good way. I really hated his character, he did a fantastic job; I guess now I'll have to watch some more of his work.The sets were incredible.This is one instance where I'm hoping the books will be as good as the movie.
sissoed I first read the Gormenghast trilogy when I was a moody teenager and they carried an impact I still feel years later. It is a shame the video could not capture the languid atmosphere of the books but I suppose it can't be helped given the limitations of video. I was concerned that the presentation would contradict my own visualization of the characters, but to the contrary the presentation was dead-on. Rather than contradict the books, watching the video was more like seeing the same story but from a different perspective, focusing more on the characters and less on the environment.My main criticism is that the screenwriter (or director or producer, whoever controlled the script) didn't really understand one of the main messages of the books. This comes through in the mishandling of the key character of the Master of Ritual, called the Secretary in the video. Changing the title was a mistake. And so was the change in the character. In the books the first Master of Ritual is old, quiet Sourdust, who helps set the elegiac mood before Steerpike starts to interfere. Steerpike then kills him (accidentally) in the library fire (this is why Steerpike in his later delirium says the sisters make 5 -- Sourdust, Nanny Slagg, Cora, Clarice, Barquentine). (Steerpike did not kill and did not know what happened to Sepulchrave or Swelter, only Flay knew). Steerpike's fire brings nasty, cussing Barquentine into the book, and that is what first causes the mood to change. But in the video, it is nasty Barquentine from the start (although because he isn't named until much later, you think at first it is supposed to be Sourdust). Sourdust is simply deleted. The result is that in the video you always have the nasty element, and Steerpike has no responsibility for it. A key point of the books, however, is that Steerpike's ambition is what causes the mood of the castle to change. I should have thought the screenwriter would be more careful about cutting Steerpike's first murder. The author, Peake, knew what he was doing by starting with Sourdust and having Steerpike kill him.The title of Master of Ritual is important for another reason, a reason that should have prevented the director from changing the title to mere Secretary. It is such an important point: in that castle, Ritual is master, so the Master of Ritual is the true master of the castle. Steerpike wanted to be Master of Ritual because he knew that in that role he could control the law; it was where the real power was. As Master of Ritual he could surreptitiously change the rituals, because no one else could understand their intricacies. In this way he could set everyone dancing to his commands. The Groans were puppets of the Master of Ritual. In the books ritual is all-powerful. Recall that in the video Barquentine complained that Sepulchrave's breakfast was not part of the ritual. The meeting in the library came about only because of the breakfast, wherein Sepulchrave defied the control of ritual, to plan an act (the breakfast) intended to show his love for his son. Yet that led to the burning and Sepulchrave's madness and death. Sepulchrave's penalty for defying ritual was terrible. Steerpike wanted to marry Fushia and thus combine in himself both the control of the ritual, and be the central player in the ritual. But the dedication of the loyal servant of ritual, Barquentine (who burned Steerpike and made him mad) and the loyal servant of nobility, Flay (who relentlessly tracked Steerpike) along with the goodhearted, intelligent Prunesquallor and the heir, Titus, defeated Steerpike, preserved the ruling family, and thus preserved the ritual. Then Titus, having preserved the ritual, flees it, because he knows it is too powerful to defeat. I think a more understanding screenwriter would have developed these themes more clearly and still had a compelling drama.Lastly, I was disappointed in the flooding sequence and the hunt for Steerpike, which was very compressed in time and in visual scope; this should have been developed with sweep and steadily-building tension. I would have preferred they cut or compress the Bellgrove/ professor sequences entirely to devote the time to a really powerful climactic flood/hunt sequence.
smeg_007 Terrible acting, especially from Celia Imrie, who frankly has done some great work in the past. I sat through the whole of this but it wasn't till someway through I realised that she (as in her character) had not changed her expression once, poor acting not hiding the fact that this is really a gentle actress trying to be a tough old boot, and failing miserably. The acting highs are Meyers and Lee, who actually succeed in bringing some class to this peasant of a BBC production.The plot here is fairly simple, but the execution on screen was pure rubbish. It actually started well, the first episode left me eager to see the next, though I was already aware of some of its shortcomings. I was not prepared for the fact that the story had no consistency after this point, and I really felt the need to look at the clock to estimate how much more I had to sit through. I'm sure the book is better, as seldom can the book fair worse than the screenplay, but frankly i'm put off reading it by the thought of sitting through three or four days more of this predictable, clichéd run of the mill, less than mediocre, slapped together screenplay.
Iwannabeadwarftonight Not bad at all! The second episode is the highlight with Ian Richardson portraying the maddening lord Groan with stunning skill. Christopher Lee makes a very sympathetic Flay and John Sessions is terrific as dr. Prunesquallor. Jonathan Rhys Meyers makes a wildly energetic, charismatic and devious Steerpike, which strays from the cold and rational young man depicted in the books. Neve McIntosh is far too old to play the young Fuchia of the first two episodes, but otherwise its hard to fault her. The costumes and the indoors set design is marvelous. The outdoors scenery however is sometimes plain ugly and looks low budget.

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