I Spy

1965

Seasons & Episodes

  • 3
  • 2
  • 1
7.2| 0h30m| en| More Info
Released: 15 September 1965 Ended
Producted By: 3F Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

I Spy is an American television secret-agent adventure series. It ran for three seasons on NBC from 1965 to 1968 and teamed Robert Culp as international tennis player Kelly Robinson with Bill Cosby as his trainer, Alexander Scott. The characters' travels as ostensible "tennis bums", Robinson playing talented tennis as an amateur with the wealthy in return for food and lodging, and Scott tagging along, provided a cover story concealing their roles as top agents for the Pentagon. Their real work usually kept them busy chasing villains, spies, and beautiful women. The creative forces behind the show were writers David Friedkin and Morton Fine and cinematographer Fouad Said. Together they formed Three F Productions under the aegis of Desilu Studios where the show was produced. Fine and Friedkin were co-producers and head writers, and wrote the scripts for 16 episodes, one of which Friedkin directed. Friedkin also dabbled in acting and appeared in two episodes in the first season. Actor-producer Sheldon Leonard, best known for playing gangster roles in the 1940s and '50s, was the executive producer. He also played a gangster-villain role in two episodes and appeared in a third show as himself in a humorous cameo. In addition, he directed one episode and served as occasional second-unit director throughout the series.

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Reviews

mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Brian Washington This show was very unique when it comes to spy shows that were on television at the same time. Of course, the fact that it was one of the first shows to feature an African-American in a non-demeaning role made it unique as well as the humor, but there were other factors that helped make this show one of the most memorable of the 1960's. First, it was probably the only spy show that didn't rely on any special gadgetry as was the norm on shows like Mission: Impossible, The Man From Uncle and even the Wild Wild West. The two spies had to rely on their wits in order to take on their weekly antagonists. The second thing that was very unique about the show was that it relied on heavily on characterization. The characters of Kelly and Scottie were probably the most fleshed out characters on not just shows dealing with international intrigue, but of any show in that era. However, the most interesting aspect of this show was the fact that the characters actually questioned why they were in the business. Of course, this was in the middle of the Cold War, where loyalty was never an issue on the various spy shows, but this was probably the first one where the characters actually would question why they were being sent on these missions.
pa28pilot I was quite young when this series was filmed, but remember the re-runs quite fondly. I have to echo the sentiments I've seen expressed. After finding 2 seasons of episodes on Hulu, I have engaged in an orgy of I Spy watching.I don't think that we in modern (2009) American culture really remember just how recently it was that the rest of the world was truly mysterious. In the 1960s and early 1970s, going out for Chinese food, even in New York and some other cities with Chinatowns was a bit of an event. We certainly didn't have 10 places that would deliver cuisine from pretty much any culture of the world directly to one's door, as even the suburbs often do today.It is with that backdrop that I would call any prospective viewer's attention to the often breathtaking location shots in this series. Not only do you get a real feel for how various parts of the world looked, but you get to do so in a time when telephones weren't always right there in a pocket, and a car was a massive yet often stylish thing.In a time now when it seems no drama can run for more than 10 minutes without something exploding, I Spy still holds the attention of the viewer, transporting them to places we've not been (and can't go back to in time), while presenting themes that recur even in a post-Cold War world.Alexander Scott is a genteel man, but in no way effete or effeminate, despite his education. He also was someone who came from the city and worked his way to an exceptional education. Scotty tries, wherever he is in the world, to be the antithesis of the "Ugly American", but is a patriot at the same time. His skills as a polyglot certainly don't hurt. Kelly Robinson is a little more coarse than Scott, but not above finding opportunities for adult frivolity and perhaps even silliness. Though occasionally falls off the straight-and-narrow, is an upstanding guy by most modern standards. As someone who has lived and worked in the vicinity of Washington, D.C. and the government it houses for most of my life, I find it refreshing that these characters can discuss some of the moral vagaries around their jobs and missions without immediately leaping (as characters seem to in modern movies) to defection or total dissipation. (Don't even get me started about the first Mission:Impossible movie.) Yes, sometimes they face some difficult ethical choices, and they do the best they can, but as you'd expect, some choices weigh more heavily than others on them.The thing that makes I Spy resonate with people is that these two seem like normal guys. Granted, one is brilliant and they're both very highly trained to do an exotic job, but they're all too human while still, in some humble way, being heroic.
P_Cornelius What a tremendously influential series was I Spy. Both for American television in general and the individual viewers who had the opportunity to tune in every week back when it first aired. Me, in particular. Thanks to I Spy, and the debonair Kelly Robinson, I first took up a tennis racket and began a love affair with the tennis court that continues to this day. But even far more influential than Robinson and tennis, there is Alexander Scott.When it was all said and done, it was Bill Cosby's Alexander Scott who remains most vivid in my memory. Witty. Intelligent. Sophisticated. Lethal. Yet restrained in emotion and reserved in manner, he never forgot his respectable lower middle class big city origins. Nobody has ever encapsulated the qualities of the American hero better than Cosby in this role.You simply have to watch the entire series to appreciate the greatness of Cosby's performances. While his persona was intense, it was never out of balance, out of control. Cosby never played the fool. Which could not be said of his partner, Kelly, who was always going off the deep end, whether out of anger, depression, or joy. Kelly might go on a month long drunk, lose himself in a quest for revenge, or, just about every week, foolishly fall into some hopeless love affair. No matter. Scott was always there to save him, reel him back in, make everything OK and save the day.And there's something else about these two guys. They were always loyal patriots. If their government sometimes involved them in shady acts and moral compromises, they never reacted by turning on their country or their own kind. They knew they faced a greater evil. And they knew that only they (and their fellow agents) stood between their friends' and families' way of life and countries, the USSR and Communist China, in particular, that were ready and eager to subjugate them all.Finally, the runtime of this series is usually about 51 minutes. What a luxury to see a TV series that has the time to spin out a story AND delve into meaningful character development.
Victor Field Apparently only one comment a year is allowed for this show, so here's 2002's.The misgivings that I've got about the Eddie Murphy/Owen Wilson take on "I Spy" would seem to be justified by most accounts (even allowing for the presence of the scrumptious Famke Janssen), and now that Carlton Direct has closed down it's unlikely repeats of this fine spy show will be back on British television in the near future. Too bad.Unlike most other series, the adventures of Kelly Robinson and Alexander Scott (spies under the guise of a tennis player and his coach, played by Robert Culp and Bill Cosby respectively - the latter won three Emmys in succession for his performances, which are indeed easier to take than his subsequent incarnation as the endlessly self-adoring Dr. Cliff Huxtable) benefitted from actual location shooting around the world and from intelligent scripts, some by Culp himself - though not "To Florence With Love," a two-part story which had a most unusual ending in part one; our heroes are trying to get information from someone by threatening to cover him completely in plaster of Paris, and it ends with the would-be stooge about to be totally closed up. (He cracks at the start of part 2, obviously, but there's no doubt that they really would let him suffocate if he hadn't.)The chemistry between Culp and Cosby and the great theme music by Earle Hagen (plus scores from him and Hugo Friedhofer - bless Film Score Monthly for issuing a CD of music from the series) are two more reasons this plays well on TV today. If you take care with a product, it'll be good forever; which is why "The Cosby Mysteries" won't be fondly remembered 30 years from now. If ever.

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