Breakinger A Brilliant Conflict

Twilightfa Watch something else. There are very few redeeming qualities to this film.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Mehdi Hoffman There's a more than satisfactory amount of boom-boom in the movie's trim running time.

tonynworah The Return of the Saint was a hit show in Nigeria. Who can forget the pre title sequence which ends with a halo appearing above the head of Simon Templar well played by Ian Oglivy? The halo is accompanied by the Saint jingle which then metamorphoses into one of the best credit sequences I have seen on TV. We see the Saint symbolized by the stick man as he is driving, being chased by a man, knocking the man out, jumping from a bridge into a car, kissing a girl on the beach as she suggestively throws away his halo. Awesome. The electronic music that accompanied the sequence made it outstanding.Comparisms between Ian Oglivy and his predecessor Roger Moore are inevitable with the views leaning favourably to Roger Moore. Roger Moore was outstanding as Templar but Oglivy was also a worthy successor even though both interpreted the role differently.Roger Moore played the role with is usual tongue in cheek which he would bring over to his role as James Bond. Oglivy was more intense and grim in his role, a hard thing to do with his pretty boy looks.But both men clinched it differently.Sadly, the same cannot be said for Val Kilmer in the 1997 movie which was a disaster. I remembered the expectations that I had for the movie. I early went into a Pavlovian twitch waiting for the stick man symbol, the theme song, the jingle, the halo. There was nothing in the movie to appeal to the nostalgia of the fans who grew up watching the Saint on TV. No wonder the movie bombed!

thud-5 Sorry if this offends some, but I have major problems with this series. Starting with Ian Oglivy as Simon Teplar. Now, his character name may be the same as the character played by Sir Roger Moore in the original series, but he isn't really The Saint. He is vaguely Saint-like, but is far too much a puppet of the organization for which he works.Instead of suave and cunning, Oglivy's Templar is brash. Rather than a twinkle in his eye, this new "Saint" seems to vacillate between looking slightly embarrassed and looking just bit too smug.True, I am one of those, "James Bond WAS Sean Connery" and "Simon Templar WAS Roger Moore" types. Perhaps that colors my perspective, but watching some of these episodes in 2008-09 hasn't done anything to change my opinion of the show back in 1978-79 when I first saw it. I have also gone back to watch several of the Roger Moore series recently. They hold up. Rather nicely, too. The plots are paper thin and the supporting acting is sometimes painful. I would give examples, but they would end up being spoilers.For completists out there, go for the DVD. For Ian Ogilvy fans, go for it. But, if you have warm, fuzzy memories of the original The Saint shows, don't say that one crabby old fart didn't warn you.

vgingerjar1 I watched this series when it played in the U.S. on The Friday Late Night Movie on CBS in 1978 and enjoyed it so much. I just recently purchased the 25th Anniversity Special Edition DVD set (all region) and its still great. Ian Ogilvy is simply dashing in the lead and the locations(England, France and Italy) are so beautiful. What a pity the series only lasted a year but if you own the DVD set, you will not only enjoy the episodes again but also interviews with Ian Ogilvy and executive producer John S. Baker reminisce about their favorite episodes with other behind the scenes information and stories about that fabulous white XJS. Its a must for any Saint or Ian Ogilvy fan!

sgpfan This one should really be in the trivia section for this show listing.Jaguar were originally approached to provide the car for the Roger Moore series, but turned down the request stating that they were having trouble keeping up with demand for their then new E Type (XKE in the USA).Volvo's P1800 got the role and shot to instant fame, with Jaguar kicking themselves over the missed opportunity. They bent over backwards to provide the car for Ian Ogilvy's rendition of Simon Templar, and more than one car was used - spot the difference in interior trim: episodes shot in Italy have an XJS with a black cabin, others a tan cabin! In the recently released DVD set, Ian Ogilvy commented that the XJS was magnificent to drive - when it worked! Apparently, the quality and reliability of the car(s) left much to be desired with a multitude of faults encountered throughout the shoot, despite a full-time Jaguar technician being present. The most embarrassing incident was when Mr Ogilvy volunteered to drive the car back from Italy to the UK with his family and take a vacation en route, but the car broke down on them just several miles out of Rome! Mr Ogilvy does admit that Jaguar has improved much over the years and are considered good cars today, though.