Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Sanjeev Waters A movie that not only functions as a solid scarefest but a razor-sharp satire.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Kayden This is a dark and sometimes deeply uncomfortable drama

dougdoepke It's hard to be objective about a series designed to raise the strongest political emotions. I should say that I haven't seen an episode since the show left the air 50-some years ago. I did, however, grow up with the series and share in its political assumptions. What I couldn't see then, but do see now, is how much a creature of its time it was. I think it's probably telling that the series-- to my knowledge – has never been revived or syndicated since the original showing. As I recall, the show worked well enough strictly as entertainment. The episodes followed a formula as most series do—Herb (Carlson) would learn of some nefarious red doings, consult with FBI man Dressler (Zaremba), foil the doings, and end the show with an instructional on the many insidious appeals of communism. Drama grew out of thwarting red plans and avoiding exposure since Herb was an undercover FBI informant. I don't know how good the ratings were, but I can see the show being kept on the air regardless of popular ratings.Two general points are worth noting, neither of which makes specific assumptions about a series I haven't seen for decades. First, the program comes out of a formative Cold War period in which the complex dynamic of Marxism and anti-colonialism was reduced in the public mind to the simplistics of good vs. evil. Put briefly, the series functioned as a popular reflection of that McCarthy period in which self-serving stereotype replaced real world complexity. Ironically, however, it's the same simplistic perception of good vs. evil that underlay much of the trauma of Vietnam ten years later, when the extreme disconnect between American beliefs about the war and the actual realities resulted in a domestic crisis at home and mutiny in the ranks abroad. In short, Americans of the 50's were woefully unprepared for the complex political realities evolving outside their TV sets. A longer-term consequence, I believe, of propaganda products like Three Lives.Second, during the three years of series run-time (1953-56), covert arms of the US gov't were directly responsible, we now know, for subverting at least two popular democracies abroad—The elected Arbenz gov't of Guatemala (1954) and the elected Mossadegh gov't of Iran (1953). Rather odd behavior, I believe, for the touted defender of democracy as the McCarthyite period presented our side. I wonder what Philbrick and Dressler would have said about our own sneaky subversives, keeping in mind that in democratic theory the will of the people is sovereign above all else. These brief points are not intended as an apologetic for Soviet communism. I'm sure they propagandized their own people with similar stereotypes about the West, that is, when they weren't busy crushing dissent in their own part of the world. Instead, these points amount to a way of putting together a more critically realistic perspective than what we're force-fed in the media and by long-ago shows like Philbrick's.In reflecting back on that time, I think it's important to keep such considerations as these in mind. At any rate, It's too bad the episodes aren't available for viewing even now 60-years later. I think they'd still be as provocative and even relevant in today's world, though maybe not in the way intended.(In passing—for readers too young to recall context. When Khruschev made his reckless "We'll bury you" remark, he was referring to out-producing the West, not to mass murder. Too bad it's since been retailed out of context, but I guess that's the sort of thing I've been talking about.)

reptilicus I watched this show at first out of curiosity and I laughed just as many of my generation probably have . . .or will. Then I started researching that era and now I know they were deadly serious when they made that series! This was the sort of thing that Americans were truly fearful of, a Communist takeover. This was just as serious in the 50's as a Chinese invasion was in the late 1930's. Okay so maybe they dramatised things but they did that in "Dragnet" too, right? This was American propaganda made to make Mr and Mrs. Average American believe that Commies were around every conner trying to subvert the mentality of Post (Korean) War America. This could have been what led to people building fallout shelters instead of swimming pools and schools teaching kids to "duck and cover".Okay, so maybe I got a little heavy handed in that last paragraph but watching the adventures of Mr. Philbrick led me to wonder just how much of it was Hollywood and how much was real? A certain Mr. Kruschev did promise "We will bury you without firing a shot!" so I really began to wonder and started watching the episodes with a less cynical eye. The one about vacuum cleaners that were really missile launchers smacked of the gadgetry that proliferated the James Bond movies of the 1960's but then, where did they get that idea? The one about taking over an American newsreel company and making propaganda movies seems unreal too but then, remember wasn't the US Government doing the same thing at the same time too?Today watching "I Led Three Lives" gives me a chill. Everything they were talking about might really have happened. Perhaps all that paranoia was not unfounded. Mr. Herbert Philbrick, wherever you are, thank you.

info-9519 I recall the series very well and always tried to watch it. The series portrayed Mr. Hoover and his bureau as a professional, passionate, serious operation. I was a believer then. However, after Hoover's death, quite a bit was focused on how his bureau was run during the '50's and '60's, and his own hatred for Communists. A PBS program even depicted him as a power-hungry tyrant and a homosexual. Taking my own limited knowledge of the 1950 decade while growing up as a child, this TV series was very good. And, as far as Hoover is concerned, he knew how to handle the bunch of politicians in Washington probably better than anyone else. It would seem that this series is on some form of blacklist, as it never appears on cable, satellite, or independent TV channels running old shows. Why this is, I don't know. But, maybe after Mr. Khruschev's speech at the UN in 1960; "We Will Bury You", the country is in the form of being buried!

lobianco "I Led 3 Lives" Was Lee Harvey Oswald's favorite TV show when he is young boy Living in Forth Worth, Texas. This was confirmed by his older brother during his interview on "Frontline" Lee was immersed in the series during the 1952 Season. After his older brother left to the Marine Corps. Lee was intrigued by the idea of a man creating a new and separate identity. The early Black and White Espionage Television show was based on the true-life exploits of Herbert Philbrick, an FBI agent who worked undercover as a communist sympathizer infiltrating communist cells and suspected subversive groups. His love for the show was also noted in the Warren Commission Report.