Welcome to Pooh Corner

1983

Seasons & Episodes

  • 1
7.8| 0h30m| en| More Info
Released: 18 April 1983 Ended
Producted By: Walt Disney Television
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Welcome to Pooh Corner is a live-action/puppet television series that aired on Disney Channel, featuring the characters from the Winnie the Pooh universe portrayed by actors in human-sized puppet suits, except Roo, who was originally a traditional puppet. The animatronic costumes used for the characters were created by Alchemy II, Inc., headed by Ken Forsse who later created the toy sensation Teddy Ruxpin. It was first aired on April 18, 1983, the day Disney Channel was launched, being the first Disney Channel Original Series. Its timeslot for its early run was at 7 AM Eastern Time, making it the first program of the Disney Channel's 16 hour programming day. The series was partially Disney Channel's first original series. Hal Smith, Will Ryan, and Laurie Main were the only three actors from the original four Pooh shorts to reprise their roles here. The show's title derives from the second Winnie the Pooh storybook, The House at Pooh Corner.

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Reviews

Laikals The greatest movie ever made..!
Evengyny Thanks for the memories!
Protraph Lack of good storyline.
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
TheLittleSongbird This said, I don't really consider Welcome to Pooh Corner as just a "kids" show. It is just a wonderful show, that appeals to both kids and adults.I loved the colourful settings/sceneries, and all the characters apart from perhaps Roo occasionally all look convincing. The songs are simply fabulous, the melodies are inspired are the lyrics are relate-able and delightfully droll.Welcome to Pooh Corner was also superbly written, with original thoughtfully-written story lines with interesting and important lessons and the dialogue humorous and charming.All the characters are engaging and have distinct personalities, and the voice acting is consistently good particularly Hal Smith(for me the best Pooh voice after Sterling Holloway) as Pooh.Overall, a wonderful show and one of the best "kids"(though adults will find much to like about it too) shows there ever was. 10/10 Bethany Cox
sallysunrise My words will be inadequate to describe how good "Welcome to Pooh Corner" is. No other children's show comes close to the quality of this series. I would be willing to pay big bucks to have the entire series (all 120 episodes) on DVD. If that ever happens, I hope it will include bonus materials to tell us how it was done--who wrote the scripts, did the music, manned the characters, did the voices, etc.Every episode had warmth, humor, and charm, and taught good values. This show appeals to adults as well as children. The songs were fabulous. How did the actors make those puppet heads convey such emotion and how did they synchronize the voices with the facial expressions? The backdrops and scenery were beautiful also. What an amazing bunch of talented people worked on this show! I watched "Welcome to Pooh Corner" with my sons when they were little and now with my granddaughter. I wish I had recorded every episode from the Disney Channel, but I only got 9 of them. Then I bought the 6-volume tape series. But all my videos are worn out from repeat viewing, so I would dearly love to have this on DVD. All 120 episodes, please! I would buy copies for grandchildren and friends, as well as myself. This is too good to disappear. Please bring it back!
telepress When Disney was blazing the trails of the relatively new cable market, "WELCOME TO POOH CORNER" was the cornerstone on which the young channel survived. The show itself is borrowed from a 1930s Americanized version of Pooh stories which were first performed by the then famous, Sue Hastings Marionettes, at Radio City Music Hall, in New York. That was when audiences heard Pooh's voice for the very first time. newly adapted from Milne's text. For the next twenty years or so, Ms. Hastings and her marionettes, under license from Stephen Slesinger, Inc., performed Winnie the Pooh at Children's Theatres around the country and for many prominent children's charitable events. In 1946 a filmed version of the marionette shows was aired on experimental television in New York City. Slesinger chose marionettes to dramatize Milne's stories and verses, principally because animation was too costly. Apparently Disney chose this medium for the same reason when launching the Disney Channel. The rights to perform Pooh on television was licensed to Disney in 1961 and in 1983 by Stephen Slesinger, Inc. who still owns those underlying rights, among other media and trade rights.Evident within the textural composition of each episode of "Welcome to Pooh Corner" is a younger and more comfortable Disney Company as well. These shows were produced just before the company was propelled to the front lines of the mega media conglomerates. But their charm still shows right through, even though much slicker technologies flood our senses today.Enjoy these early Disney Channel shows. They aren't making them like this any more.
tangoyank Just to add a few comments to what's already been written...I, too, really loved this show when I was a kid. It aired on The Disney Channel back in the days when the entire channel was built around Disney characters (now it seems aimed at young teenagers and tries to compete with Nickelodeon).This show used full-bodied costumes with animatronic heads for all of the Pooh characters except Roo (who was sometimes a sophisticated puppet, and at other times was played by a dwarf in a small body costume).The show did not use traditional sets in most cases but instead was filmed against blue-screen. However, unlike most mid-80s use of blue screen technology, this actually looked quite realistic and did not have the awkward or fake look that most blue-screen of the era exhibited. This show had a companion show called "Dumbo's Circus" that was made a few years later and used the same technology very effectively (that show had Dumbo and a bunch of new characters that were never seen outside this series).The show had an interesting structure. Each episode opened with an older-British-guy host (not Sebastian Cabot, though) who would begin reading from a Pooh story book and then you would go into the story. The main story lasted about 20 minutes, and then there were two more segments. The first was a music video for one of about ten or so songs they used over and over. The last segment was usually some sort of game, educational segment, or craft demonstration with one of the Pooh characters would speak directly to the camera and interact with the voice-over of the narrator. This was supposed to be a "practical" segment that taught something kids could learn and use, as opposed to just entertainment. Then there was a very catchy closing song that was used every day (the lyrics went something like "Toodle-oo, So Long, and Goodbye," and it was the best kids' closing song I can think of besides "The Song That Doesn't End" from Shari Lewis and Lamb Chop).Unlike most of the other Disney-produced Pooh shows, this one had original stories that did not come directly from the A. A. Milne books. It was really well-written and could entertain adults as well as children. It was not a baby-ish show. There were numerous holiday-themed episodes - I have specific memories of watching this show on Christmas morning.This show is really unique, original, and timeless. It has a visual sense unlike anything I've seen before or since (except it's sister show "Dumbo's Circus"). I'm not sure why Disney doesn't use this technology anymore becuase it doesn't look dated at all. What was so impressive about this show's look was that the colors were so vibrant and sparkled so brightly. As others have suggested, I wish Disney would re-run it or at least put it out on DVD.

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