BroadcastChic Excellent, a Must See

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Julia Arsenault (ja_kitty_71) I had always wonder when Popeye started his animated career, until I've watched this cartoon online. I found out that this short was intended as a test cartoon to see if Popeye could work as an animated character, he was originally a character from a comic strip by a guy named E.C. Segar. This short combines my two favorite Fleischer characters coming together - Betty Boop and Popeye the Sailor. Even though Betty's appearance is more of a cameo then an full-time character in the short.The one thing that bother me about is cartoon, is Olive's voice, I didn't really like it. I really prefer Mae Questel's take on Olive, but I got to bear with what they got. My favorite scene is when Betty & Popeye do the hula on stage.

Mightyzebra Usually in old cartoons in which a cartoon character as a debut do not have the character on for very long, or they do not make a big thing of the character's personality. Here, unusually, Popeye and Olive Oyl, in their first episode, seem to already be very developed characters (almost definitely because of the comics). It was my first official time to watch a Popeye cartoon. I quite enjoyed it, but Popeye and Olive Oyl are not yet my favourite cartoon characters.Things I enjoyed about this episode were the great introduction of Popeye "the sailor-man" and his gal, Olive Oyl. I also liked the quick appearance of Betty Boop, the old style of the cartoon which was around in those days (in Fleisher, Warner Brothers and Disney cartoons), the basic plot-line and the fact that spinach works quicker for Popeye than drugs do on normal people. Go spinach! :-) Basically, in "Popeye the Sailor", we are introduced to Popeye as a strong sailor, on a boat, who likes his spinach. Then we meet Olive Oyl, in a quay, waiting for her love (Popeye) to arrive off the boat. While she is waiting a number of sailors eye her (as she is attractive to them). She punches them and they move away, except for one huge sailor who is not hurt by her kicks. Just then, Popeye comes along and takes her to the funfair, where the horrible sailor follows them...I am not sure whether this was aimed for children at the time, not all cartoons were, but if it was it is not exactly suitable for kids in this day and age. This is because the horrible sailor tries to seduce Olive Oyl a little and yet does truly horrible things to her. It does not seem so bad partly because it is in a cartoon.I recommend this to people who are interested in Popeye, to people who like old cartoons and to people who like cartoons with quite a lot of singing (yes, sorry, I forgot to mention this). Enjoy "Popeye the Sailor"! :-) 7 and a half out of ten.

John T. Ryan ALWAYS on the lookout for new material and fresh "faces" to bring to their animated films, the Brothers Fleischer, Max and Dave, had apparently struck some sort of deal with Hearst's King Features Syndicate to bring some of their humorous comic strips to the screen.* Consequently we saw the likes of 'HENRY' by Carl Anderson, 'THE LITTLE KING' by Otto Soglow and the runaway hit character from E.Z. Segar's THIMBLE THEATER Comic Strip, POPEYE.RECIPROCALLY perhaps, King Features distributed a BETTY BOOP Comic Strip in the 1930s; which was credited to Max Fleischer, but most likely was ghosted by others.EXPERIMENTATION with the newspaper strips was limited to these three; but only the only one to come around to the full fruition** for the Fleischer Brothers, Paramount Pictures Corporation and We, the People, was the gruff, squinty-eyed, bow-legged, nearly bald, red-headed, ham fisted scrapper of a seaman, Popeye, Himself. *** THE first cartoon, titled POPEYE THE SAILOR (Fleischer Studios/Paramount Pictures, 1933), was officially part of the BETTY BOOP Series; although Miss Betty graciously defers to the Spinach Man, taking a supporting, almost cameo, sort of a part as a Hula Dancing Girl at the carnival, which was the setting for the story.AMAZINGLY, this initial outing seemingly contained all of the basic elements that were Popeye stuff, right from the start. It was almost as if it was a sort of genetic code for cinematic productions; with all that would come later over the next 6 decades being present in primitive form in the very first outing.OUR STORY: Popeye meets up with Olive Oyl (they're obviously already 'goin' steady.') as he disembarks his ship for some much needed shore leave. Bluto shows up to provide some rivalry and the means of providing some fisticuffs. Miss Boop as we said before, comes in well into the second half of the picture; but manages to get in some really neat hoofing with Popeye, both being products of the Fleischers' Patented Rotoscope Process.**** REALLY, Schultz, that's about it; of course it's all embellished with plenty of those famous sight-gags, for which Director Dave Fleischer had become so well known.NONE of the other cast of Mr. Segar's characters from the strip make an appearance. There's no Roughhouse, no Wimpy, no Swea' Pea. Missing in action are Castor Oyl (Olive's brother), Sea Hag, Poop Deck Pappy and Eugene, the Jeep. However, they would all be highly visible in future cartoons, coming series in Popeye's venerable and prolific cinematic output.THE cast of voice actors was a little different than what we later would become used to. Popeye and Olive were rendered by William Costello and Bonnie Poe. Mae Questel was there, but did her usual Betty Boop; but not Olive, yet. Jack Mercer hadn't signed on as Popeye until some time later; although we did view a print of this cartoon that apparently had been re-dubbed with Mr. Mercer's unmistakable rendition of the Sailor Man's golden tones.BIZARRE is the only way that to describe many of the supporting characters; be they part of a carnival crowd or one of Popeye's co-worker sailors taking their shore leave. It seemed to be out of place (at least to this writer) to have the being anthropomorphic funny animals. Whereas this , we're certain, had been a common practice in the BETTY BOOP world, no POPEYE picture ever would repeat its use; opting for adherence to the principle of depicting only humans (and Parrots) as talkers.NOTE: * King Features' adventure strip properties such as TIM TYLER'S LUCK, JUNGLE JIM and FLASH GORDON were adapted to the screen by Universal Pictures as Cliff-Hanging Serials.NOTE: ** Oddly enough, the one cartoon "Star" Fleischer Studios had copyright on was Miss BETTY BOOP, herself. Their two most successful series were the All Color SUPERMAN Cartoons of the 1940's (owned by D.C./National Comics) and our guy, POPEYE (Hearst's King Features Syndicate).NOTE: *** Yeah, Schultz, just the same as yours truly, Popeye is a Red Head, poor guy! NOTE: **** The ROTOSCOPE is an animation production device of MAX & DAVE FLEISCHER'S which is used to make realistic animated movement by allowing animators to trace individual frames of film of live action persons and animals even.POODLE SCHNITZ!!

Movie Nuttball When this show was on I watched it every time I could! I thought that the characters were really funny and all had great personalities. The animation in My opinion was crisp, clean, and really clear. Not to mention beautiful! Most of the characters in this show are hilarious like Looney Tunes characters that we all love. in My opinion these characters are the funnies and talented ever seen. In fact, The things that goes on in this series' cartoons are in My opinion nuts which that is what makes them hilarious! There are so many to like and laugh at and the silly things they do! If you like the original Looney Tunes then I strongly recommend that you watch this show!