Polka Dot Door

1971

Seasons & Episodes

  • 22
  • 1
  • 0
7.6| 0h30m| en| More Info
Released: 01 January 1971 Ended
Producted By: TVO
Country: Canada
Budget: 0
Revenue: 0
Official Website:
Synopsis

Polka Dot Door was a long-running Canadian children's television series produced by the Ontario Education Communications Authority from 1971–1993. PDD was created and developed by a team of employees from TVOntario hired and led by original series producer-director, Peggy Liptrott. Significant contributors to the creation and development of the series in 1971 included Executive Producer Dr. Vera Good who laid the conceptual foundation of the show, Educational Supervisor, Marnie Patrick Roberts, Educational Consultant L. Ted Coneybeare, Script Writers/Composers, Pat Patterson and Dodi Robb, Animator Dick Derhodge and Dr. Ada Scherman, a professor at the prestigious Institute of Child Study in Toronto who was consulted in the early stages of PDD's development and is responsible for giving the show its name.

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Reviews

Ameriatch One of the best films i have seen
Cleveronix A different way of telling a story
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Benas Mcloughlin Worth seeing just to witness how winsome it is.
AsifZamir Back in the days when budgets were spent on good writing and not special effects, Polka Dot Door was produced by TV Ontario and was a children's television series that aired 5 days a week in ½ hour episodes. It ran from 1971 – 1993. Polka Dot Door is a fun interactive kids show that features three main stuffed animals, Marigold, Humpty and Dumpty and Bear. The hosts would interact with these stuffies to teach children fun facts and even advocate for each stuffy by providing a voice to make them come alive. Another main attraction of Polka Dot Door is Polkaroo, an elusive kangaroo that would only appear to one of the two hosts of the episode and then the other host would be dismayed that he or she missed Polkaroo again. Children simply love Polkaroo with his colourful spots and he would always be so cute saying Polkaroo, Polkaroo, and would came out every so often so there was anticipation building up to see when Polkaroo would pop in.There would be different themes for each day of the week for each episode. Monday would be Treasure Day, Tuesday was Dress-Up Day, Wednesday was Animal Day, Thursday was Imagination Day and Friday was Finding-Out Day. The series is fun and interactive, and encourages children's imaginations while including a social aspect by taking them through the Polka Dot Door and into the real world. Cast includes Cindy Cook (host), Jim Codrington (host), Gloria Reuben (host) and Alex Laurier (Host). This is a must-see children's series and inspires creativity and imagination.
Electrified_Voltage It appears that "Polka Dot Door" started out fifteen years before I was born, but ran for over twenty years in total. I first saw it at a very early age, and think I saw reruns of it shortly after its demise (even though I may not have liked it as much by then, as I may have been slightly past the age group it was meant for). It may not have been one of my childhood favourites, but I still found it entertaining for a while, enough for me watch many episodes, leaving me with permanent memories.The show featured two hosts, one male and one female. The hosts of the show would change from time to time. It took place inside a large playhouse, which the hosts would enter through the Polka Dot Door. The two hosts of the episode would provide the young viewers with "songs, stories, and so much more." A group of stuffed toys, Marigold, Humpty, Dumpty, and Bear, lived in this playhouse. After the hosts came in, they would take these stuffed toys out of the box and do various activities with them. Towards the end of the episode, the Polkaroo (a mischievous kangaroo in polka dots who never said anything other than "Polkaroo!") appeared just outside the playhouse.Some parts of that description may sound a bit silly, but remember, this was a programme for the very young folk, and despite how incredibly simple it was, it pleased many of those in the age group it was meant for in Canada, as well as some in the United States! It could also be educational for them in some ways. Since the show ran for over twenty years, it was obviously very successful, and people from several generations can say they watched it during an early part of their childhood! For all those reasons, "Polka Dot Door" definitely deserves some credit.
mousseau_david Dudes, Polkaroo rocks. Who are the losers who gave it a 4? For shame! Polkaroo is a cultural icon for an entire generation of Canadians, some Americans, and even some Irish! Why, my brother once used Polkaroo as his ICQ nickname for crying out loud. Man, I can't believe that The Polkadot Door got canceled. Polkaroo, Goldilocks, Bear... Man, those were the days. The Polkadot door is what made me the man I am today. Without those cherished memories of Polkaroo's innocent, happy, naïve voice happily chanting his name, I think my scarred childhood would have been unbearable. I can honestly say without the least bit of exaggeration that THE POLKAROO SAVED MY LIFE. He is a celebrity... an icon... nay, dare I say, a NATIONAL HERO. ALL HAIL POLKAROO! LONG LIVE POLKAROO!! In the immortal words of the master himself: "POLKAROO! POLKAROO!"Regards, David
Lee Edward McIlmoyle I see a number of commentors over the year have felt the need to lambaste this perfectly innocent program. The central themes were about playing fair and making believe, and if it seems to be a simple premise, I'd like to hear where a sophisticated premise was used for a children's show that succeeded. The age group this show was created for was essentially preschool to kindergarten, and managed to coexist with the likes of Mr. Rogers and Sesame Street for decades, so it couldn't have been that gawdawful.I seem to remember the show was a sweetly naive little half hour of kindergarten teacher types directing 'children' who were really toys how to behave together. This may regarded as insidious socialization, but it was created and ran through the very liberal 70s, so that claim is paranoid anti-government nonsense.As for this show having no child actors, the toys made perfect surrogates, both because they were portrayed as childlike and because they reinforced the notion of abstraction necessary to allow children to see themselves in the same position. That level of abstraction was a necessary ingredient to instructing children to use their imagination.As well, shows that primarily feature children often ran afoul of one of two problems with child stars: amateurs and professionals. The amateurs couldn't be relied upon to react properly to the puppets and toys, and the professionals come off so rehearsed and plastic as to be offensively unbelievable.In the end, it's an argument over which philosophy for child education yields the best results. Personally, I don't think children's shows have been improved upon appreciably since the 70s, when at least diversity and imagination were openly encouraged, and the moral lessons were delivered a little more clearly without the obsequious and nauseating touchy feelie performances modern children's shows tend to use in lieu of actually explaining things to children. The assumption that children cannot or should not be told anything not relevant to playing in the schoolyard is utter nonsense.With that in mind, I'd like to offer that The Polka Dot Door was actually a wonderful preschool children's show which hasn't been improved on by the likes of The Teletubbies.

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