bkoganbing
Before Steve McGarrett had Danno booking them, before Thomas Magnum started sleuthing out of the guest house of the Robin Masters estate, this duo of Anthony Eisley and Robert Conrad had a detective agency in Honolulu in this first television series to be based out of the Aloha State, Hawaiian Eye.Looking back if I was Robert Conrad and Connie Stevens I'd feel very cheated that Jack Warner didn't bother to spring for a location budget to Hawaii. The entire series was shot on the Warner Brothers sound stage with some establishing footage to make sure you knew it was Hawaii. This was good back in the day when you could have Dick Powell in Flirtation Walk singing Aloha Oe to Ruby Keeler on the sound stage, but audiences wanted more than that. At least movie audiences did. For the small screen Jack Warner and the rest of the brothers wanted things economical.In fact though Warner proved to be quite shrewd in plunging headlong into television production. His son-in-law William T. Orr produced all those westerns and detectives shows that were sprouting like weeds all over TV Land. The sponsor's money for these shows kept Warner Brothers out of the red like other studios were going through.Robert Conrad and Connie Stevens who was the gal pal of both Eisley and Conrad got their first big breaks in Hawaiian Eye. They're the reason the show is remembered today. Anthony Eisley never quite caught on the way the other two did. Hawaiian Eye was a cloned show as was Bourbon Street Beat and Surfside Six of Bill Orr's first success, 77 Sunset Strip. Many times the same plots were used in episodes of the different shows. And the detectives on one series were probably required to do box office duty and make guest appearances on each other's shows, which they did frequently. Talk about a good neighbor policy.Still Conrad and Stevens ought to feel cheated that they didn't get to go to Hawaii for Hawaiian Eye.
schappe1
This was one of four detective shows from Warner Brothers, four of a couple dozen series they did for ABC, (that MADE that network), from the mid 50's to the early 60's under the stewardship of William Orr and with the creative genius of Roy Huggins, (who later came up with the best show of all time, "The Fugitive"). Huggins had fancied himself a detective writer in the 40's and came up with Stuart Bailey, an Ivy Leaguer with a background in World War II intelligence who set up his own detective agency in Los Angeles. When Huggins became a story editor for Warners, it was decided to create a show around the Bailey character, 77 Sunset Strip, which debut in 1958. They gave Bailey a partner, Jeff Spencer and created the character of Kookie, the parking lot attendant, for comic relief. It set the stage for the other three, similar shows, each with a pair, (or three) handsome detectives operating in glamorous or exotic locations. Warner's learned you needed a pretty girl involved and the comic relief. they also learned from "Peter Gunn" that a musical interlude would occasionally be welcome.
"Bourbon Street Beat", set in New Orleans, debuted in 1959. So did "Hawaiian Eye", from Honolulu and in 1960 came "Surfside Six" from Miami Beach. Each had a catchy theme tune from Mack David and Jerry Livingstone. The plots were not very inspired but serviceable, (they serviced many episodes, being frequently reused). Sometimes, Warner's would do versions of novels they owned the rights to or TV remakes of some of their classic movies of the past, such as "Strangers on a Train" or "Dial M for Murder", in the guise of episodes of these shows. Characters from one show would show up on another, either in crossover episodes or full scale transfers of characters to be new members of the casts. This was easy because the shows were not shot on location: it was all done in LA.The real difference in the shows were the cast members themselves. "77 Sunset Strip" had the charming and talented Ephram Zimbalist Jr. and Roger Smith. It also had the "Fonzie" of the 50's, Edd Byrnes. But it lacked a significant female regular or the musical interludes. "Bourbon Street Beat" had the charming and talented Richard Long, who took his charm and talent to Sunset Strip after BSB folded in 1960. It also had craggy character actor Andrew Duggan, young pretty boy Van Williams and Arlene Howell, a slightly ditzy southern belle. No one here was musically inclined but a jazz combo did a turn from time to time. "Hawaiian Eye" had it all. Anthony Eisley was a competent but slightly boring lead. Young Robert Konrad had the most charisma of any of them. Connie Stevens was a cute songbird who belted out the classic tin pan alley and show tunes. Poncie Ponce was a ukulele strumming cab driver who knew every place and every one or had a cousin who did. "Surfside Six" was maybe the weakest entry. Lee Patterson had some presence and acting ability but Van Williams, (over from BSB) and Troy Donahue were attractive but talent challenged. Marguerite Sierra was a cliched Latin Spitfire songstress, (who unfortunately died young of a heart ailment). Diane McBain was attractive window dressing.The other main difference was the setting. "77 Sunset Strip" was about glamorous people up to no good or international intrigue, (and Stu Bailey traveled a lot more than these other guys did). "Hawaiian Eye" was exotic- perhaps a little too much so with an occasional embarrassing story about witch doctors and voodoo type curses and such. Natives were played by guys from Jersey and Chicago in the grand tradition. Surfside Six had a beachboy look to it. Bourbon Street beat was darker and more mysterious. New Orleans at that time was not a tourist trap but a relic of the old south in which Miss Havisham's cake might have seemed at home.But they were all pretty solid entertainment. If you liked one, I'm sure you'd like them all- if you could find them. They are all in black and white, so cable stations are loathe to show them It seems that the moment a younger audience sees those monotones, they turn the stations. It's too bad. They don't know what they're missing.
Steve Tarter
I always enjoyed "Hawaiian Eye" as a kid--I think I wanted to be a white-suited private eye based in Honolulu. My favorite character was Anthony Eisely and I was always a little ticked off that he was replaced by girl throb Troy Donahue in the last year of the series. There seemed to be a good camaraderie between the "Eye" gang with Connie Stevens as the cutesy little nightclub singer/ gift shop operator and taxi cab driver Poncie Ponce and the private eyes. Also interesting were the "crossover" shows when "77 Sunset Strip" characters hooked up with the "Eye."
dhines5703
Was a big fan of this show when it first came on. "Cricket Blake" was my first "true Love" and Tom Lopaka could do no wrong!! The story lines were good and this show featured some great guest stars. Loved the music and could always count on a good fight or two. I have 15 episodes of this show and still thoroughly enjoy watching it. Anthony Eisley, Grant Williams and Troy Donahue were way too cool. I always thought that this series was better than 77 Sunset Strip. I know that Grant Williams died in 1985, however the rest of these guys are still around. Would be nice to update this and have the sons and daughters of my heroes now run the detective agency. By the way, Bob Conrad should still be working.
