Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Justin Easton There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

sundar-2 Recently, I have been watching 'The Baron' episodes on DVD. 'The Baron' is actually better than I had expected. Many of the episodes were written by the same writers who wrote for 'The Saint', starring Roger Moore. Think of 'The Baron' as 'The Saint' with Steve Forrest playing 'The Saint' who has somehow acquired an American background and accent. So it is not surprising that this series appeals to Saint fans such as myself. Steve Forrest, the brother of famous American actor Dana Andrews, is quite good in this old British television series. He has a good screen presence and looks rugged and strong, despite being middle-aged when this series was made. The only criticism that I can make is that this show has no attractive female characters. In contrast, other British TV series such as 'The Saint', 'The Avengers' and 'Dangerman' regularly featured attractive actresses from that era.

perwilvil Boy is this show appalling, and this is unusual for ITC classics. Take a minor league American star like Steve Forrest to appeal to American audiences (supposedly), and set him up as a wealthy adventurer a la Simon Templar. It might have worked if the stories were any good, but they really weren't, and the production values were extremely cheap. The Saint had cheap production values, but this could easily be overlooked with Roger Moore's charisma and interesting stories. Danger Man/Secret Agent had comparatively high production values with some nice location/second unit work, and was probably done for similar money. If you're going to watch an ITC show, try The Saint, Secret Agent, or The Protectors.But see for yourself. Anyone want to buy a half used DVD set of The Baron?

ShadeGrenade I.T.C. made 'The Baron' as a follow-up to 'The Saint' series starring Roger Moore. Terry Nation, Dennis Spooner and Brian Clemens ignored John Creasey's books and invented wholly original plots. Some such as 'Storm Warning/The Island' had a strong 'U.N.C.L.E./Avengers' flavour. The casting of Steve Forrest as 'John Mannering' worked because there were no previous screen incarnations to judge him by. As per the books, Mannering owned an antiques shop in London, but was now a part-time agent for British Intelligence, headed by John Templeton-Greene ( Colin Gordon ), hence the scope of the plots ran from crime to espionage to mystery. The presence of luscious Sue Lloyd ( as 'Cordelia' ) further distanced the show from the Moore series. While 'The Baron' failed to replicate the success of 'The Saint' in the U.S.A., it remains an enormously entertaining show and the only screen incarnation of the character to date. It also has one of Edwin Astley's best theme tunes!

Spondonman I watched this series first time round and remembered it fondly, never got to see it again when it was last repeated in the '70's but am now trawling through the entire series on DVD. And it holds up well enough too filmed on the usual ITC shoestring budget, old fashioned though it must look to most now used to flashy nervous roving cgi camera techniques. I've only read one Creasey novel - can't even remember the title now, but I believe the series was based more upon the TV Saint, there certainly was a similarity. They both had great theme tunes as well!"Diplomatic Immunity" broadcast 28.09.66: The first episode shown on UK ITV introduced us to Steve Forrest playing Captain John Mannering (not Mainwaring), and his London-centric world of antiques and cutting-edge British security issues. Over the eps plenty of gadgets cropped up for his use a la Bond, but post-digital they all look ancient enough to be made from Bakelite! Mannering is miffed when an expensive antique is stolen by an Iron Curtain (Pamaranea) state official and he decides (with UK Govt help) to get it back with no-holds barred. Sue Lloyd playing Cordelia is invaluable to him in this aim, but mainly to us as eye-candy. Nicely judged script, but along with most of the rest of the series unfortunately almost impossible to film in such a non-pc way nowadays - a lot of pre-'70's TV is in the same boat of course.Forrest was very similar in his style to his brother Dana Andrews - chunky, chiselled and dependable, I thought the Baron suited him down to the ground and something he never bettered. Great memories of ye olde TV programme entertainment standards.