MamaGravity
good back-story, and good acting
Solidrariol
Am I Missing Something?
Abbigail Bush
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Monique
One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.
flibberty gibbet
A tutor - Miss Tightclench tells her pupil's mother; "She will be starched to rigidity!". If like me, you find this clever and amusing then you will enjoy The Bleak Old Shop of Stuff. If you don't, then you won't.I loved the referencing, the visual imagery, the casting to a man, I found the diction especially enjoyable - I've never read any Dickens but if the general opinion that this is a nod to him is anything to go by, I am sorely tempted.My only criticism would be that the writers held back a little, maybe thinking their comedy wasn't mainstream enough. If they make any more then hopefully they will really let rip!Joyfully disregarding the lowest common denominator. Give me more.
dspot6
1. Think of a wacky and innovative new idea for a sitcom based in Victorian England. 2. Knock together 6 half hour long scripts containing witty dialogue which can instigate genuine reactions of laughter from an audience. 3. Assemble a cast of experienced successful comedians and comedy actors and some new faces. 4. Hand them scripts and ask them to act out the scenes in full costume.Sounds like a perfect plan.Until you watch the show and realise that the Emperor has no clothes.Will it improve and become more coherent as the episodes accumulate? One can only hope so.
Blubius Gishroom
I thought it a smashing success in so far as it managed to uncover our expectations towards these oldy-timey-feely Christmas programs and build up a not-altogether-unpleasant-to-the-eye caricature or formula of the whole business. In our silly and trusting ways, we incline towards taking that, which is portrayed in a more serious manner, as trustworthy representation of actual fact, or indeed merely more likely to convey 'the way it really-really was', the selling of dodo-crisps or what have you is perfect in so far as it exposes the core of the genre (and of the entire medium, while we're on the subject) as something that is wholly constructed and artificial. One wasn't 'sucked in' as with films that are more tightly woven, but the characters, albeit superficial, were still entirely charming on an as-is basis and as the unnaturalness disturbed the viewer, it also set off a thought process thereby also including the them, which is something that these mini-holidays usually don't succeed in doing. So nods to Messrs Mitchell, Webb and Fry.
nephihaha
Normally I'm a great fan of surreal humour, but someone please tell Mitchell and Webb that they're not funny, and that Stephen Fry always plays himself (at least not since Jeeves and Wooster). This was mostly a bunch of random, and not very funny lines strung together.Oh, and it's riddled with cheap CGI too.This was a great opportunity for sending up Dickens, but it went down like a lead balloon. I watched "Rev" and "Life's Too Short" not long afterwards - and was stunned by the contrast in writing, acting etc. This programme was written and acted by people who are incredibly self- satisfied, and think they're cleverer and funnier than they actually are.All the usual suspects turn up on this programme - you know the ones always on QI, Have I got News for You, Never Mind the Buzzcocks and Mock the Week. All of these shows are quite good, but you have to ask exactly why the BBC is hiring these same folk repeatedly, or using the same production companies/agencies. Bit of a closed shop really.I give this show two stars for one reason, Johnny Vegas is its saving grace as the Artful Codger. Definitely one to avoid...